[TR24][OF] Charles-Hubert Gervais: Grands Motets - (György Vashegyi, Orfeo Orchestra, Purcell Choir) - 2022 (Classical)

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ЯОR · 19-Окт-22 12:36 (2 года 11 месяцев назад)



György Vashegyi, Orfeo Orchestra, Purcell Choir

Gervais: Grands Motets



• Формат записи | Источник записи: [TR24][OF]
• Наличие водяных знаков: Нет
• Год издания релиза: 2022
• Жанр: Classical
• Лейбл: Glossa
• Продолжительность:01:12:01
• Источник: qobuz
• WEB релиз: ссылка
• Контейнер: FLAC (*.flac)
• Тип рипа: tracks
• Разрядность: 24/48
• Формат: PCM
• Количество каналов: 2.0
• Наличие сканов: front (600*600)
• Треклист •

Exaudi Deus orationem meam
✧ 01 - No. 1, Exaudi, Deus, orationem meam (00:03:29)
✧ 02 - No. 2, Contristatus sum in exercitatione mea (00:02:14)
✧ 03 - No. 3, Cor meum conturbatum est in me (00:02:25)
✧ 04 - No. 4, Quis dabit mihi pennas sicut columbae (00:02:28)
✧ 05 - No. 5, Expectabam eum qui salvum me fecit (00:01:24)
✧ 06 - No. 6, Jacta super Dominum curam tuam (00:02:04)
O Filii et Filiae
✧ 07 - No. 1, Alleluia, alleluia, alleluia (00:01:12)
✧ 08 - No. 2, Et mane prima sabbati (00:00:57)
✧ 09 - No. 3, Et Maria Magdalene (00:01:03)
✧ 10 - No. 4, In albis sedens Angelus (00:01:06)
✧ 11 - No. 5, Et Joannes Apostolus (00:00:56)
✧ 12 - No. 6, Discipulis adstantibus (00:00:47)
✧ 13 - No. 7, Ut intellexit Didymus (00:01:22)
✧ 14 - No. 8, Vide, Thoma, vide latus (00:02:17)
✧ 15 - No. 9, Beati qui non viderunt (00:01:20)
✧ 16 - No. 10, In hoc festo sanctissimo (00:01:53)
Judica me Deus et discerne causam mea
✧ 17 - No. 1, Judica me, Deus, et discerne causam meam (00:02:31)
✧ 18 - No. 2, Quia tu es, Deus, fortitudo mea quare me reppulisti (00:02:29)
✧ 19 - No. 3, Emitte lucem tuam et veritatem tuam (00:01:45)
✧ 20 - No. 4, Et introibo ad altare Dei, ad Deum (00:01:30)
✧ 21 - No. 5, Confitebor tibi in cithara, Deus, Deus meus (00:03:37)
✧ 22 - No. 6, Spera in Deo (00:02:15)
Usquequo Domine
✧ 23 - No. 1, Usquequo, Domine (00:02:55)
✧ 24 - No. 2, Usquequo exaltabitur inimicus meus (00:02:09)
✧ 25 - No. 3, Illumina oculos meos (00:02:23)
✧ 26 - No. 4, Qui tribulant me (00:01:27)
✧ 27 - No. 5, Exultabit cor meum (00:03:48)
Te Deum
✧ 28 - No. 1, Te Deum laudamus (00:01:49)
✧ 29 - No. 2, Tibi omnes angeli (00:00:40)
✧ 30 - No. 3, Sanctus, Sanctus, Sanctus (00:01:25)
✧ 31 - No. 4, Te gloriosus Apostolorum chorus (00:00:43)
✧ 32 - No. 5, Te per orbem terrarum (00:01:38)
✧ 33 - No. 6, Venerandum tuum verum et unicum Filium (00:02:10)
✧ 34 - No. 7, Tu, ad liberandum suscepturus hominem (00:01:31)
✧ 35 - No. 8, Judex crederis esse venturus (00:00:49)
✧ 36 - No. 9, Te ergo quaesumus (00:01:42)
✧ 37 - No. 10, Per singulos dies benedicimus te (00:01:28)
✧ 38 - No. 11, Dignare, Domine, die isto (00:02:25)
✧ 39 - No. 12, In te, Domine, speravi (00:01:34)
• Лог DRM •

