Giovanni Tommaso, Rita Marcotulli, Alessandro Paternesi / Around Gershwin
Жанр: Contemporary Jazz, Post-Bop
Носитель: WEB
Страна-производитель диска (релиза): Italy
Год издания: 2018
Издатель (лейбл): Parco Della Musica
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Продолжительность: 01:00:09
Источник:
deezer
Наличие сканов в содержимом раздачи: нет
Треклист:
1. But Not for Me
(05:50)
2. Un italiano a Parigi
(05:48)
3. How Long Has This Been Going On
(08:34)
4. Random 5
(05:39)
5. Rotating Rhythm
(03:28)
6. 's Wonderful
(07:24)
7. S.O.S.
(08:22)
8. Wintertime
(08:25)
9. Oh, Lady Be Good
(03:24)
10. Without a Theme
(03:15)
Rita Marcotulli: piano;
Giovanni Tommaso: bass;
Alessandro Paternesi: drums.
Лог проверки качества
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DON'T MODIFY THIS FILE
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FILE: 10 - Without a Theme.flac
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Conclusion: CDDA 99%
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FILE: 09 - Oh, Lady Be Good.flac
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Conclusion: CDDA 100%
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FILE: 08 - Wintertime.flac
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Conclusion: CDDA 99%
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FILE: 07 - S.O.S..flac
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FILE: 06 - 's Wonderful.flac
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FILE: 05 - Rotating Rhythm.flac
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Conclusion: CDDA 100%
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FILE: 04 - Random 5.flac
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Conclusion: CDDA 100%
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FILE: 03 - How Long Has This Been Going On.flac
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FILE: 02 - Un italiano a Parigi.flac
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FILE: 01 - But Not for Me.flac
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Conclusion: CDDA 99%
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Динамический отчет (DR)
foobar2000 1.2.2 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2022-04-11 14:39:10
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Анализ: Giovanni Tommaso, Rita Marcotulli, Alessandro Paternesi / Around Gershwin
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DR Пики RMS Продолжительность трека
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DR12 -0.73 дБ -15.45 дБ 5:51 ?-But Not for Me
DR10 -0.61 дБ -11.98 дБ 5:48 ?-Un italiano a Parigi
DR11 -0.63 дБ -14.55 дБ 8:35 ?-How Long Has This Been Going On
DR10 -0.63 дБ -12.81 дБ 5:39 ?-Random 5
DR10 -0.61 дБ -12.29 дБ 3:29 ?-Rotating Rhythm
DR14 -1.15 дБ -19.05 дБ 7:24 ?-'s Wonderful
DR9 -0.60 дБ -11.27 дБ 8:23 ?-S.O.S.
DR10 -0.61 дБ -14.87 дБ 8:26 ?-Wintertime
DR11 -0.84 дБ -13.25 дБ 3:25 ?-Oh, Lady Be Good
DR10 -0.61 дБ -12.27 дБ 3:16 ?-Without a Theme
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Количество треков: 10
Реальные значения DR: DR10
Частота: 44100 Гц
Каналов: 2
Разрядность: 16
Битрейт: 778 кбит/с
Кодек: FLAC
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Об альбоме (сборнике)
How can we still read Gershwin by subtracting him from the charms of "New York in black and white" eternalized by cinema? The title of this record immediately tells us that here there is no re-reading but a positioning "around" the great George. As if that were not enough, only four of the ten pieces are by Gershwin while the others are signed by Thomas; who is the mastermind of the project even if, very conveniently, he also puts in the company the names of his talented companions. The pieces composed by him contain somehow a Gershwinian seed, sometimes explicit ( An Italian in Paris blatantly quotes An American In Paris ). Very interesting, however, is the work done on the glorious songs, sometimes transfigured to the point of being almost unrecognizable. One for all,But Not For Me : the original melancholy slips into the gloom wisely constructed by Tommaso's bottom and Marcotulli's left hand. In short, the trio looks at Gershwin through a window, never really confronting him but aiming to build an empathic conversation on the piano-bass-drums formula, not devoid of courage and full of intensity.
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