William Parker - Centering: Unreleased Early Recordings 1976-1987 Жанр: Free Jazz Носитель: CD Страна-производитель диска (релиза): Литва Год издания: 2012 Издатель (лейбл): NoBusiness Records Номер по каталогу: NBCD 42-47 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Продолжительность: 07:20:48 Источник: redacted Наличие сканов в содержимом раздачи: нет
CD1 - William Parker-Daniel Carter Duo {01:16:04}
01. Thulin (28:34)
02. Time and Period (25:52)
03. Commitment (21:38)
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 17. August 2022, 8:51 William Parker / Centering. Unreleased Early Recordings 1976-1987 Used drive : ATAPI iHAS124 E Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Users\a\Documents\flac-1.3.2-win\win64\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 28:33.57 | 0 | 128531 2 | 28:33.57 | 25:52.16 | 128532 | 244947 3 | 54:25.73 | 21:37.67 | 244948 | 342289 Track 1 Filename C:\Users\a\Documents\R\01 - William Parker-Daniel Carter Duo - Thulin.wav Pre-gap length 0:00:02.00 Peak level 96.6 % Extraction speed 5.2 X Track quality 99.9 % Test CRC AF989FC7 Copy CRC AF989FC7 Accurately ripped (confidence 3) [4E187FD9] (AR v2) Copy OK Track 2 Filename C:\Users\a\Documents\R\02 - William Parker-Daniel Carter Duo - Time And Period.wav Pre-gap length 0:00:03.00 Peak level 96.6 % Extraction speed 7.3 X Track quality 100.0 % Test CRC DFF9F6C6 Copy CRC DFF9F6C6 Accurately ripped (confidence 3) [EC57C022] (AR v2) Copy OK Track 3 Filename C:\Users\a\Documents\R\03 - William Parker Ensemble - Commitment.wav Pre-gap length 0:00:03.00 Peak level 96.6 % Extraction speed 8.5 X Track quality 100.0 % Test CRC F91AD362 Copy CRC F91AD362 Accurately ripped (confidence 3) [ED618008] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum 645A825D504B79A9F356C9F0CAA65C9CF5DD0599F6F93C54C166B6E4B204E9D3 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz REM DATE 2012 REM DISCID 2211D303 REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "William Parker" TITLE "Centering CD1" FILE "01 - Thulin.wav" WAVE TRACK 01 AUDIO TITLE "Thulin" PERFORMER "William Parker" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Time and Period" PERFORMER "William Parker" INDEX 00 28:30:57 FILE "02 - Time and Period.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Commitment" PERFORMER "William Parker" INDEX 00 25:49:16 FILE "03 - Commitment.wav" WAVE INDEX 01 00:00:00
CD2 - Centering Dance Music Ensemble 1980 {01:05:18}
01. Facing the Sun, One Is Never the Same (24:21)
02. One Day Understanding (Variation on a Theme by Albert Ayler) (22:31)
03. Bass Interlude (1:58)
04. Tapestry (16:28)
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 17. August 2022, 10:14 William Parker / Centering. Unreleased Early Recordings 1976-1987 Used drive : ATAPI iHAS124 E Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Users\a\Documents\flac-1.3.2-win\win64\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 24:21.28 | 0 | 109602 2 | 24:21.28 | 22:31.08 | 109603 | 210935 3 | 46:52.36 | 1:57.74 | 210936 | 219784 4 | 48:50.35 | 16:27.60 | 219785 | 293869 Track 1 Filename C:\Users\a\Documents\R\01 - Centering Dance Music Ensemble 1980 - Facing The Sun, One Is Never The Same.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 2.7 X Track quality 100.0 % Test CRC A609B299 Copy CRC A609B299 Accurately ripped (confidence 3) [1BB97D25] (AR v2) Copy OK Track 2 Filename C:\Users\a\Documents\R\02 - Centering Dance Music Ensemble 1980 - One Day Understanding (Variation On A Theme By Albert Ayler).wav Pre-gap length 0:00:03.00 Peak level 100.0 % Extraction speed 3.7 X Track quality 100.0 % Test CRC 7F7165FE Copy CRC 7F7165FE Accurately ripped (confidence 3) [D468263F] (AR v2) Copy OK Track 3 Filename C:\Users\a\Documents\R\03 - Centering Dance Music Ensemble 1980 - Bass Interlude.wav Pre-gap length 0:00:03.00 Peak level 30.1 % Extraction speed 3.3 X Track quality 100.0 % Test CRC 0E4E0064 Copy CRC 0E4E0064 Accurately ripped (confidence 3) [16013291] (AR v2) Copy OK Track 4 Filename C:\Users\a\Documents\R\04 - Centering