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Carl Reinecke - Symphony No. 1, Violin Concerto, Romances Ingolf Turban, Berner Symphonie-Orchester, Johannes Moesus Жанр: Classical, Orchestral Страна-производитель диска: Germany Год издания диска: 2007 Издатель (лейбл): CPO Номер по каталогу: cpo 777 105-2 Дата и место записи: 23-24 сентября 2004 (5-9), 12 октября 2004 (1-4), Grosser Saal, Kultur-Casino Bern Аудиокодек: FLAC Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 01:13:18 Источник: собственный рип Наличие сканов в содержимом раздачи: обложки + полный буклетТреклист: Carl Reinecke (1824-1910) __Symphony No. 1 in A major, Op.79 1._I. Lento - Allegro con brio 2._II. Andante 3._III. Scherzo. Molto vivace 4._IV. Finale. Allegro ma non troppo - Allegro molto quasi presto __Violin Concerto in G minor, Op.141 5._I. Allegro moderato 6._II. Lento 7._III. Finale. Moderato con grazia 8._Romance for Violin & Orchestra in A minor, Op.155 9._Romance for Violin & Orchestra in E minor, Op.93 (Prelude to the fourth act of the opera "King Manfred") Исполнители: Ingolf Turban - Violin (tracks [5-9]), Berner Symphonie-Orchester, Johannes Moesus - Conductor
Лог создания рипа
Exact Audio Copy V1.3 from 2. September 2016 Отчёт EAC об извлечении, выполненном 21. августа 2024, 17:25 Ingolf Turban, Berner Symphonie‐Orchester, Johannes Moesus / Symphony No. 1, Violin Concerto, Romances Дисковод: PLEXTOR CD-R PREMIUM2 Adapter: 1 ID: 0 Режим чтения : Достоверность Использование точного потока : Да Отключение кэша аудио : Да Использование указателей C2 : Нет Коррекция смещения при чтении : 30 Способность читать области Lead-in и Lead-out : Нет Заполнение пропущенных сэмплов тишиной : Да Удаление блоков с тишиной в начале и конце : Нет При вычислениях CRC использовались нулевые сэмплы : Да Интерфейс : Встроенный Win32-интерфейс для Win NT/2000 Выходной формат : Пользовательский кодировщик Выбранный битрейт : 1024 kBit/s Качество : Высокий Добавление ID3-тега : Нет Утилита сжатия : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Дополнительные параметры : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source% TOC извлечённого CD Трек | Старт | Длительность | Начальный сектор | Конечный сектор --------------------------------------------------------------------- 1 | 0:00.00 | 7:43.34 | 0 | 34758 2 | 7:43.34 | 6:42.40 | 34759 | 64948 3 | 14:25.74 | 5:16.14 | 64949 | 88662 4 | 19:42.13 | 6:02.59 | 88663 | 115871 5 | 25:44.72 | 15:07.05 | 115872 | 183901 6 | 40:52.02 | 7:37.03 | 183902 | 218179 7 | 48:29.05 | 11:19.36 | 218180 | 269140 8 | 59:48.41 | 9:48.18 | 269141 | 313258 9 | 69:36.59 | 3:39.63 | 313259 | 329746 Характеристики диапазона извлечения и сообщения об ошибках Выбранный диапазон Имя файла S:\CD_Burn\Reinecke - Symphony No. 1, Violin Concerto, Romances (Ingolf Turban, Johannes Moesus) - 2007\Symphony No. 1, Violin Concerto, Romances - Turban, Moesus - 2007.wav Пиковый уровень 99.9 % Скорость извлечения 13.9 X Качество диапазона 100.0 % CRC теста C135EDBC CRC копии C135EDBC Копирование... OK Ошибок не произошло Конец отчёта ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: ztb31N0fbYpzuBSrod9qEQ0kuA0-] found Submit result: ztb31N0fbYpzuBSrod9qEQ0kuA0- has been confirmed Track | CTDB Status 1 | (19/19) Accurately ripped 2 | (19/19) Accurately ripped 3 | (19/19) Accurately ripped 4 | (19/19) Accurately ripped 5 | (19/19) Accurately ripped 6 | (19/19) Accurately ripped 7 | (19/19) Accurately ripped 8 | (19/19) Accurately ripped 9 | (18/19) Accurately ripped ==== Контрольная сумма отчёта 00965732A678D831115DC2371454304ECCDBBAB98AE921B8D606603C0E6D5F30 ====
