(Cool, Post-Bop) [LP] [24/192] Bill Evans - Trio 64 - 1963/2021, FLAC (tracks)

Lineage:
Rega P10 Turntable with Rega P10 PSU > Virgin Vinyl > Rega Apheta 3 Cartridge > PS Audio NuWave Phono Converter ADC > AudioQuest Carbon USB Cable > USB-IN > Audition CC 2019 @ 24bit float, 192kHz capture.
Processing:
24bit wav > Run through Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +6/7 DB > Remove DC Bias > Saved as 24bit,192kHz WAV > FLAC > Tagged with Discogs tagger through Foobar.
Scans:
Epson Expression 11000XL -> 16bit 600 DPI with Unsharp Mask -> Color Correction in Photoshop CC 2019 x64 -> 8bit 600DPI PNG.

foobar2000 1.6.9 / Dynamic Range Meter 1.1.1
log date: 2022-02-02 16:30:22
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Analyzed: Bill Evans / Trio 64
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DR Peak RMS Duration Track
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DR14 -0.54 dB -17.72 dB 3:54 01-Little Lulu
DR15 -0.69 dB -19.18 dB 5:31 02-A Sleeping Bee
DR14 -1.00 dB -18.53 dB 4:03 03-Always
DR15 0.00 dB -16.58 dB 4:26 04-Santa Claus Is Coming to Town
DR15 0.00 dB -18.13 dB 3:58 05-I'll See You Again
DR15 -0.45 dB -19.52 dB 4:26 06-For Heaven's Sake
DR13 0.00 dB -18.07 dB 4:37 07-Dancing in the Dark
DR15 0.00 dB -18.28 dB 4:39 08-Everything Happens to Me
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Number of tracks: 8
Official DR value: DR14
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4837 kbps
Codec: FLAC
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There's scarcely a more towering figure in modern jazz — save Miles and Coltrane — than the great Bill Evans. His relaxed and emotional style at the piano would prove influential to not only his peers but to generations of pianists who would follow him.
It also doesn't hurt, points out thejazzrecord.com, that he appeared on (and had great influence over the direction of) Kind Of Blue and that the two LPs from his trio's landmark stint at the Village Vanguard in 1961 (Waltz For Debby and Sunday At The Village Vanguard) are both stone-cold classics.
The excellent Trio 64 marked Evans' first trio album after a move to Verve from his previous home at Riverside Records. While the work Evans' did with his first trio featuring Scott LaFaro and Paul Motian (particularly the Village Vanguard recordings) remains by far his most popular and lauded work, even after LaFaro's tragic death in 1961 he continued to improve upon and refine his particular brand of soulful and introspective playing.
Trio 64 marked a reunion with Motian and Evans' only recorded work with the talented bassist Gary Peacock. The album matches up with Evans' finest trio sessions, with his shimmering piano lines dancing between Peacock's sharp bass lines and Motian's usual sublime work on the drums. Peacock was a perfect match for Evans, he was a kindred spirit when it came to not simply following the musical trends of the day, as evidenced by his time spent with the likes of Albert Ayler and Paul Bley a few years after the recording of Trio 64.
The song selection shows how Evans was able to take even the most rote pop songs of the day and transform them into unabashed works of modern jazz. Is there another pianist of the era who would attempt a take on "Santa Claus Is Coming To Town" (the album was recorded December 18th, so why not throw in a Christmas tune) or "Little Lulu" (the theme from a 1940s cartoon of the same name) and so successfully have them come off as if they were jazz standards all along? Even more impressive is that this was the first time that Evans had played with Peacock, and yet there is no sense of hesitation in either musician's interaction with each other, it sounds like they've been playing together for years.

Bill Evans - piano
Gary Peacock - bass
Paul Motian - drums
Recorded at Webster Hall, New York on December 18, 1963.
Reissue mastering by Ryan Smith.