Dance Music Ensemble 1980 - Tapestry.wav Pre-gap length 0:00:03.00 Peak level 100.0 % Extraction speed 4.4 X Track quality 100.0 % Test CRC 9C006C86 Copy CRC 9C006C86 Accurately ripped (confidence 3) [133601FF] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum 2CCDFC413EB60EE0119BDF5567ACF34271C48CF48266287B17FE875583408DC5 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz REM DATE 2012 REM DISCID 2F0F4E04 REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "William Parker" TITLE "Centering CD2" FILE "01 - Facing the Sun, One Is Never the Same.wav" WAVE TRACK 01 AUDIO TITLE "Facing the Sun, One Is Never the Same" PERFORMER "William Parker" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "One Day Understanding (Variation on a Theme by Albert Ayler)" PERFORMER "William Parker" INDEX 00 24:18:28 FILE "02 - One Day Understanding (Variation on a Theme by Albert Ayler).wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Bass Interlude" PERFORMER "William Parker" INDEX 00 22:28:08 FILE "03 - Bass Interlude.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Tapestry" PERFORMER "William Parker" INDEX 00 01:54:74 FILE "04 - Tapestry.wav" WAVE INDEX 01 00:00:00
CD3 - Centering Dance Music Ensemble 1980 {01:18:35}
01. Rainbow Light (26:57)
02. Crosses (Long Scarf over Canal Street) (18:38)
03. Entrusted Spirit (Dedicated to Bilal Abdur Rahman) (19:09)
04. Angel Dance (5:50)
05. Sincerity (6:39)
06. In the Thicket (1:22)
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 17. August 2022, 11:19 William Parker / Centering. Unreleased Early Recordings 1976-1987 Used drive : ATAPI iHAS124 E Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Users\a\Documents\flac-1.3.2-win\win64\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 26:56.65 | 0 | 121264 2 | 26:56.65 | 18:38.37 | 121265 | 205151 3 | 45:35.27 | 19:09.36 | 205152 | 291362 4 | 64:44.63 | 5:49.60 | 291363 | 317597 5 | 70:34.48 | 6:38.51 | 317598 | 347498 6 | 77:13.24 | 1:21.59 | 347499 | 353632 Track 1 Filename C:\Users\a\Documents\R\01 - Centering Dance Music Ensemble 1980 - Rainbow Light.wav Pre-gap length 0:00:02.00 Peak level 87.3 % Extraction speed 8.0 X Track quality 100.0 % Test CRC 130495F1 Copy CRC 130495F1 Accurately ripped (confidence 1) [1BD39023] (AR v2) Copy OK Track 2 Filename C:\Users\a\Documents\R\02 - William Parker-Charles Gayle Duo - Crosses (Long Scarf Over Canal Street ).wav Pre-gap length 0:00:03.00 Peak level 87.9 % Extraction speed 9.9 X Track quality 99.9 % Test CRC 716F4ECD Copy CRC 716F4ECD Accurately ripped (confidence 1) [DEDE90D0] (AR v2) Copy OK Track 3 Filename C:\Users\a\Documents\R\03 - William Parker-Charles Gayle Duo - Entrusted Spirit (Dedicated To Bilal Abdur Rahman).wav Pre-gap length 0:00:02.98 Peak level 84.6 % Extraction speed 12.0 X Track quality 100.0 % Test CRC BBE7FB55 Copy CRC BBE7FB55 Accurately ripped (confidence 1) [6E565F39] (AR v2) Copy OK Track 4 Filename C:\Users\a\Documents\R\04 - Centering Dance Music Ensemble_ Voices - Angel Dance.wav Pre-gap length 0:00:03.00 Peak level 93.8 % Extraction speed 12.0 X Track quality 100.0 % Test CRC D1A86CA4 Copy CRC D1A86CA4 Accurately ripped (confidence 1) [F18D293C] (AR v2) Copy OK Track 5 Filename C:\Users\a\Documents\R\05 - Centering Dance Music Ensemble_ Voices - Sincerity.wav Pre-gap length 0:00:03.00 Peak level 98.6 % Extraction speed 12.5 X Track quality 100.0 % Test CRC CA7053FE Copy CRC CA7053FE Accurately ripped (confidence 1) [54E2B5B6] (AR v2) Copy OK Track 6 Filename C:\Users\a\Documents\R\06 - Centering Dance Music Ensemble_ Voices - In The Thicket.wav Pre-gap length 0:00:03.00 Peak level 82.1 % Extraction speed 9.3 X Track quality 100.0 % Test CRC 713D4995 Copy CRC 713D4995 Accurately ripped (confidence 1) [C0353CC3] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum C5C9F02C25E32FFA53FB05AD73892AC68A6C21DB15A9E14150720A30637BA01A ====
Содержание индексной карты (.CUE)
