Sinead O'Brien
Time Bend and Break the Bower
• Формат записи | Источник записи: [TR24][OF]
• Наличие водяных знаков: Нет
• Год издания релиза: 2022
• Жанр: Alternative | Pop Rock
• Лейбл: Chess Club
• Продолжительность:00:41:30
• Источник: qobuz
• WEB релиз: ссылка
• Контейнер: FLAC (*.flac)
• Тип рипа: tracks
• Разрядность: 24/44,1
• Формат: PCM
• Количество каналов: 2.0
• Наличие сканов: front (600*600)
Tracklist:
✧ 01 - Pain Is the Fashion of the Spirit (00:02:30)
✧ 02 - Salt (00:03:11)
✧ 03 - GIRLKIND (00:06:29)
✧ 04 - End of Days (00:03:18)
✧ 05 - Like Culture (00:03:39)
✧ 06 - The Rarest Kind (00:03:56)
✧ 07 - Holy Country (00:03:25)
✧ 08 - Spare for My Size, Me (00:03:16)
✧ 09 - There Are Good Times Coming (00:03:55)
✧ 10 - Multitudes (00:04:35)
✧ 11 - Go Again (00:03:12)
• Лог DRM •
foobar2000 1.4.2 / Dynamic Range Meter 1.1.1
log date: 2022-06-13 13:40:43
--------------------------------------------------------------------------------
Analyzed: Sinead O'Brien / Time Bend and Break the Bower
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DR Peak RMS Duration Track
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DR4 0.00 dB -4.82 dB 2:30 01-Pain Is the Fashion of the Spirit
DR5 0.00 dB -6.66 dB 3:12 02-Salt
DR4 -0.08 dB -5.67 dB 6:30 03-GIRLKIND
DR6 0.00 dB -7.57 dB 3:18 04-End of Days
DR6 0.00 dB -6.95 dB 3:39 05-Like Culture
DR9 -0.06 dB -13.11 dB 3:57 06-The Rarest Kind
DR5 0.00 dB -6.70 dB 3:25 07-Holy Country
DR6 0.00 dB -7.64 dB 3:17 08-Spare for My Size, Me
DR6 0.00 dB -7.20 dB 3:56 09-There Are Good Times Coming
DR6 0.00 dB -8.39 dB 4:35 10-Multitudes
DR11 -0.06 dB -12.69 dB 3:12 11-Go Again
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Number of tracks: 11
Official DR value: DR6
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1384 kbps
Codec: FLAC
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• Information •
Communing at the triangulation of words, music and image, O’Brien has always conjured powerful worlds: but none more powerful, or as immersive, than on her debut record. In the space that exists between her delivery – at once wry, silky, vicious, and self-assured – and the music – a dynamic, dancing call-and-response from her collaborators, guitarist Julian Hanson and drummer Oscar Robertson – lies a productive tension. Using a method of creating on-instinct, in constant communication with multisensory cues, O’Brien is carving out a space as a musical oracle for an ever-shifting era. The 11-track album was produced by super-producer Dan Carey (Fontaines DC, Wet Leg, Squid, Black Midi, Foals, Kae Tempest)
