Anton Glasnovic / Jazz Street Жанр: Jazz Bop Носитель: CD Страна-производитель диска (релиза): Croatia Год издания: 2022 Издатель (лейбл): Croatia Records Номер по каталогу: CD 6139088 Страна исполнителя (группы): Croatia Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Продолжительность: 00:34:36 Источник: собственный рип Наличие сканов в содержимом раздачи: да Треклист:
01 - Hot Line 03:39
02 - Toni's Stuff 04:27
03 - I Fall in Love with You 03:48
04 - Adieu 05:08
05 - Wave 04:10
06 - Beautiful Love 04:57
07 - Blues for My Friends 04:46
08 - Somewhere Over the Rainbow 02:13
09 - Summertime 01:23
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 13. January 2023, 15:31 Anton Glasnovic Trio / Jazz Street Used drive : TSSTcorpCD/DVDW SH-S162L Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 128 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 3:40.28 | 0 | 16527 2 | 3:40.28 | 4:27.57 | 16528 | 36609 3 | 8:08.10 | 3:49.07 | 36610 | 53791 4 | 11:57.17 | 4:10.27 | 53792 | 72568 5 | 16:07.44 | 5:08.37 | 72569 | 95705 6 | 21:16.06 | 4:58.06 | 95706 | 118061 7 | 26:14.12 | 4:47.36 | 118062 | 139622 8 | 31:01.48 | 2:13.42 | 139623 | 149639 9 | 33:15.15 | 1:24.31 | 149640 | 155970 Track 1 Filename D:\Temp\Download\Anton Glasnovic Trio - Jazz Street - 2022\01 - Hot Line.wav Pre-gap length 0:00:02.00 Peak level 89.0 % Extraction speed 4.8 X Track quality 100.0 % Test CRC CE7BE41A Copy CRC CE7BE41A Track not present in AccurateRip database Copy OK Track 2 Filename D:\Temp\Download\Anton Glasnovic Trio - Jazz Street - 2022\02 - Toni's Stuff.wav Peak level 89.0 % Extraction speed 5.5 X Track quality 100.0 % Test CRC D571E04E Copy CRC D571E04E Track not present in AccurateRip database Copy OK Track 3 Filename D:\Temp\Download\Anton Glasnovic Trio - Jazz Street - 2022\03 - I Fall in Love with You.wav Peak level 89.0 % Extraction speed 5.1 X Track quality 99.9 % Test CRC 73DA7FA1 Copy CRC 73DA7FA1 Track not present in AccurateRip database Copy OK Track 4 Filename D:\Temp\Download\Anton Glasnovic Trio - Jazz Street - 2022\04 - Adieu.wav Peak level 89.0 % Extraction speed 6.2 X Track quality 100.0 % Test CRC 6EC83314 Copy CRC 6EC83314 Track not present in AccurateRip database Copy OK Track 5 Filename D:\Temp\Download\Anton Glasnovic Trio - Jazz Street - 2022\05 - Wave.wav Peak level 89.0 % Extraction speed 6.8 X Track quality 100.0 % Test CRC FFBB77EB Copy CRC FFBB77EB Track not present in AccurateRip database Copy OK Track 6 Filename D:\Temp\Download\Anton Glasnovic Trio - Jazz Street - 2022\06 - Beautiful Love.wav Peak level 89.0 % Extraction speed 7.2 X Track quality 100.0 % Test CRC 3B2B272A Copy CRC 3B2B272A Track not present in AccurateRip database Copy OK Track 7 Filename D:\Temp\Download\Anton Glasnovic Trio - Jazz Street - 2022\07 - Blues for My Friends.wav Peak level 89.0 % Extraction speed 6.8 X Track quality 99.9 % Test CRC 978A72D4 Copy CRC 978A72D4 Track not present in AccurateRip database Copy OK Track 8 Filename D:\Temp\Download\Anton Glasnovic Trio - Jazz Street - 2022\08 - Somewhere Over the Rainbow.wav Peak level 89.0 % Extraction speed 6.8 X Track quality 