REM GENRE Jazz REM DATE 2012 REM DISCID 5F126B06 REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "William Parker" TITLE "Centering CD3" FILE "01 - Rainbow Light.wav" WAVE TRACK 01 AUDIO TITLE "Rainbow Light" PERFORMER "William Parker" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Crosses (Long Scarf over Canal Street)" PERFORMER "William Parker" INDEX 00 26:53:65 FILE "02 - Crosses (Long Scarf over Canal Street).wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Entrusted Spirit (Dedicated to Bilal Abdur Rahman)" PERFORMER "William Parker" INDEX 00 18:35:38 FILE "03 - Entrusted Spirit (Dedicated to Bilal Abdur Rahman).wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Angel Dance" PERFORMER "William Parker" INDEX 00 19:06:36 FILE "04 - Angel Dance.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Sincerity" PERFORMER "William Parker" INDEX 00 05:46:60 FILE "05 - Sincerity.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "In the Thicket" PERFORMER "William Parker" INDEX 00 06:35:51 FILE "06 - In the Thicket.wav" WAVE INDEX 01 00:00:00
CD4 - Big Moon Ensemble {01:10:15}
01. Dedication to Kenneth Patchen (25:00)
02. Hiroshima, Part One (16:31)
03. Hiroshima, Part Two (28:44)
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 17. August 2022, 12:09 William Parker / Centering. Unreleased Early Recordings 1976-1987 Used drive : ATAPI iHAS124 E Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Users\a\Documents\flac-1.3.2-win\win64\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 25:00.11 | 0 | 112510 2 | 25:00.11 | 16:31.29 | 112511 | 186864 3 | 41:31.40 | 28:43.63 | 186865 | 316152 Track 1 Filename C:\Users\a\Documents\R\01 - Big Moon Ensemble - Dedication To Kenneth Patchen.wav Pre-gap length 0:00:02.00 Peak level 87.0 % Extraction speed 2.7 X Track quality 100.0 % Test CRC 05BA0A33 Copy CRC 05BA0A33 Accurately ripped (confidence 3) [E37469EB] (AR v2) Copy OK Track 2 Filename C:\Users\a\Documents\R\02 - Big Moon Ensemble - Hiroshima, Part One.wav Pre-gap length 0:00:03.00 Peak level 87.0 % Extraction speed 3.6 X Track quality 100.0 % Test CRC 8DEE2E6E Copy CRC 8DEE2E6E Accurately ripped (confidence 3) [28414AD8] (AR v2) Copy OK Track 3 Filename C:\Users\a\Documents\R\03 - Big Moon Ensemble - Hiroshima, Part Tow.wav Pre-gap length 0:00:03.00 Peak level 87.0 % Extraction speed 4.4 X Track quality 100.0 % Test CRC 4653D116 Copy CRC 4653D116 Accurately ripped (confidence 3) [C12F1FEB] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum D92F50587F0CC1B92DA0ECA00DDB22E1C71FC74216C87E2A44A33B786CD6A556 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz REM DATE 2012 REM DISCID 1C107703 REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "William Parker" TITLE "Centering CD4" FILE "01 - Dedication to Kenneth Patchen.wav" WAVE TRACK 01 AUDIO TITLE "Dedication to Kenneth Patchen" PERFORMER "William Parker" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Hiroshima, Part One" PERFORMER "William Parker" INDEX 00 24:57:11 FILE "02 - Hiroshima, Part One.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Hiroshima, Part Two" PERFORMER "William Parker" INDEX 00 16:28:29 FILE "03 - Hiroshima, Part Two.wav" WAVE INDEX 01 00:00:00
CD5 - Centering Big Band (Extending the Clues) {01:12:30}
01. Ankti (Extending the Clues) (13:00)
02. Munyaovi (Cliff of the Porcupine) (14:47)
03. Palatala (Red Light of Sunrise) (4:34)
04. Lomahongva (Beautiful Clouds Arising) (29:11)
05. Tototo (Warrior Spirit Who Sings) (10:58)
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 17. August 2022, 12:35 William Parker / Centering. Unreleased Early Recordings 1976-1987 Used drive : ATAPI iHAS124 E Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Users\a\Documents\flac-1.3.2-win\win64\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 12:59.47 | 0 | 58471 2 | 12:59.47 | 14:47.24 | 58472 | 125020 3 | 27:46.71 | 4:34.12 | 125021 | 145582 4 | 32:21.08 | 29:10.49 | 145583 | 276881 5 | 61:31.57 | 10:58.00 | 276882 | 326231 Track 1 Filename C:\Users\a\Documents\R\01 - Centering Big Band (Extending The Clues) - Ankti (Extending The Clues).wav Pre-gap length 0:00:02.00 Peak level 96.6 % Extraction speed 4.5 X Track quality 100.0 % Test CRC 2D6CE8C0 Copy CRC 2D6CE8C0 Accurately ripped (confidence 3) [B9A0E1AC] (AR v2) Copy OK Track 2 Filename C:\Users\a\Documents\R\02 - Centering Big Band (Extending The Clues) - Munyaovi (Cliff Of The Porcupine).wav Pre-gap length 0:00:03.00 Peak level 96.6 % Extraction speed 5.7 X Track quality 100.0 % Test CRC 0E356B02 Copy CRC 0E356B02 Accurately ripped (confidence 3) [B356DF47] (AR v2) Copy OK Track 3 Filename C:\Users\a\Documents\R\03 - Centering Big Band (Extending The Clues) - Palatala (Red Light Of Sunrise).wav Pre-gap length 0:00:03.00 Peak level 78.2 % Extraction speed 5.9 X Track quality 100.0 % Test CRC 80FDBC5C Copy CRC 80FDBC5C Accurately ripped (confidence 3) [69D0F095] (AR v2) Copy OK Track 4 Filename C:\Users\a\Documents\R\04 - Centering Big Band (Extending The Clues) - Lomahongva (Beautiful Clouds Arising).wav Pre-gap length 0:00:03.00 Peak level 96.6 % Extraction speed 7.2 X Track quality 99.9 % Test CRC 41FFCE4A Copy CRC 41FFCE4A Accurately ripped (confidence 3) [B7F59C4A] (AR v2) Copy OK Track 5 Filename C:\Users\a\Documents\R\05 - Centering Big Band (Extending The Clues) - Tototo (Warrior Spirit Who Sings).wav Pre-gap length 0:00:03.00 Peak level 96.6 % Extraction speed 7.5 X Track quality 99.9 % Test CRC 6797FC80 Copy CRC 6797FC80 Accurately ripped (confidence 3) [BC855D7E] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum 65338D3595E2BEF0B2F5BFD15FD2035F32EEE4C4C2C6589F267BF53D28B86AE5 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz REM DATE 2012 REM DISCID 4D10FD05 REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "William Parker" TITLE "Centering CD5" FILE "01 - Ankti (Extending the Clues).wav" WAVE TRACK 01 AUDIO TITLE "Ankti (Extending the Clues)" PERFORMER "William Parker" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Munyaovi (Cliff of the Porcupine)" PERFORMER "William Parker" INDEX 00 12:56:47 FILE "02 - Munyaovi (Cliff of the Porcupine).wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Palatala (Red Light of Sunrise)" PERFORMER "William Parker" INDEX 00 14:44:24 FILE "03 - Palatala (Red Light of Sunrise).wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Lomahongva (Beautiful Clouds Arising)" PERFORMER "William Parker" INDEX 00 04:31:12 FILE "04 - Lomahongva (Beautiful Clouds Arising).wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Tototo (Warrior Spirit Who Sings)" PERFORMER "William Parker" INDEX 00 29:07:49 FILE "05 - Tototo (Warrior Spirit Who Sings).wav" WAVE INDEX 01 00:00:00
CD6 - Centering Dance Music Ensemble 1976 {01:18:06}
Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 17. August 2022, 13:51 William Parker / Centering. Unreleased Early Recordings 1976-1987 Used drive : ATAPI iHAS124 E Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Users\a\Documents\flac-1.3.2-win\win64\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 34:07.64 | 0 | 153588 2 | 34:07.64 | 13:05.35 | 153589 | 212498 3 | 47:13.24 | 30:52.40 | 212499 | 351438 Track 1 Filename C:\Users\a\Documents\R\01 - Centering Dance Music Ensemble 1976 (Dawn Voice) - Illuminese,Voice.wav Pre-gap length 0:00:02.00 Peak level 81.7 % Extraction speed 6.9 X Track quality 100.0 % Test CRC A3C773CA Copy CRC A3C773CA Accurately ripped (confidence 3) [8FCD3472] (AR v2) Copy OK Track 2 Filename C:\Users\a\Documents\R\02 - Centering Dance Music Ensemble 1976 (Dawn Voice) - Falling Shadows.wav Pre-gap length 0:00:03.00 Peak level 63.5 % Extraction speed 8.5 X Track quality 99.9 % Test CRC 846E4BE5 Copy CRC 846E4BE5 Accurately ripped (confidence 3) [298B8DDC] (AR v2) Copy OK Track 3 Filename C:\Users\a\Documents\R\03 - Centering Dance Music Ensemble 1976 (Dawn Voice) - Dawn,Face Still, Hands Folded.wav Pre-gap length 0:00:03.00 Peak level 100.0 % Extraction speed 10.5 X Track quality 100.0 % Test CRC F7349AA5 Copy CRC F7349AA5 Accurately ripped (confidence 3) [52B4E389] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum 3922431F1DBE15C1FE81CE686C9C129DFAE07F7B780977D6D3F70347895B40AF ====
Содержание индексной карты (.CUE)
