Alexander von Heißen
Beat Bach: A Cancelled Clavier Competition
• Формат записи | Источник записи: [TR24][OF]
• Наличие водяных знаков: Нет
• Год издания релиза: 2022
• Жанр: Classical
• Лейбл: haenssler CLASSIC
• Продолжительность:01:05:36
• Источник: qobuz
• WEB релиз: ссылка
• Контейнер: FLAC (*.flac)
• Тип рипа: tracks
• Разрядность: 24/96
• Формат: PCM
• Количество каналов: 2.0
• Наличие сканов: front (600*600)
Tracklist:
Partita No. 4 in D major, BWV 828 (Johann Sebastian Bach)
✧ 01 - I. Ouverture (00:06:04)
✧ 02 - II. Allemande (00:09:50)
✧ 03 - III. Courante (00:03:41)
✧ 04 - IV. Aria (00:02:06)
✧ 05 - V. Sarabande (00:05:21)
✧ 06 - VI. Menuett (00:01:16)
✧ 07 - VII. Gigue (00:04:48)
Pièces de clavecin in D Minor, Book 1 (Louis Marchand)
✧ 08 - I. Prelude (00:02:40)
✧ 09 - II. Allemande (00:03:24)
✧ 10 - III. Courante I (00:01:36)
✧ 11 - IV. Courante II (00:02:16)
✧ 12 - V. Sarabande (00:03:30)
✧ 13 - VI. Gigue (00:02:31)
✧ 14 - VII. Chaconne (00:03:05)
✧ 15 - VIII. Gavotte (00:01:17)
✧ 16 - IX. Menuet (00:01:03)
Partita No. 2 in D minor, BWV 1004 (Johann Sebastian Bach)
✧ 17 - V. Chaconne (Transcr. A.V. Heissen for Harpsichord) (00:11:02)
• Лог DRM •
foobar2000 1.4.2 / Dynamic Range Meter 1.1.1
log date: 2022-09-13 15:14:02
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Analyzed: Alexander von Heißen / Beat Bach: A Cancelled Clavier Competition
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DR Peak RMS Duration Track
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DR13 -0.91 dB -16.71 dB 6:04 01-I. Ouverture
DR12 -3.96 dB -19.90 dB 9:50 02-II. Allemande
DR13 -0.69 dB -15.89 dB 3:42 03-III. Courante
DR12 -7.61 dB -21.82 dB 2:07 04-IV. Aria
DR12 -4.47 dB -20.05 dB 5:22 05-V. Sarabande
DR12 -7.70 dB -21.76 dB 1:16 06-VI. Menuett
DR12 -0.46 dB -16.03 dB 4:48 07-VII. Gigue
DR12 -2.36 dB -18.83 dB 2:41 08-I. Prélude
DR12 -2.94 dB -16.60 dB 3:25 09-II. Allemande
DR12 -1.21 dB -15.84 dB 1:36 10-III. Courante I
DR13 -6.72 dB -21.14 dB 2:16 11-IV. Courante II
DR13 -1.11 dB -19.11 dB 3:31 12-V. Sarabande
DR12 -2.24 dB -15.91 dB 2:31 13-VI. Gigue
DR12 -0.45 dB -15.76 dB 3:06 14-VII. Chaconne
DR11 -2.30 dB -15.78 dB 1:17 15-VIII. Gavotte
DR12 -7.98 dB -22.49 dB 1:03 16-IX. Menuet
DR14 -6.52 dB -24.11 dB 11:03 17-V. Chaconne (Transcr. A.V. Heißen for Harpsichord)
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Number of tracks: 17
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 3256 kbps
Codec: FLAC
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• Information •
There are plenty of legends about great composers and famous musicians, including examples of musical duels such as the one between the young George Frideric Handel and Domenico Scarlatti in Rome in 1709 or Wolfgang Amadeus Mozart and Muzio Clementi in Vienna in 1781. The participants were to compete in the art of improvisation or to demonstrate their musical skills in an appropriate way.
The present programme refers to a competition between the two keyboard virtuosos and composers Johann Sebastian Bach and Louis Marchand, which is said to have taken place in Dresden in 1717. Several sources mention this planned competition, although they all come from the German-speaking world. A total of 21 texts, dated between 1739 and 1802, mention the planned encounter between Bach and Marchand, but all of these surviving sources should be treated with caution, and many of them undoubtedly serve to glorify Bach and assert his superiority over his French challenger, who recognised this and which is why the contest is said never to have taken place. The starting point and main source for this story is Johann Sebastian Bach personally.
It is well documented that Marchand spent time in Dresden in 1717. Everything beyond this is open to doubt. The many reports of the contest nevertheless offer the opportunity of comparing the keyboard prowess of the two protagonists by means of two instrumental suites, reflecting the supposed competition.
In this very interesting programme, Alexander von Heißen (born 1995 ; first lessons with Diez Eichler at Dr. Hoch's Konservarorium in Frankfurt ; several masterclasses with Pierre Hantaï, Skip Sempé, Christophe Rousset and Jesper Christensen) has chosen two masterworks of these two wirtuosos from the 18th century, a great suites of pieces in D Minor from Louis Marchand's First Book, and the incredible Bach's Fourth Partita BWV 828. Who will be your favorite? © Haenssler Classic