Содержание индексной карты (.CUE)
REM GENRE Classical REM DATE 2007 REM DISCID 85112C09 REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Ingolf Turban, Berner Symphonie-Orchester, Johannes Moesus" TITLE "Symphony No. 1, Violin Concerto, Romances" REM COMPOSER "Carl Reinecke" FILE "Symphony No. 1, Violin Concerto, Romances - Turban, Moesus - 2007.flac" WAVE TRACK 01 AUDIO TITLE "Symphony No.1 Op.79 in A major: Lento - Allegro con brio" PERFORMER "Ingolf Turban, Berner Symphonie-Orchester, Johannes Moesus" REM COMPOSER "Carl Reinecke" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Symphony No.1 Op.79 in A major: Andante" PERFORMER "Ingolf Turban, Berner Symphonie-Orchester, Johannes Moesus" REM COMPOSER "Carl Reinecke" INDEX 01 07:43:34 TRACK 03 AUDIO TITLE "Symphony No.1 Op.79 in A major: Scherzo. Molto vivace" PERFORMER "Ingolf Turban, Berner Symphonie-Orchester, Johannes Moesus" REM COMPOSER "Carl Reinecke" INDEX 01 14:25:74 TRACK 04 AUDIO TITLE "Symphony No.1 Op.79 in A major: Finale. Allegro ma non troppo - Allegro molto quasi presto" PERFORMER "Ingolf Turban, Berner Symphonie-Orchester, Johannes Moesus" REM COMPOSER "Carl Reinecke" INDEX 01 19:42:13 TRACK 05 AUDIO TITLE "Violin Concerto Op.141 in G minor: Allegro moderato" PERFORMER "Ingolf Turban, Berner Symphonie-Orchester, Johannes Moesus" REM COMPOSER "Carl Reinecke" INDEX 01 25:44:72 TRACK 06 AUDIO TITLE "Violin Concerto Op.141 in G minor: Lento" PERFORMER "Ingolf Turban, Berner Symphonie-Orchester, Johannes Moesus" REM COMPOSER "Carl Reinecke" INDEX 01 40:52:02 TRACK 07 AUDIO TITLE "Violin Concerto Op.141 in G minor: Finale. Moderato con grazia" PERFORMER "Ingolf Turban, Berner Symphonie-Orchester, Johannes Moesus" REM COMPOSER "Carl Reinecke" INDEX 01 48:29:05 TRACK 08 AUDIO TITLE "Romance for Violin & Orchestra Op.155 in A minor: Andante - Intermezzo. Presto - Tempo primo" PERFORMER "Ingolf Turban, Berner Symphonie-Orchester, Johannes Moesus" REM COMPOSER "Carl Reinecke" INDEX 01 59:48:41 TRACK 09 AUDIO TITLE "Romance for Violin & Orchestra Op.93 in E minor: Andante sostenuto" PERFORMER "Ingolf Turban, Berner Symphonie-Orchester, Johannes Moesus" REM COMPOSER "Carl Reinecke" INDEX 01 69:36:59
Динамический отчет (DR)
foobar2000 1.4.8 / Dynamic Range Meter 1.1.1 log date: 2024-08-22 21:27:10 -------------------------------------------------------------------------------- Analyzed: Ingolf Turban, Berner Symphonie-Orchester, Johannes Moesus / Symphony No. 1, Violin Concerto, Romances -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR14 -0.01 dB -19.32 dB 7:43 01-Symphony No.1 Op.79 in A major: Lento - Allegro con brio DR15 -2.70 dB -23.61 dB 6:43 02-Symphony No.1 Op.79 in A major: Andante DR15 -1.62 dB -22.79 dB 5:16 03-Symphony No.1 Op.79 in A major: Scherzo. Molto vivace DR13 -0.25 dB -19.80 dB 6:03 04-Symphony No.1 Op.79 in A major: Finale. Allegro ma non troppo - Allegro molto quasi presto DR13 0.00 dB -19.78 dB 15:07 05-Violin Concerto Op.141 in G minor: Allegro moderato DR14 -4.14 dB -23.83 dB 7:37 06-Violin Concerto Op.141 in G minor: Lento DR14 0.00 dB -19.99 dB 11:19 07-Violin Concerto Op.141 in G minor: Finale. Moderato con grazia DR15 -4.41 dB -24.21 dB 9:48 08-Romance for Violin & Orchestra Op.155 in A minor: Andante - Intermezzo. Presto - Tempo primo DR13 -9.92 dB -28.30 dB 3:40 09-Romance for Violin & Orchestra Op.93 in E minor: Andante sostenuto -------------------------------------------------------------------------------- Number of tracks: 9 Official DR value: DR14 Samplerate: 44100 Hz Channels: 2 Bits per sample: 16 Bitrate: 608 kbps Codec: FLAC ================================================================================