REM GENRE Jazz REM DATE 2012 REM DISCID 23124D03 REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "William Parker" TITLE "Centering CD6" FILE "01 - Illuminese,Voice.wav" WAVE TRACK 01 AUDIO TITLE "Illuminese/Voice" PERFORMER "William Parker" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Falling Shadows" PERFORMER "William Parker" INDEX 00 34:04:64 FILE "02 - Falling Shadows.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Dawn/Face Still, Hands Folded" PERFORMER "William Parker" INDEX 00 13:02:35 FILE "03 - Dawn,Face Still, Hands Folded.wav" WAVE INDEX 01 00:00:00
Об альбоме (сборнике)
Parker and most of his cohorts were among the cadre of younger musicians who came of age during the loft era and have to some extent continued the ethos of self determinism which the lofts represented, not least in Parker's ongoing involvement in the annual Vision Festival. Interestingly the only participant on these discs who appeared on the 5 LP Wildflowers: The New York Loft Jazz Sessions (Douglas, 1977), probably the definitive chronicle of the loft jazz era, is saxophonist David S. Ware. So this is a milieu which left little trace and has been largely unheard until now. The first three discs contain small groups, while the last three document larger ensembles.
Disc one comprises two lengthy excerpts from a 90-minute studio date for Parker and reedman Daniel Carter, originally intended for issue on the bassist's Centering imprint. Carter plays with a certain detachment so that even the heat is deployed with a blow torch control. Never just a fire breather he also shows traces of the grainy lyricism which became more prevalent over the years. Carter remains shockingly underrated, and one can only speculate that the distribution of this recording at the time would have put him more firmly on the radar. Peaks of empathy and synchronicity punctuate their mercurial give and take. There is always a shape and contour to the bass narrative—what Parker calls in the booklet "compositional improvisation." For "Thulin" Parker sticks with his bow, displaying his uncanny facility, while on "Time and Period" he switches to a pliant pizzicato, walking tautly beside Carter's bop-derived licks. Carter's vocal embellishments are happily brief. Together they create a powerful, intense, purposefully paced and ultimately uplifting experience.
Rounding out the first disc is the 21-minute "Commitment." Intriguingly, this is a different selection to that released under the same title on Parker's Through Acceptance Of The Mystery Peace (Eremite, 1998), which clearly comes from the same concert, and both must represent fragments from a longer work. What a work it is: the composerly layers creating a spellbinding, at times serene affair, although belying the chamber instrumentation in places. A dirge like interplay between John Hagen's assertive tenor saxophone and Arthur Williams' clear and texturally inventive trumpet forms the defining characteristic over Parker's bowed undulations. Both sessions are real finds.
The entire second disc and the first track of the third consist of an extended showing by a trio featuring David S Ware's burly tenor saxophone accompanied by Parker and Denis Charles' dancing drums. Billed as the Centering Dance Ensemble, the almost unheard part of the offering are the sporadic footfalls of Parker's wife Patricia Nicholson. Although thematic material enters during the session, it is largely a blowing date. There are occasional hints of the majesty and gravitas Ware displayed with his classic quartet in the '90s, notably on the "Rainbow Light," but the brawny tone, bottomless imagination and prodigious stamina are already in place. Parker's elastic propulsion meshes well with Charles, and he takes a turbo-charged arco solo before a delicate investigation of harmonics to end "One Day Understanding (Variation on a Theme by Albert Ayler)." Inspired by Ed Blackwell, in his features Charles deconstructs the rhythm into its essential components, allocated between distinct parts of his kit, leavened by telling portions of silence.
