(Classical Concertos, Vocal) [CD] A Night in London: Handel, Porpora, Geminiani, Hasse, Cirri, Oswald, Avison (Sandrine Piau, Lucile Richardot, Gabriel Pidoux, Ophelie Gaillard, Pulcinella Orchestra) - 2022, FLAC (image+.cue) lossless

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Caterina Sforza

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Caterina Sforza · 01-Сен-22 20:39 (3 года 1 месяц назад, ред. 01-Сен-22 20:44)

A Night in London (Ophelie Gaillard, Pulcinella Orchestra)
Жанр: Classical Concertos, Vocal
Носитель: CD
Страна-производитель диска: Made in France
Год издания диска: 2022
Издатель (лейбл): Aparté
Номер по каталогу: AP274
Дата записи: 2021-22
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 01:17:53
Источник: релизер
сайт-источник/ник/другое: Bodtje, подарок; Caterina Sforza - работа с cue, доп. сканы
Наличие сканов в содержимом раздачи: да
Треклист:
James Oswald (1710-1769)
1. She’s sweetest when she’s naked solo version 0’59
Charles Avison (1709-1770)
2. Concerto Grosso no. 5 in D minor (after Domenico Scarlatti, c1743): I. Largo 2’47
Francesco Geminiani (1687-1762)
3. Concerto Grosso no. 12 in D minor, H. 143 ‘La Folia’ 10’33
(12 Concerti Grossi after Corelli’s Violin Sonatas, 1729)
George Frideric Handel (1685-1759)
4. Serse, HWV 40 (1738), Act 3: Sinfonia 3’20
Nicola Porpora (1686-1768)
Cello Concerto in G major, INP 18
5. I. Adagio 3’26
6. II Allegro 4’54
7. III. Adagio 3’08
8. IV. Allegro – Presto 4’22
George Frideric Handel
9. Alcina, HWV 34 (1735), Act 3: “Credete al mio dolore” 7’30
with Sandrine Piau, soprano
10. Concerto Grosso in B flat major op. 3 no. 2, HWV 313 (c1718): II. Largo in G minor 2’25
with Gabriel Pidoux, oboe3
Johann Adolph Hasse (1699-1783)
11. Fuga e Grave in G minor (Grave – Fuga) 5’44
Giovanni Battista Cirri (1724-1808)
Cello Concerto no. 2 in G major, op. 14, no. 2
12. I. Allegro spiritoso 4’59
13. II. Largo assai 4’07
14. III. Rondo: Allegro 4’23
James Oswald
15. The Murrays March 1’31
16. My Nanio 3’14
17. She’s sweetest when she’s naked ensemble version 3’38
Francesco Geminiani
18. A Treatise of Good Taste in the Art of Musick (c1749): “The night her silent sable wore” 5’12
with Lucile Richardot, mezzo
James Oswald
19. The bottom of the punch bowl 1’42
Исполнители:
Sandrine Piau (soprano 09)
Lucile Richardot (mezzo-soprano 18)
Gabriel Pidoux (oboe 10)
Pulcinella Orchestra
Ophélie Gaillard (cello, dir.)
Recording Date: September 27, 2021 & December 30, 2021 at Temple Saint-Pierre, Paris
Recording Date: January 2022 at Little Tribeca, Pantin
Release Date: March 4, 2022
Лог создания рипа

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Ophélie Gaillard / A Night In London (Delux Editon)
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Содержание индексной карты (.CUE)