About Carl Reinecke
Carl Reinecke is probably better remembered as a teacher than as a composer, with a range of pupils to his credit, from Sullivan and Svendsen to Grieg and Weingartner. He was born in Altona in 1824, the son of a musician, himself the son of a shoemaker, who was largely self-taught in music, and who provided his son with a sound basis for his future career. Carl Reinecke showed early musical ability and made his debut as a pianist in 1835. From 1845 he toured widely in Europe, and gave the concerts with the violinist H.W. Ernst, among others, accepting the position of court pianist in Copenhagen, where he established a connection with the composer Niels W. Gade. He had spent some time in Leipzig, where he was well received by Mendelssohn and by Clara and Robert Schumann. In his reminiscences, published in 1900, Reinecke recalled the mercurial and gifted Mendelssohn as quick and incisive in his criticism, while Robert Schumann was less communicative but generally encouraging. Schumann, indeed, found in Reinecke someone musically after his own heart. In 1848, after the death of Mendelssohn, Reinecke was once more in Leipzig, and the following year spent some days in Weimar. Liszt, writing to his friend and former pupil Franz Kroll, described him in the most complimentary terms, both as a composer and as "un charmant garçon", entrusting him with dealings over a grand piano made available to Liszt by the publisher Hermann Härtel, and helping him with introductions in Paris, when Reinecke went there in 1851. It was in Paris, during the stay of some months, that Reinecke gave lessons to one of Liszt's daughters. From 1851, Reinecke taught at the Cologne Conservatory, and worked at Barmen for five years as a conductor and administrator, on the recommendation of Ferdinand Hiller. After a period in Breslau as director of music at the university, he returned in 1860 to Leipzig as conductor of the Gewandhaus Orchestra and professor at the Conservatory founded by Mendelssohn. In 1869 he conducted the first complete performance of Brahms's German Requiem, including the new seventh movement, and was the pianist in the first performance of the same composer's Cello Sonata, Op.38, in Leipzig in 1871. After the death of Brahms in 1897, he wrote a Cello Sonata of his own, Op.238, in memory of Brahms. In general he had little sympathy with the New German School, the Music of the Future of Wagner and Liszt, happy to remain among the followers and successors of Schumann. Reinecke's concert activities continued over the following years, with tours to England and to Scandinavia, and concerts in Russia, both as a pianist and as a conductor. He was succeeded in 1895 at the Gewandhaus and in 1902 retired from his position as director of the Leipzig Conservatory, which he had assumed in 1897. He continued his activity as a composer until his death in 1910, part of the romantic German tradition exemplified by Schumann, with a long and varied list of compositions, ranging from opera and vocal and choral works to three symphonies, concert overtures, concertos for the piano and for other instruments, chamber music, piano compositions, editions and pedagogical works.