Making up the central stretch of disc three is 38 minutes of a 1987 live duet between Parker and tenor saxophonist Charles Gayle. Coming a year before the saxophonist's initial clutch of Silkheart releases, this set now represents the reedman's earliest issued recording. Like Ware, Gayle possesses imagination and stamina to spare, imbued with a raw shamanistic spirituality. Both he and the bassist come out of the gate full pelt, stentorian bellows vying with abrasive pizzicato, both creating form from thin air. Parker's bowing makes a exceptionally fine blend with the saxophonist's braying invocation on "Entrusted Spirit (Dedicated to Bilal Abdur Rahman)."
Completing the disc are three short vocal pieces completely unlike anything heard thus far. Wordless but lyrical, the voices of Ellen Christi and Brenda Bakr are buoyed by the relaxed lope of Parker in combination with Rashid Bakr's drums. But it is the final "In The Thicket" which stands out, with the two women joined by Lisa Sokolov for a short but sweet a capella rendering of a Parker lyric, presaging the songs for his Raining On The Moon quintet in the '00s.
Disc four contains another outstanding live session. Drawing inspiration from Ornette Coleman's double quartet on Free Jazz (Atlantic, 1960), Parker's Big Moon Ensemble brought together an octet, comprising many of his closest associates over the years. Alto saxophonist Jemeel Moondoc's Muntu unit is here in its entirety, along with Carter once more and his fellow spokesperson from Other Dimensions in Music, trumpeter Roy Campbell. As with Ornette's masterpiece, individual soloists are cushioned, echoed and challenged by a chorus of horns and rhythm. Although the sound is slightly muffled (Carter suffers the most), it remains sufficiently clear to convey the energy, excitement and assuredness of an indispensable performance.
Collected on disc five are extracts from a rare high profile gig at the Kool Jazz Festival by Parker's Centering Big Band. Even though bringing together musicians who hadn't appeared together before, Parker provides only loose orchestrations, relying instead on the smarts of his players. It works like a dream, occasionally murky, mostly exciting and at times dazzling, as the seething mass parts for hot solos, especially by Ware and Campbell on flugelhorn, which bloom before being subsumed back into the bristling nexus. Other highlights come during a series of pre-planned duets in "Lomahongva (Beautiful Clouds Arising)," where Moondoc, Ware and baritone saxophonist Charles Tyler excel. Voices are integrated into the ensemble just like any other instrument, but also feature in the charts which make effective use of unison riffs, recalling British pianist Keith Tippett's arrangements for his Centipede orchestra. In the final "Tototo (Warrior Spirit Who Sings)" the successful contrast of descending phrases for saxophone, against soaring voices and horns produces a bittersweet elegy. While it might be nice to know exactly who plays when, in the end one is just grateful that this music has escaped from the vaults.
The final disc is revelatory. It contains passages from a production by another version of the Centering Dance Ensemble, this time taking on a chamber feel in the absence of drums. The whole piece evokes a mass or liturgy, particularly in light of the final section where Parker declaims an affecting poem about his father's death. In "Illuminese/Voice" long slow lines for the leader's arco bottom end interweave with the contrapuntal trumpets of John Mingione and Malik Baraka, and the clarinet of Rozanne Levine. "Falling Shadows" is even better, an exquisitely modulating chorale for horns, voice and strings, which calls to mind Arvo Part in its simple beauty. For the extended closing selection, Parker deploys his resources thoughtfully, moving between call and response for Christi's voice and Levine's clarinet, the sawing violins of Billy Bang and Ramsey Ameen, and the concluding recitation (the only cut which has already seen release, as an 8-minute snippet on the 1998 Eremite issue). In the booklet, Parker recalls that this was the only dance-music piece done in this style. It suggests one unexplored avenue which might well bear further examination.
One of principal delights of this superb collection is that it so clearly establishes the antecedents for so much of Parker's subsequent output, demonstrating a breathtaking breadth and confidence in his expression, even at this early stage in his development. We are lucky to have Parker still active among us, given that so many of the participants here have now passed, but also to have this poignant reminder of an otherwise unsung scene.
-- John Sharpe
