Margo Price
That's How Rumors Get Started
• Формат записи | Источник записи: [TR24][OF]
• Наличие водяных знаков: Нет
• Страна: USA
• Год издания релиза: 2020/2022
• Жанр: Country | Americana | Singer-songwriter
• Лейбл: Loma Vista
• Продолжительность:01:06:27
• Источник: qobuz
• WEB релиз: ссылка
• Контейнер: FLAC (*.flac)
• Тип рипа: tracks
• Разрядность: 24/48
• Формат: PCM
• Количество каналов: 2.0
• Наличие сканов: front (600*600)
✧ 01 - That's How Rumors Get Started (00:04:10)
✧ 02 - Letting Me Down (00:03:13)
✧ 03 - Twinkle Twinkle (00:03:31)
✧ 04 - Stone Me (00:03:09)
✧ 05 - Hey Child (00:03:49)
✧ 06 - Heartless Mind (00:02:50)
✧ 07 - What Happened To Our Love (00:03:35)
✧ 08 - Gone To Stay (00:03:01)
✧ 09 - Prisoner Of The Highway (00:03:44)
✧ 10 - I'd Die For You (00:04:35)
✧ 11 - Goin' To The Country (00:03:11)
✧ 12 - Long Live The King (00:04:49)
✧ 13 - You Don't Own Me (00:03:16)
✧ 14 - Hitman (00:03:50)
✧ 15 - He Made A Woman Out Of Me (Billy Reid FAME Session) (00:02:40)
✧ 16 - Later On (00:04:50)
✧ 17 - You're No Good (00:04:57)
✧ 18 - Better Than Nothin' (00:03:08)
• Лог DRM •
foobar2000 1.6.11 / Dynamic Range Meter 1.1.1
log date: 2023-01-12 20:35:36
--------------------------------------------------------------------------------
Analyzed: Margo Price / That's How Rumors Get Started
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DR Peak RMS Duration Track
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DR5 -0.70 dB -7.63 dB 4:11 01-That's How Rumors Get Started
DR5 -0.70 dB -6.69 dB 3:14 02-Letting Me Down
DR5 -0.70 dB -6.44 dB 3:31 03-Twinkle Twinkle
DR5 -0.70 dB -6.89 dB 3:09 04-Stone Me
DR5 -0.70 dB -7.94 dB 3:50 05-Hey Child
DR5 -0.70 dB -6.80 dB 2:51 06-Heartless Mind
DR5 -0.70 dB -9.18 dB 3:36 07-What Happened To Our Love?
DR6 -0.70 dB -7.22 dB 3:01 08-Gone To Stay
DR5 -0.70 dB -6.93 dB 3:44 09-Prisoner Of The Highway
DR4 -0.70 dB -7.86 dB 4:35 10-I'd Die For You
DR7 -0.70 dB -9.23 dB 3:11 11-Goin' To The Country
DR7 -0.70 dB -11.51 dB 4:49 12-Long Live The King
DR5 -0.70 dB -7.88 dB 3:17 13-You Don’t Own Me
DR7 -0.70 dB -9.90 dB 3:51 14-Hitman
DR7 -0.70 dB -9.03 dB 2:41 15-He Made A Woman Out Of Me (Billy Reid FAME Session)
DR7 -0.71 dB -9.71 dB 4:50 16-Later On
DR6 -0.20 dB -7.76 dB 4:58 17-You’re No Good
DR8 -0.70 dB -10.26 dB 3:08 18-Better Than Nothin'
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Number of tracks: 18
Official DR value: DR6
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1639 kbps
Codec: FLAC
================================================================================
• Information •
Lots of Nashville songwriters rely on characters like those drifting through Margo Price's That's How Rumors Get Started. There's the delusional lover who sabotages his one steady relationship without even trying; the road dog who begins to see travel, once liberating, as a prison sentence; the couple locked in a dance of dysfunction they can't understand, summed up in couplets like "You were the footsteps, I was the floor."
When Price tells their stories, what begins as cardboard-cutout generic is transformed into a disquieting, vivid, and sometimes messy experience. The people in songs like "Letting Me Down" and the title track sure do start out as "types," but as Price follows their everyday conflicts and responses to circumstance, nuances appear. Their profiles deepen. With this, her third full-length effort, she's refined a communication style that drops listeners beyond the narrative twists, to the yearnings below the meanings and the subtexts below that.
Produced by Sturgill Simpson and featuring sparkling contributions from keyboardist Benmont Tench and drummer James Gadson, That's How Rumors Get Started is a marvel of writerly precision set against impulsive flailing and of steely craft blasted with headstrong vibe. The musical support is apt, tuned to the faint twinges of bitterness in the lyrics. Furthermore, the much-discussed pivot toward rock and roll is deftly executed—there are echoes of Tom Petty in the backbeats, glances in the direction of mid-'70s Eagles balladry, and even the twitchy '80s hits of Huey Lewis. Price uses those as touchstones, not templates; she could interpret these songs as country weepers or polkas and they'd retain their depth and resonance. That's one measure of a great song. There are a bunch of them here. © Tom Moon/Qobuz