100.0 % Test CRC F423FF93 Copy CRC F423FF93 Track not present in AccurateRip database Copy OK Track 9 Filename D:\Temp\Download\Anton Glasnovic Trio - Jazz Street - 2022\09 - Summertime.wav Peak level 89.0 % Extraction speed 6.1 X Track quality 100.0 % Test CRC 6C0ABCF0 Copy CRC 6C0ABCF0 Track not present in AccurateRip database Copy OK None of the tracks are present in the AccurateRip database No errors occurred End of status report ==== Log checksum 9B770D5987C14299AED6FD3F8404DF6D0E5468A9DA8CDE76003935EEF3DEDBE3 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz REM DATE 2022 REM DISCID 8F081F09 REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "Anton Glasnovic Trio" TITLE "Jazz Street" FILE "01 - Hot Line.wav" WAVE TRACK 01 AUDIO TITLE "Hot Line" PERFORMER "Anton Glasnovic Trio" ISRC 000000000000 FLAGS DCP INDEX 01 00:00:00 FILE "02 - Toni's Stuff.wav" WAVE TRACK 02 AUDIO TITLE "Toni's Stuff" PERFORMER "Anton Glasnovic Trio" ISRC 000000000000 FLAGS DCP INDEX 01 00:00:00 FILE "03 - I Fall in Love with You.wav" WAVE TRACK 03 AUDIO TITLE "I Fall in Love with You" PERFORMER "Anton Glasnovic Trio" ISRC 000000000000 FLAGS DCP INDEX 01 00:00:00 FILE "04 - Adieu.wav" WAVE TRACK 04 AUDIO TITLE "Adieu" PERFORMER "Anton Glasnovic Trio" ISRC 000000000000 FLAGS DCP INDEX 01 00:00:00 FILE "05 - Wave.wav" WAVE TRACK 05 AUDIO TITLE "Wave" PERFORMER "Anton Glasnovic Trio" ISRC 000000000000 FLAGS DCP INDEX 01 00:00:00 FILE "06 - Beautiful Love.wav" WAVE TRACK 06 AUDIO TITLE "Beautiful Love" PERFORMER "Anton Glasnovic Trio" ISRC 000000000000 FLAGS DCP INDEX 01 00:00:00 FILE "07 - Blues for My Friends.wav" WAVE TRACK 07 AUDIO TITLE "Blues for My Friends" PERFORMER "Anton Glasnovic Trio" ISRC 000000000000 FLAGS DCP INDEX 01 00:00:00 FILE "08 - Somewhere Over the Rainbow.wav" WAVE TRACK 08 AUDIO TITLE "Somewhere Over the Rainbow" PERFORMER "Anton Glasnovic Trio" ISRC 000000000000 FLAGS DCP INDEX 01 00:00:00 FILE "09 - Summertime.wav" WAVE TRACK 09 AUDIO TITLE "Summertime" PERFORMER "Anton Glasnovic Trio" ISRC 000000000000 FLAGS DCP INDEX 01 00:00:00
Лог проверки качества
----------------------- DON'T MODIFY THIS FILE ----------------------- PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1 Copyright (c) 2008-2010 y-soft. All rights reserved http://y-soft.org ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. FILE: 09 - Summertime.flac Size: 4661481 Hash: 772E67A044D074B9A99F6C53D98B5965 Accuracy: -m0 Conclusion: CDDA 58% Signature: 0584139C4B321EDF38384A93C8F1C55D47E429D3 FILE: 08 - Somewhere Over the Rainbow.flac Size: 7806768 Hash: 5EC769AFC19C00227EF575279DB5E901 Accuracy: -m0 Conclusion: CDDA 99% Signature: BAAED82AC805037DD1FC779F7FABC120DBE4628C FILE: 07 - Blues for My Friends.flac Size: 25115231 Hash: B3A7C1D1CBC6C3F651A999FB30D4DBBF Accuracy: -m0 Conclusion: CDDA 100% Signature: 86807A7BD14B28F827ED7D6F2D805EE6A833BF5D FILE: 06 - Beautiful Love.flac Size: 28077746 Hash: D3D631152971769CD8564B6DD303EE98 Accuracy: -m0 Conclusion: CDDA 99% Signature: 14134171722500BF7E74632DE02541ECB626EC58 FILE: 05 - Wave.flac Size: 28717722 Hash: 276346F4EEBEF34D3F1EA2E4A90AA27D Accuracy: -m0 Conclusion: CDDA 100% Signature: 2D58011D4E6522383DDEAF76704F3A97638A67E3 FILE: 04 - Adieu.flac Size: 22732913 Hash: 73899A581ED8A3A28449526EFA0A7CB6 Accuracy: -m0 Conclusion: CDDA 100% Signature: 59FCBD9CD3EDC52BC97F40A3288DE8655D8B228B FILE: 03 - I Fall in Love with You.flac Size: 20692910 Hash: 8F197308E2F7CF051BF9EACE8E1C821F Accuracy: -m0 Conclusion: CDDA 100% Signature: A1B80EDA5E60AE7F220F544294CC4B3EF061C546 FILE: 02 - Toni's Stuff.flac Size: 22744414 Hash: A2471DF249C93636221AB8CADCDA8CF8 Accuracy: -m0 Conclusion: CDDA 99% Signature: F22AC007B1EE09ED50FABA02B8985D186614AF24 FILE: 01 - Hot Line.flac Size: 21224257 Hash: AB1D45E99179E0F0A5787BA3F5279583 Accuracy: -m0 Conclusion: CDDA 100% Signature: 60E56CC533FCB8157E3A1C3AAD80BDD37C2CBCD9
Динамический отчет (DR)
foobar2000 1.4.3 / Dynamic Range Meter 1.1.1 log date: 2023-01-13 15:35:48 -------------------------------------------------------------------------------- Analyzed: Anton Glasnović Trio / Jazz Street -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR8 -1.01 dB -10.16 dB 3:40 01-Hot Line DR10 -1.01 dB -13.17 dB 4:28 02-Toni's Stuff DR8 -1.01 dB -10.51 dB 3:49 03-I Fall In Love With You DR10 -1.01 dB -12.93 dB 5:09 04-Adieu DR9 -1.01 dB -11.13 dB 4:10 05-Wave DR10 -1.01 dB -12.59 dB 4:58 06-Beautiful Love DR9 -1.01 dB -12.07 dB 4:47 07-Blues For My Friends DR11 -1.01 dB -15.04 dB 2:14 08-Somewhere Over The Rainbow DR7 -1.01 dB -12.11 dB 1:24 09-Summertime -------------------------------------------------------------------------------- Number of tracks: 9 Official DR value: DR9 Samplerate: 44100 Hz Channels: 2 Bits per sample: 16 Bitrate: 440 kbps Codec: FLAC ================================================================================
Скриншот спектра частот
Об исполнителе (группе)
“Danas je u Hrvatskoj hrabro snimiti ovakav album”, stoji u knjižici uz izdanje pod nazivom “Jazz Street” koje je objavio Anton Glasnović Trio. Pri tome se misli da je album snimljen “straight-ahead” jazz usmjerenja, no, kaže Anton Glasnović, samo su svirali i pustili da se stvari događaju. Album je prije svega hommage njegovog prvom učitelju jazza Damiru Dičiću, ali je u njega uloženo sve što svaki glazbenik iz trija ima za pokazati. Osim Antona na električnoj gitari u triju su Nenad Jura Vrandečić na kontrabasu i Berislav Puhlovski na bubnjevima, dok im se kao gost pridružio i Saša Nestorović na saksofonu. Svirali su većinom Dičićeve skladbe, ali i skladbe drugih autora Antonija Carlosa Jobima, Waynea Kinga, Victora Younga i Egberta Van Alstynea te Harolda Arlena i Georgea Gershwina. Sveukupno 9 briljantnih i virtuoznih izvedbi koje neće nikoga ostaviti ravnodušnim. “Bez obzira na činjenicu da se umjetnost i glazba mijenjaju iz godine u godinu, ovakva se vrsta jazza, “straight-ahead” jazz, izvodi i izvodit će se nepromijenjena u svakom kutku svijeta. Nadam se da će i ovaj album pronaći svoj put do istinskih ljubitelja navedenog idioma koji je u doba posvemašnje relativizacije svega pa i glazbe itekako bitan za čvrsto držati i njegovati kao sidro oko kojega se kreće i s kojim se završava”, rekao je Anton Glasnović.
