Arne Nordheim - The Tempest
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2023
Жанр: Classical, Vocal
Издатель (лейбл): Lawo Classics
Продолжительность: 00:49:36
Наличие сканов в содержимом раздачи: Только обложка альбома
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/192
Формат: PCM
Количество каналов: 2.0
Источник (релизер):
qobuz.com
Треклист
The Tempest (Suite from the Ballet)
1. I. Calm Sea (5:42)
2. II. Storm with Lightning and Thunder (4:15)
3. III. Awakening (1:28)
4. IV. Magic Circle (6:48)
5. V. Lacrymae (8:42)
6. VI. A Mazed Trod (3:00)
7. VII. Four Legs and Two Voices (6:41)
8. VIII. Caliban’s Warning (13:04)
Beate Mordal, soprano
Jeremy Carpenter, baritone
Bergen Philharmonic Orchestra
Edward Gardner, conductor
Лог проверки качества
foobar2000 1.6.6 / Dynamic Range Meter 1.1.1
log date: 2023-02-24 20:48:46
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Analyzed: Beate Mordal / Arne Nordheim: The Tempest (1-4)
Bergen Philharmonic Orchestra / Arne Nordheim: The Tempest (5-8)
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DR Peak RMS Duration Track
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DR15 -1.00 dB -22.50 dB 5:42 01-The Tempest (Suite from the Ballet): I. Calm Sea
DR14 -1.03 dB -20.77 dB 6:48 04-The Tempest (Suite from the Ballet): IV. Magic Circle
DR15 -1.28 dB -22.01 dB 6:41 07-The Tempest (Suite from the Ballet): VII. Four Legs and Two Voices
DR15 -1.04 dB -21.60 dB 13:04 08-The Tempest (Suite from the Ballet): VIII. Caliban’s Warning
DR13 -1.10 dB -17.60 dB 4:15 02-The Tempest (Suite from the Ballet): II. Storm with Lightning and Thunder
DR12 -13.01 dB -28.88 dB 1:28 03-The Tempest (Suite from the Ballet): III. Awakening
DR16 -1.37 dB -24.12 dB 8:42 05-The Tempest (Suite from the Ballet): V. Lacrymae
DR15 -1.29 dB -21.08 dB 3:00 06-The Tempest (Suite from the Ballet): VI. A Mazed Trod
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Number of tracks: 8
Official DR value: DR14
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5028 kbps
Codec: FLAC
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Об альбоме (сборнике)
Arne Nordheim was Norway’s most significant and respected composer until his death in 2010, and one of the few figures in contemporary western music who proved himself able to move beyond traditional harmonic relationships while maintaining a distinct ability to communicate widely through his striking, physical music. The Bergen Philharmonic has been far from immune to that music’s power, championing it throughout the composer’s lifetime and premiering his first orchestral work, Canzona, as well as his last, Fonos. It has given multiple performances of Nordheim’s orchestral works and has recorded Tenebrae (Cello Concerto), Aurora and Wirklicher Wald. In 1992, Nordheim was the subject of a special focus at the Bergen International Festival, where the orchestra premiered Magic Island – a revised version of Be Not Afeard (the starting point for The Tempest).