foobar2000 1.4.2 / Dynamic Range Meter 1.1.1
log date: 2022-10-19 08:56:09
--------------------------------------------------------------------------------
Analyzed: Cyrille Dubois / Gervais: Grands Motets (1-12)
          David Witczak / Gervais: Grands Motets (13-17)
          Katalin SzutrГ©ly / Gervais: Grands Motets (18-20)
          Mathias Vidal / Gervais: Grands Motets (21-22)
          Olivia Doray / Gervais: Grands Motets (23-26)
          Purcell Choir / Gervais: Grands Motets (27-39)
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR12      -7.27 dB   -22.48 dB      3:29 01-No. 1, Exaudi, Deus, orationem meam
DR11      -5.10 dB   -21.29 dB      1:13 07-No. 1, Alleluia, alleluia, alleluia
DR12      -7.10 dB   -23.31 dB      0:58 08-No. 2, Et mane prima sabbati
DR11      -7.70 dB   -21.39 dB      0:56 11-No. 5, Et Joannes Apostolus
DR12      -6.06 dB   -21.41 dB      1:21 15-No. 9, Beati qui non viderunt
DR12      -8.67 dB   -23.59 dB      1:46 19-No. 3, Emitte lucem tuam et veritatem tuam
DR11      -6.80 dB   -20.47 dB      1:28 26-No. 4, Qui tribulant me
DR13      -1.10 dB   -18.07 dB      3:49 27-No. 5, Exultabit cor meum
DR11      -8.53 dB   -22.90 dB      0:41 29-No. 2, Tibi omnes angeli
DR11      -7.08 dB   -21.71 dB      0:44 31-No. 4, Te gloriosus Apostolorum chorus
DR10      -1.11 dB   -16.04 dB      1:28 37-No. 10, Per singulos dies benedicimus te
DR12      -7.54 dB   -24.23 dB      2:25 38-No. 11, Dignare, Domine, die isto
DR12      -6.18 dB   -21.97 dB      2:25 03-No. 3, Cor meum conturbatum est in me
DR12      -7.69 dB   -23.51 dB      2:32 17-No. 1, Judica me, Deus, et discerne causam meam
DR12      -8.24 dB   -23.59 dB      2:55 23-No. 1, Usquequo, Domine
DR12      -7.72 dB   -23.40 dB      2:11 33-No. 6, Venerandum tuum verum et unicum Filium
DR11      -6.01 dB   -20.37 dB      1:32 34-No. 7, Tu, ad liberandum suscepturus hominem
DR13      -4.84 dB   -23.23 dB      2:29 04-No. 4, Quis dabit mihi pennas sicut columbae
DR12      -4.32 dB   -22.51 dB      1:06 10-No. 4, In albis sedens Angelus
DR13      -4.13 dB   -24.06 dB      2:24 25-No. 3, Illumina oculos meos
DR12      -7.69 dB   -23.20 dB      1:25 05-No. 5, Expectabam eum qui salvum me fecit
DR11      -6.29 dB   -21.87 dB      2:17 14-No. 8, Vide, Thoma, vide latus
DR11      -3.85 dB   -19.89 dB      1:04 09-No. 3, Et Maria Magdalene
DR12      -7.13 dB   -22.21 dB      1:22 13-No. 7, Ut intellexit Didymus
DR12      -5.78 dB   -21.99 dB      3:38 21-No. 5, Confitebor tibi in cithara, Deus, Deus meus
DR12      -8.36 dB   -22.97 dB      1:42 36-No. 9, Te ergo quaesumus
DR12      -2.51 dB   -17.91 dB      2:14 02-No. 2, Contristatus sum in exercitatione mea
DR12      -2.14 dB   -17.81 dB      2:04 06-No. 6, Jacta super Dominum curam tuam
DR10      -2.94 dB   -18.37 dB      0:48 12-No. 6, Discipulis adstantibus
DR13      -1.49 dB   -17.83 dB      1:53 16-No. 10, In hoc festo sanctissimo
DR11      -3.20 dB   -18.72 dB      2:30 18-No. 2, Quia tu es, Deus, fortitudo mea quare me reppulisti
DR12      -2.92 dB   -18.58 dB      1:31 20-No. 4, Et introibo ad altare Dei, ad Deum
DR12      -1.93 dB   -17.76 dB      2:15 22-No. 6, Spera in Deo
DR12      -1.39 dB   -18.39 dB      2:09 24-No. 2, Usquequo exaltabitur inimicus meus
DR11      -0.91 dB   -15.77 dB      1:50 28-No. 1, Te Deum laudamus
DR11      -1.28 dB   -16.14 dB      1:25 30-No. 3, Sanctus, Sanctus, Sanctus
DR12      -4.09 dB   -20.56 dB      1:38 32-No. 5, Te per orbem terrarum
DR11      -4.37 dB   -18.73 dB      0:50 35-No. 8, Judex crederis esse venturus
DR12      -0.75 dB   -15.79 dB      1:35 39-No. 12, In te, Domine, speravi
--------------------------------------------------------------------------------
Number of tracks:  39
Official DR value: DR12
Samplerate:        48000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           1569 kbps
Codec:             FLAC
================================================================================
• Information •
Amply demonstrating that Charles-Hubert Gervais didn't just excel in composing operas, György Vashegyi turns his attention to the French Baroque composer's sacred music, with a new and superb recording of "Grands Motets" containing five extended and sumptuous psalms and hymns, involving soloists, chorus and orchestra.
Gervais' relative modern-day anonymity in this genre can to a large extent be placed at the door of historical circumstance: during the end of the reign of the Sun King, Louis XIV he was employed by the king's younger brother Philippe d'Orléans and continued so during d'Orléans' Regency and it wasn't until 1723 that Gervais obtained an official post as one of the four sous-maîtres of the Chapelle du Roi. And then any motet he wrote went straight into the royal library without publication and has required today's transcribers to create performing editions.
Tones of celebration, relief (on Louis XV's recovery from a nasty illness), solemnity, meditation, a dash of restrained theatricality, bold harmonies and lighter orchestral textures than with Lalande (or Bernier and Campra) provide Vashegyi's Purcell Choir and Orfeo Orchestra with plenty of scope to demonstrate their collective mastery and experience of the idiom, and they are more than ably assisted by the solo contributions of Olivia Doray, Katalin Szutrély, Cyrille Dubois, Mathias Vidal and David Witczak. © Glossa
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