Об альбоме (сборнике)
Anton Glasnović - the question of self-determination in jazz It's not often that a new record is found on the shelves of a record companyjazzan album mostly devoid of original music, and filled with compositions that could hardly be more standard. The aspirations in today's jazz music are almost entirely oriented towards the author's expression, rejecting the so-called tradition and finding some intimate feelings that lurk latently in the individual and manifest through original music. This is a paradigm that is so dominant that, as a musician, I have met several times with colleagues who, fully dedicated to the said author's expression, simply do not know standard jazz material and as such are hardly 'usable' at a jam session. The aspirations in today's jazz music are almost entirely oriented towards the author's expression Zagreb-based polymath Anton Glasnović , for whom, in addition to a successful career in medicine, playing jazz guitar takes a secondary, if not tertiary, place, he and his trio recently released just such an album for Croatia Records - unpretentious, firmly entrenched in the more classical part of the jazz canon, but still uncompromising. . For this occasion, Glasnović surrounded himself with a seasoned and proven rhythm section - on double bass is Nenad Jura Vrandečić, known to the audience as one of the founders of Zagreb Jazz Portrait , an ensemble with decades of tradition, while the drums are played by Croatian expatriate Berislav Puhlovski, who has been living and working in USA. The well-known tenor saxophonist Saša Nestorović, generationally close to the rest of the rhythm section, appears as a special guest. ...unpretentious, firmly entrenched in the more classical part of the jazz canon, but still uncompromising In the program booklet, Glasnović devoted a lot of space to conjuring up his aesthetics and approaching his jazz worldviews, at the same time referring to the issues I presented in the opening paragraph. More than once, he had the need to place his work and the concept of this album almost pejoratively in the drawer of straight ahead jazz, which at times sounds apologetic (and there is no need for that) - why would a musician whose focus is on the interpretation of jazz standards and whose artistic worldviews are camped in an idiom that is not considered "modern" today, did anyone "account" for it? What was Jarrett's colossal Standards Trio playing ? What is even modern today, if The Shape of Jazz to Come was released 63 years ago?! For example, the representatives of gypsy jazz, as a European subgenre of jazz, sovereignly move forward playing and recording music that, starting from and firmly sticking to the tradition of the mid-1930s, is extremely anachronistic - no one calls them out for that, and why should they? For years, the great Wynton Marsalis has been directed towards an expression that is even older than the above, but few question its significance because of that. The only thing that really matters, in the humble opinion of this author, is that the music is sincere and unadulterated, and the path leading to that is divergent for every true artist.