REM GENRE Classical
REM DATE 2022
REM DISCID 10124B13
REM COMMENT "ExactAudioCopy v1.6"
PERFORMER "Sandrine Piau (soprano 09), Raquel Camarinha (soprano), Lucile Richardot (mezzo-soprano 18), Gabriel Pidoux (oboe 10), Pulcinella Orchestra, Ophélie Gaillard (cello, dir.)"
TITLE "A Night in London (Delux Editon)"
REM COMPOSER "James Oswald (1710-1795), Charles Avison (1709-1770), Francesco Geminiani (1687-1762), George Frideric Handel (1685-1759), Nicola Antonio Porpora (1686-1768), Johann Adolf Hasse (1699-1783), Giovanni Battista Cirri (1724-1808), James Oswald (1710-1795)"
FILE "Ophélie Gaillard, Pulcinella Orchestra - A Night in London (Delux Editon).flac" WAVE
TRACK 01 AUDIO
TITLE "Oswald: She's sweetest when she's naked (solo version)"
PERFORMER "Ophélie Gaillard"
REM COMPOSER "James Oswald"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Avison: Concerto Grosso No. 5 in D minor (after Domenico Scarlatti, c.1743): I. Largo"
PERFORMER "Pulcinella Orchestra, Ophélie Gaillard"
REM COMPOSER "Charles Avison"
INDEX 01 00:59:57
TRACK 03 AUDIO
TITLE "Geminiani: Concerto Grosso No. 12 in D minor, H. 143 'La Folia' (12 Concerti Grossi after Corelli's Violin Sonatas, 1729)"
PERFORMER "Pulcinella Orchestra, Ophélie Gaillard"
REM COMPOSER "Francesco Geminiani"
INDEX 01 03:47:53
TRACK 04 AUDIO
TITLE "Handel: Serse, HWV 40 (1738), Act 3: Sinfonia"
PERFORMER "Pulcinella Orchestra, Ophélie Gaillard"
REM COMPOSER "George Frideric Handel"
INDEX 01 14:21:35
TRACK 05 AUDIO
TITLE "Porpora: Cello Concerto in G major, INP 18: I. Adagio"
PERFORMER "Pulcinella Orchestra, Ophélie Gaillard"
REM COMPOSER "Nicola Porpora"
INDEX 01 17:41:67
TRACK 06 AUDIO
TITLE "Porpora: Cello Concerto in G major, INP 18: II. Allegro"
PERFORMER "Pulcinella Orchestra, Ophélie Gaillard"
REM COMPOSER "Nicola Porpora"
INDEX 01 21:08:23
TRACK 07 AUDIO
TITLE "Porpora: Cello Concerto in G major, INP 18: III. Adagio"
PERFORMER "Pulcinella Orchestra, Ophélie Gaillard"
REM COMPOSER "Nicola Porpora"
INDEX 01 26:03:03
TRACK 08 AUDIO
TITLE "Porpora: Cello Concerto in G major, INP 18: IV. Allegro - Presto"
PERFORMER "Pulcinella Orchestra, Ophélie Gaillard"
REM COMPOSER "Nicola Porpora"
INDEX 01 29:11:69
TRACK 09 AUDIO
TITLE "Handel: Alcina, HWV 34 (1735), Act 3: 'Credete al mio dolore' with Sandrine Piau, soprano"
PERFORMER "Pulcinella Orchestra, Ophélie Gaillard"
REM COMPOSER "George Frideric Handel"
INDEX 01 33:34:21
TRACK 10 AUDIO
TITLE "Handel: Concerto Grosso in B flat major op. 3 no. 2, HWV 313 (c1718): II. Largo in G minor"
PERFORMER "Pulcinella Orchestra, Ophélie Gaillard & Gabriel Pidoux"
REM COMPOSER "George Frideric Handel"
INDEX 01 41:05:09
TRACK 11 AUDIO
TITLE "Hasse: Fuga e Grave in G minor (Grave – Fuga)"
PERFORMER "Pulcinella Orchestra, Ophélie Gaillard"
REM COMPOSER "Johann Adolph Hasse"
INDEX 01 43:30:26
TRACK 12 AUDIO
TITLE "Cirri: Cello Concerto No. 2 in G major, Op. 14, No. 2: I. Allegro spiritoso"
PERFORMER "Pulcinella Orchestra, Ophélie Gaillard"
REM COMPOSER "Giovanni Battista Cirri"
INDEX 01 49:14:27
TRACK 13 AUDIO
TITLE "Cirri: Cello Concerto No. 2 in G major, Op. 14, No. 2: II. Largo Assai"
PERFORMER "Pulcinella Orchestra, Ophélie Gaillard"
REM COMPOSER "Giovanni Battista Cirri"
INDEX 01 54:14:14
TRACK 14 AUDIO
TITLE "Cirri: Cello Concerto No. 2 in G major, Op. 14, No. 2: III. Rondo: Allegro"
PERFORMER "Pulcinella Orchestra, Ophélie Gaillard"
REM COMPOSER "Giovanni Battista Cirri"
INDEX 01 58:21:38
TRACK 15 AUDIO
TITLE "Oswald: The Murrays March"
PERFORMER "Pulcinella Orchestra, Ophélie Gaillard"
REM COMPOSER "James Oswald"
INDEX 01 62:45:04
TRACK 16 AUDIO
TITLE "Oswald: My Nanio"
PERFORMER "Pulcinella Orchestra, Ophélie Gaillard"
REM COMPOSER "James Oswald"
INDEX 01 64:16:23
TRACK 17 AUDIO
TITLE "Oswald: She's sweetest when she's naked (ensemble version)"
PERFORMER "Pulcinella Orchestra, Ophélie Gaillard"
REM COMPOSER "James Oswald"
INDEX 01 67:30:42
TRACK 18 AUDIO
TITLE "Geminiani: A Treatise of Good Taste in the Art of Musick: 'Oh Bessy Bell and Mary Gray'"
PERFORMER "Pulcinella Orchestra, Ophélie Gaillard & Lucile Richardot"
REM COMPOSER "Francesco Geminiani"
INDEX 01 71:09:64
TRACK 19 AUDIO
TITLE "Oswald: The bottom of the punch bowl"
PERFORMER "Pulcinella Orchestra, Ophélie Gaillard"
REM COMPOSER "James Oswald"
INDEX 01 76:20:58
Review

A Night in London Review by James Manheim [-]
The cello repertory from the 18th century is not large. There are concertos by Vivaldi, Haydn, and some lesser composers, and these are sometimes recorded. Cellist Ophélie Gaillard and her small but mighty Pulcinella Orchestra take a different tack here, with highly enjoyable results. She offers a "Night in London," as it might have been presented by a cellist of the day. Gaillard does include a couple of cello concertos, and these are very fine. One, by Haydn's teacher Nicola Porpora, is both attractively melodic and considerable in its technical demands. The other is by an even less familiar figure, Giovanni Battista Cirri, one of the many Italians of the age who departed to seek fame and fortune in the seat of the growing Empire. He is actually represented by more than just the attractive Cello Concerto No. 2 in G major, Op. 14, No. 2, for the program is modeled on Gaillard's conception of his repertory as a whole. She writes of how Cirri "moved with ease from one genre to another, one moment accompanying a successful aria in a London theatre, the next playing a concerto of his own composition or by another composer, and often ending up playing with folk musicians in a tavern -- that was what prompted us to add percussion to some of the vocal pieces, or a harp, for a touch of melancholy, or an impassioned guitar." There are several operatic arias with prominent cello parts featuring soprano Sandrine Piau and a couple of exciting younger singers. There are also several pieces that qualify as highly listenable rarities, by Francesco Geminiani from the instructional manuals he wrote later in life and by cellist James Oswald, who played folk tunes like The Bottom of the Punch Bowl and She's Sweetest When She's Naked. Gaillard and Pulcinella pull in a range of London scenes and render them vigorously in this hugely enjoyable release.
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Musarch

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Musarch · 01-Сен-22 22:21 (спустя 1 час 41 мин.)

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