(Post-Bop, Contemporary Jazz) [CD] Gerald Clayton - Bells on Sand - 2022, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 17. August 2022, 20:52
Gerald Clayton / Bells on Sand
Used drive  : ASUS    DRW-24D5MT   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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        9  | 31:46.62 |  8:00.07 |    143012    |   179018
       10  | 39:46.69 |  3:19.06 |    179019    |   193949
Track  1
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Track  2
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Track  3
     Filename C:\Users\tomza\Desktop\Gerald Clayton - Bells on Sand (2022) [CD FLAC]\03 - Gerald Clayton feat. John Clayton, Justin Brown & Maro - Damunt de tu només les flors.wav
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Track  4
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Track  5
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Track  6
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Track  7
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Track  8
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Track  9
     Filename C:\Users\tomza\Desktop\Gerald Clayton - Bells on Sand (2022) [CD FLAC]\09 - Gerald Clayton feat. Charles Lloyd - Peace Invocation.wav
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Track 10
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All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.6
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==== Log checksum 46C61A35E9B4E051E1301095F96D4155D6972E20F1E02D26BAF9A4EF65987C84 ====

REM GENRE Jazz
REM DATE 2022
REM DISCID 870A1A0A
REM COMMENT "ExactAudioCopy v1.6"
CATALOG 0602445277261
PERFORMER "Gerald Clayton"
TITLE "Bells on Sand"
FILE "01 - Water's Edge (feat. John Clayton & Justin Brown).wav" WAVE
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FILE "02 - Elegia (feat. John Clayton).wav" WAVE
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FILE "03 - Damunt de tu nomes les flors (feat. Maro, John Clayton & Justin Brown).wav" WAVE
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FILE "04 - My Ideal 1.wav" WAVE
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FILE "05 - That Roy (feat. Justin Brown).wav" WAVE
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FILE "06 - Rip (feat. Justin Brown).wav" WAVE
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FILE "07 - Just a Dream (feat. Maro).wav" WAVE
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FILE "09 - Peace Invocation (feat. Charles Lloyd).wav" WAVE
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    PERFORMER "Gerald Clayton"
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FILE "10 - There Is Music Where You're Going My Friends.wav" WAVE
  TRACK 10 AUDIO
    TITLE "There Is Music Where You're Going My Friends"
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[CUETools log; Date: 01.09.2022 21:37:25; Version: 2.1.9]
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Embracing his classical influences, pianist Gerald Clayton conjures a richly soulful and dreamlike atmosphere on his second Blue Note album, 2022's Bells on Sand. Even going as far back as his time in the 2000s with Roy Hargrove and then through his first few solo albums, Clayton has evinced a classical warmth in his playing. His measured style is marked by complex chordal harmonies, delicate arpeggiations, and a languid, poetic feeling that often evokes the work of Chick Corea. It's also a personal sound, informed by his musical roots with his father, esteemed bassist John Clayton, as well as his work with saxophonist Charles Lloyd -- both of whom appear here. He brings all of this to full flower on Bells on Sand, crafting songs that straddle the line between classical chamber music and flowing modal post-bop. The record is technically his first studio outing for the label following his 2020 concert album Happening: Live at the Village Vanguard. Where that release found him leading his adventurous quintet, here he offers spare duo and trio performances that are meant to reflect his past, present, and future as an artist. As such, he has brought together an intimate handful of collaborators, including his father, drummer Justin Brown, and Portuguese vocalist MARO. Also featured is Clayton's former boss and mentor, saxophonist Lloyd, with whom he has worked closely since 2013. There's a spiritual, imagistic quality to much of the album that has the feel of a '70s ECM recording. On the opening "Water's Edge," Clayton frames his father's mournful bowed bass lines with slow storm-cloud chords and the gathering rumble of Brown's drumming before trickling in a shimmering rainbow of organ. Equally languid moments follow, as in Clayton's take on Catalan composer Federico Mompou's "Damunt de tu Només les Flors," a sleepy, tango-esque lullaby sung with romantic sadness by MARO. Particularly rapturous is "Peace Invocation," a shimmering noir daydream in which Clayton's warm piano bakes like late-afternoon sun against Lloyd's dusky tenor sax shadow.