(Funk, Soul) [LP] [24/192] Mandrill - Mandrill - 1971, FLAC (tracks)

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fiks22

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fiks22 · 13-Июл-22 09:50 (3 года 2 месяца назад)

Mandrill - Mandrill
Жанр: Funk, Soul
Носитель: LP
Год выпуска: 1971
Лейбл: Polydor (24-4050)
Страна-производитель: США
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/192
Формат раздачи: 24/192
Продолжительность: 00:38:58
Треклист:
01. Mandrill (4:23)
02. Warning Blues (4:34)
03. Symphonic Revolution (5:19)
04. Rollin' On (7:39)
Peace and Love (Amani na Mapenzi)
05. Movement I (Birth) (1:50)
06. Movement II (Now) (1:44)
07. Movement III (Time) (2:16)
08. Movement IV (Encounter) (6:05)
09. Movement V (Beginning) (2:03)
10. Chutney (3:05)
Источник оцифровки: thezabs
Устройство воспроизведения: Rega P10 Turntable with Rega P10 PSU
Головка звукоснимателя: Rega Apheta 3 Cartridge
Предварительный усилитель: PS Audio NuWave Phono Converter ADC
Программа-оцифровщик: Audition CC 2019
Обработка: Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +0 DB > Remove DC Bias
Условия оцифровки
Lineage:
Degritter RCM > Rega P10 Turntable with Rega P10 PSU > Rega Apheta 3 Cartridge > PS Audio NuWave Phono Converter ADC > AudioQuest Carbon USB Cable > USB-IN > Audition CC 2019 @ 24bit float, 192kHz capture.
Processing:
24bit wav > Run through Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +0 DB > Remove DC Bias > Saved as 24bit,192kHz WAV > FLAC > Tagged with Discogs tagger through Foobar.
Scans:
Epson Expression 11000XL -> 16bit 600 DPI with Unsharp Mask -> Color Correction in Photoshop CC 2021 x64 -> 8bit 600DPI PNG.
Спектры
Замер динамического диапазона
foobar2000 1.6.11 / Dynamic Range Meter 1.1.1
log date: 2022-07-13 09:46:08
--------------------------------------------------------------------------------
Analyzed: Mandrill / Mandrill
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -0.44 dB -16.15 dB 4:23 01-Mandrill
DR13 -1.67 dB -17.94 dB 4:34 02-Warning Blues
DR14 -2.08 dB -18.96 dB 5:19 03-Symphonic Revolution
DR15 -1.63 dB -19.82 dB 7:39 04-Rollin' On
DR13 -4.30 dB -23.39 dB 1:50 05-Peace and Love (Amani na Mapenzi): Movement I (Birth)
DR13 -1.42 dB -17.14 dB 1:44 06-Peace and Love (Amani na Mapenzi): Movement II (Now)
DR12 -1.93 dB -18.11 dB 2:16 07-Peace and Love (Amani na Mapenzi): Movement III (Time)
DR13 0.00 dB -15.96 dB 6:05 08-Peace and Love (Amani na Mapenzi): Movement IV (Encounter)
DR16 -0.06 dB -19.38 dB 2:03 09-Peace and Love (Amani na Mapenzi): Movement V (Beginning)
DR13 -2.41 dB -19.02 dB 3:05 10-Chutney
--------------------------------------------------------------------------------
Number of tracks: 10
Official DR value: DR14
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4879 kbps
Codec: FLAC
================================================================================
Review by John Bush
Mandrill's debut isn't half the album it could've been, since the band's talented musicianship and desire to experiment were often subverted -- by ambitions of pop success as well as a dry, over-serious approach to music-making. The three Wilson brothers, though masters of over a dozen instruments, still hadn't mastered the added burden of songwriting; "Warning Blues" is perfunctory (as is the vocal performance) and "Symphonic Revolution" is a bland summer-day soul song with cloying strings. The group sounds much more confident getting into a good groove and allowing room for some great playing; the band's self-titled song, "Mandrill," is the best here, featuring great solos for flute and vibraphone. Mandrill also loved playing with different musical forms: "Rollin' On" moves from an average rock song to a torrid Latin jam and climaxes with a testifying gospel session. Most ambitious of all is the five-part, 14-minute suite "Peace and Love," but the intriguing concept is negated by a few bizarre pieces, one of which sounds like a parody of a Vincent Price reading over a Santana jam. The band would soon learn that experimentation and stylistic change-ups were a means, not an end.
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