Choeur du Concert Spirutuel, Les Ombres
Charles-Hubert Gervais & Sylvain Sartre
Grands Motets pour Louis XV
• Формат записи | Источник записи: [TR24][OF]
• Наличие водяных знаков: Нет
• Год издания релиза: 2022
• Жанр: Classical
• Лейбл: Château de Versailles Spectacles
• Продолжительность:00:57:21
• Источник: qobuz
• WEB релиз: ссылка
• Контейнер: FLAC (*.flac)
• Тип рипа: tracks
• Разрядность: 24/96
• Формат: PCM
• Количество каналов: 2.0
• Наличие сканов: front (600*600)
Tracklist:
✧ 01 - Super Flumina Babilonis (00:03:07)
✧ 02 - In Salicibus In Medio Ejus (00:01:54)
✧ 03 - Quia Illic Interrogaverunt Nos (00:00:30)
✧ 04 - Et Qui Abduxerunt Nos (00:02:25)
✧ 05 - Si Oblitus Fuero Tui Jerusalem (00:02:59)
✧ 06 - Memor Esto Domine (00:02:19)
✧ 07 - Exinanite Usque Ad Fondamentum In Ea (00:00:51)
✧ 08 - Filia Babilonis Misera (00:01:10)
✧ 09 - Beatus Qui Tenebit Et Allidet (00:01:49)
✧ 10 - Jubilate Deo (00:04:43)
✧ 11 - Scitote Quoniam Dominus Ipse Est Deus (00:02:24)
✧ 12 - Populus Ejus (00:03:03)
✧ 13 - Laudate Nomen Ejus (00:03:03)
✧ 14 - Miserere (00:04:00)
✧ 15 - Tibi Soli Peccavi (00:00:47)
✧ 16 - Ecce Enim In Iniquitatibus Conceptus Sum (00:02:17)
✧ 17 - Asperges Me Domine (00:02:00)
✧ 18 - Auditui Meo (00:01:23)
✧ 19 - Averte Faciem Tuam (00:04:21)
✧ 20 - Docebo Iniquos Vias Tuas (00:01:05)
✧ 21 - Libera Me (00:02:11)
✧ 22 - Domine Labia Mea (00:01:52)
✧ 23 - Quoniam Si Voluisses Sacrificium (00:01:15)
✧ 24 - Sacrificium Deo Spiritus Contribulatus (00:02:22)
✧ 25 - Ut Aedificentur Muri Jerusalem (00:03:19)
• Лог DRM •
foobar2000 1.4.2 / Dynamic Range Meter 1.1.1
log date: 2022-10-06 13:36:01
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Analyzed: Sylvain Sartre / Grands Motets pour Louis XV
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DR Peak RMS Duration Track
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DR11 -0.18 dB -16.58 dB 3:08 01-Super Flumina Babilonis
DR14 -6.64 dB -23.92 dB 1:54 02-In Salicibus In Medio Ejus
DR12 -2.62 dB -17.33 dB 0:31 03-Quia Illic Interrogaverunt Nos
DR14 -0.18 dB -17.36 dB 2:26 04-Et Qui Abduxerunt Nos
DR12 -6.04 dB -21.69 dB 2:59 05-Si Oblitus Fuero Tui Jerusalem
DR12 -1.86 dB -16.85 dB 2:19 06-Memor Esto Domine
DR11 -0.18 dB -14.42 dB 0:51 07-Exinanite Usque Ad Fondamentum In Ea
DR12 -8.07 dB -24.48 dB 1:10 08-Filia Babilonis Misera
DR12 -0.18 dB -15.70 dB 1:49 09-Beatus Qui Tenebit Et Allidet
DR13 -0.18 dB -16.27 dB 4:43 10-Jubilate Deo
DR11 -3.17 dB -18.27 dB 2:24 11-Scitote Quoniam Dominus Ipse Est Deus
DR14 -5.12 dB -22.24 dB 3:04 12-Populus Ejus
DR12 -0.96 dB -16.17 dB 3:04 13-Laudate Nomen Ejus
DR12 -0.18 dB -16.00 dB 4:01 14-Miserere
DR13 -5.63 dB -21.22 dB 0:48 15-Tibi Soli Peccavi
DR11 -0.71 dB -17.12 dB 2:18 16-Ecce Enim In Iniquitatibus Conceptus Sum
DR13 -1.32 dB -19.06 dB 2:01 17-Asperges Me Domine
DR12 -0.95 dB -17.99 dB 1:24 18-Auditui Meo
DR13 -3.88 dB -20.43 dB 4:21 19-Averte Faciem Tuam
DR11 -0.18 dB -15.60 dB 1:06 20-Docebo Iniquos Vias Tuas
DR13 -5.00 dB -21.27 dB 2:12 21-Libera Me
DR12 -3.13 dB -19.04 dB 1:53 22-Domine Labia Mea
DR11 -0.18 dB -14.51 dB 1:15 23-Quoniam Si Voluisses Sacrificium
DR11 -4.34 dB -18.55 dB 2:22 24-Sacrificium Deo Spiritus Contribulatus
DR11 -0.18 dB -14.68 dB 3:20 25-Ut Aedificentur Muri Jerusalem
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Number of tracks: 25
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1414 kbps
Codec: FLAC
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• Information •
Director of his ensemble, Les Ombres, which he founded in 2008 with the violinist Margaux Blanchard, flautist Sylvain Sartre breathes new life into the Grands Motets pour la Chapelle royale composed by Charles-Hubert Gervais (1671-1744), one of the many composers enjoyed by this music-loving court.
Not much is known about this piece of music that’s often played second fiddle in the history of French music—even the year of composition of the three motets presented on this album remains a mystery. All that’s known is that they were much appreciated by Louis XV, especially the ‘Super Flumina Babylonis’, which opens this recording made at Versailles’ Chapel Royal in 2021.
In addition to a solid craft, these musical pages reveal a personal style that favours the dramatic whilst still respecting the foundations laid by Michel-Richard de Lalande. Nonetheless, Gervais doesn’t renounce his own theatrical style when it comes to evoking the violence of war or underlining the anger of the children of Edom - a small kingdom in Transjordan under the harsh control of the Babylonians.
A master of instrumental colour, Charles-Hubert Gervais easily compares with his glorious predecessors. His work illustrates once again the rich abundance of music that has graced the Palace of Versailles. Once serving as an important political tool, this music now showcases an Ancien Régime steeped in devotion. © François Hudry/Qobuz
