Benjamin Koppel, Johannes Weidenmuller, Peter Erskine, Jacob Christoffersen / OneTwoThreefour (Breaking Borders #5)
Жанр: Contemporary Jazz, Post-Bop
Носитель: WEB
Страна-производитель диска (релиза): Denmark
Год издания: 2015
Издатель (лейбл): Cowbell Music
Номер по каталогу: 79257
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Продолжительность: 53:47
Источник:
deezer
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Twist
(05:57)
2. The Unanswered Question
(06:47)
3. Waiting Room
(06:52)
4. Coming Home
(06:21)
5. Twelve
(06:14)
6. OneTwoThreefour
(04:32)
7. Moving Out
(05:39)
8. Worth the Wait
(05:25)
9. Koppels Therapy
(06:00)
Johannes Weidenmuller – bass
Peter Erskine - Drums
Jacob Christoffersen - Piano
Benjamin Koppel - Soprano Saxophone, Alto Saxophone
Лог проверки качества
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FILE: 09 - Koppels Therapy.flac
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Conclusion: CDDA 100%
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FILE: 08 - Worth the Wait.flac
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Conclusion: CDDA 100%
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FILE: 07 - Moving Out.flac
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FILE: 06 - OneTwoThreefour.flac
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FILE: 05 - Twelve.flac
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FILE: 04 - Coming Home.flac
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FILE: 03 - Waiting Room.flac
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FILE: 02 - The Unanswered Question.flac
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FILE: 01 - Twist.flac
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Conclusion: CDDA 100%
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Динамический отчет (DR)
foobar2000 1.2.2 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2022-04-06 18:11:34
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Анализ: Benjamin Koppel / OneTwoThreefour (Breaking Borders #5)
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DR Пики RMS Продолжительность трека
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DR12 -0.03 дБ -14.86 дБ 5:57 ?-Twist
DR12 -0.04 дБ -16.15 дБ 6:48 ?-The Unanswered Question
DR11 0.00 дБ -15.20 дБ 6:52 ?-Waiting Room
DR13 -0.04 дБ -15.25 дБ 6:22 ?-Coming Home
DR12 -0.04 дБ -14.84 дБ 6:14 ?-Twelve
DR13 -0.05 дБ -14.87 дБ 4:32 ?-OneTwoThreefour
DR13 -0.05 дБ -17.03 дБ 5:40 ?-Moving Out
DR12 -0.02 дБ -14.46 дБ 5:25 ?-Worth the Wait
DR11 0.00 дБ -15.46 дБ 6:00 ?-Koppels Therapy
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Количество треков: 9
Реальные значения DR: DR12
Частота: 44100 Гц
Каналов: 2
Разрядность: 16
Битрейт: 767 кбит/с
Кодек: FLAC
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Об альбоме (сборнике)
The last one is a hardhitter album. It counts and then it's otherwise about keeping up, both as a musician and a listener. Peter Erskine sits mature behind the drums, while Jacob Christoffersen on piano and Johannes Weidenmüller on bass follow closely. The always well-laid Christoffersen gives Peter Erskine a comb, for the now absent hair splendor on Erskine's own Twelwe. It spreads to Koppel, who lifts the game on the soprano saxophone. The record is an attempt at jazz as our father made it. It is with a quality that promises something and so still can not quite keep it.
