Quarteto Lopes-Graca, Taissa Poliakova Cunha
Portuguese Tributes to Beethoven
• Формат записи | Источник записи: [TR24][OF]
• Наличие водяных знаков: Нет
• Год издания релиза: 2022
• Жанр: Classical
• Лейбл: Toccata Next
• Продолжительность:01:08:50
• Источник: qobuz
• WEB релиз: ссылка
• Контейнер: FLAC (*.flac)
• Тип рипа: tracks
• Разрядность: 24/44,1
• Формат: PCM
• Количество каналов: 2.0
• Наличие сканов: front (600*600)
Tracklist:
Piano Quintet No. 1 in E-Flat Major, Op. 16 (Joao Domingos Bomtempo)
✧ 01 - I. Allegro moderato (00:12:57)
✧ 02 - II. Presto assai (00:05:14)
✧ 03 - III. Larghetto (00:06:27)
✧ 04 - IV. Allegro (00:08:00)
Laberinto del oído (César Viana)
✧ 05 - I. Introdução (00:04:11)
✧ 06 - II. Improprio silêncio (00:13:02)
✧ 07 - III. o Serpa, pois tu não ouves (00:07:18)
✧ 08 - IV. Final (00:04:24)
Sangue Inverso (Jaime Reis)
✧ 09 - IV. Quartzo (00:07:14)
• Лог DRM •
foobar2000 1.4.2 / Dynamic Range Meter 1.1.1
log date: 2022-09-21 10:12:14
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Analyzed: Katharine Rawdon / Portuguese Tributes to Beethoven (1)
TaГssa Poliakova Cunha / Portuguese Tributes to Beethoven (2-9)
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DR Peak RMS Duration Track
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DR15 -0.71 dB -19.20 dB 7:15 09-IV. Quartzo
DR12 -0.71 dB -16.99 dB 12:57 01-I. Allegro moderato
DR12 -0.71 dB -16.88 dB 5:14 02-II. Presto assai
DR15 -0.71 dB -20.53 dB 6:28 03-III. Larghetto
DR11 -0.71 dB -14.99 dB 8:00 04-IV. Allegro
DR11 -0.71 dB -18.05 dB 4:11 05-I. Introdução
DR14 -0.71 dB -21.10 dB 13:02 06-II. ImprГіprio silГЄncio
DR13 -6.75 dB -26.45 dB 7:19 07-III. Г“ Serpa, pois tu nГЈo ouves
DR11 -0.71 dB -14.90 dB 4:25 08-IV. Final
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Number of tracks: 9
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1280 kbps
Codec: FLAC
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• Information •
These three compositions by three Portuguese composers pay direct and indirect tribute to the music of Beethoven. The Piano Quintet by João Domingos Bomtempo was written in the style of the Viennese Classical mainstream even as Beethoven was changing its direction. The two works by César Viana and Jaime Reis both have distant roots in Beethoven but pay their homage in very different styles, one using relatively traditional language and the other more radical – as was Beethoven himself, of course.
The Lopes-Graça Quartet, made up of musicians with notable solo and chamber music careers, professors at the Escola de Música do Conservatorio Nacional (Lisbon), was formed in 2005 with the aim of equipping the Conservatory, in the image of many of its counterparts in the world, a reference group in the string area, with conditions to develop a permanent work with output at the levels of specialized training in chamber music (quartet master-classes) and the promotion of the school, at home and abroad. © Toccata Classics