Jazz Street Jazz Streetconsists of nine relatively short tracks (the album lasts just over 30 minutes), equally divided into older jazz standards and compositions by the great Croatian guitarist Damir Dičić, also Glasnović's first mentor. Dičić's original Hot Line also opens this album, and it is a simple two-part composition with a charming melody and a harmonic skeleton that irresistibly reminds one of Cole Porter's most beautiful works, You'd Be So Nice to Come Home To , since the tonality is the same). Vrandečić's arco solo on the double bass is striking (also the first solo the listener will hear), while Glasnović shows a good command of the bop language and reveals some of his influences through his playing - everyone's ear will tremble at the sound of some phrases characteristic of the great Joe Pass. Toni's Stuff , which Dičić designed and dedicated to Glasnović according to the program booklet, and which Glasnović refined in his own way, abounds in delightful melodic fragments contained in chord blocks – a testament to Dičić's mastery and knowledge of jazz guitar. Glasnović emphasizes that this composition belongs to a special place on the album, and this can be seen in the interpretation - everything is very measured, stylistically defined and sounds like some of the older classics of jazz guitar, such as Barney Kessel or Grant Green. After the first bossa nova of this album, Dičić's I Fall in Love With You , typical of this genre and somewhat less interesting than his other compositions, follows the laconically titled Adieu , where Nestorović joins for the first time. Here, the saxophonist decides on a completely different approach than he had on the recent release by Pavlo Miljenović and instantly emanates the sound characteristics of John Coltrane from the late fifties or Dexter Gordon when he plays ballads. Adieu sounds like it came from some kind of film noir (here the sounds of Raksin's Laura and the silhouette of the ravishing Gene Tierney were buzzing in my head the whole time), but that is no indication of a cliché - it is harmonically skillfully woven and is characterized by a melody that I will from this of the album will surely be remembered the longest. The inspired coda with which Nestorović brings the piece to an end is also worth mentioning. The rest of the album, with the exception of one blues by Dičić , consists of jazz standards, the first of which is Jobim's Wave . Although Antonio Carlos Jobim's compositions are established on every stage and jam session at the moment someone "calls" one of his bossa novas, it is not often emphasized how complex and challenging each of them actually is for the soloist, and Wave is by no means an exception. Glasnović's idea omits the classic Jobim introduction and introduces a sequential "crane" of subdominant and dominant as a harmonic alternative. Deft and purposeful, but it does not replace the charm that Jobim achieved with the combination of minor and major at the beginning of the theme. Glasnović's idea omits the classic Jobim introduction and as a harmonic alternative introduces a sequential "crane" of subdominant and dominant Nevertheless, the soloist's ideas are persistent and skilfully performed - Glasnović shows that he has dealt with Jobim enough that he has overcome the aforementioned requirements that this music imposes. Victor Young's classic Beautiful Love once again brings the magnetic presence of Saša Nestorović with very striking bopper arpeggios, but Glasnović is no less worthy of mention with his solo, which brings a bit more blues influence. It is obvious that the aforementioned influences are also prevalent in Dičić's Blues for My Friends , which once again evokes the previously mentioned older greats of jazz guitar - the composition is performed firmly and very tastefully, and the very stable skeleton held by Vrandečić and Puhlovski is also worth mentioning. This is, at the same time, one of the rare moments where the listener has the opportunity to hear more solo excursions of the rhythm section, which perhaps could have been more, because both radiate experience and ease of performance. The last two numbers in this jazz street present Glasnović as a solo guitarist in the manner of Joe Pass from the Virtuoso era, and the subject is some of the most performed Tin Pan Alley hits: Gershwin 's Summertime and Arlen's (Somewhere) Over the Rainbow . Extremely short in duration, here Glasnović takes everything on his shoulders and gets to grips with one of the most demanding aspects of playing jazz guitar. Although it does not possess the agility and contrapuntalness typical of Pass (which can be heard in the absence of flexible bass lines that complement the melody and harmony), the result is a very brave and thoughtful performance with several interesting harmonic interventions, especially in Summertime . Although it lacks the agility and contrapuntal typical of the Pass, the result is a very brave and thoughtful performance This last composition unexpectedly ends on the subdominant, which at first sounds anticlimactic, but on subsequent listens it becomes the equivalent of a cliffhanger , to use film vocabulary. Jazz Street is a publication in which a lot of love and dedication has been invested, and it is worth noting once again that music is not the author's primary profession. Dičić's originals prove to be excellent material for improvisation and it would be nice if a few more Croatian jazz guitarists would dare to record them, while these selected standards were performed (with a couple of questionable arrangement decisions and a touch of predictability), to return to the discourse from the beginning, honestly and unadulterated. Jazz Street is a publication in which a lot of love and dedication has been invested, and it is worth noting once again that music is not the author's primary profession
