Ray Davies / 80 Days - The Demos Жанр: Pop-Rock, Soft Rock Носитель: CDR Страна-производитель диска (релиза): US Год издания: 1988 (2006) Издатель (лейбл): Thumbs Up! Records Номер по каталогу: N/A Страна исполнителя (группы): UK Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Продолжительность: 00:59:45 Источник: собственный рип Наличие сканов в содержимом раздачи: да
Треклист
01. Let It Be Written 02:44
02. Our World (Empire Song) 05:00
03. Well Bred Englishman 01:44
04. Against the Tide 03:03
05. Ladies of the Night 03:44
06. On the Map 01:54
07. Mongolia / No Surprises 09:48
08. Welcome to India 01:12
09. Just Passing Through 05:41
10. Who Do You Think You Are 05:15
11. 80 Days 03:08
12. Members of the Club 03:58
13. Conspiracy 03:42
14. Tell Him, Tell Her 06:16
15. Be Rational 02:36 All songs written by Ray Davies.
Лог создания рипа
Exact Audio Copy V1.6 from 23. October 2020 EAC extraction logfile from 15. November 2021, 21:25 Ray Davies / 80 Days - The Demos Used drive : ASUS BW-12D1S-U Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 2:43.67 | 0 | 12291 2 | 2:43.67 | 4:59.62 | 12292 | 34778 3 | 7:43.54 | 1:43.52 | 34779 | 42555 4 | 9:27.31 | 3:03.21 | 42556 | 56301 5 | 12:30.52 | 3:44.10 | 56302 | 73111 6 | 16:14.62 | 1:54.15 | 73112 | 81676 7 | 18:09.02 | 9:47.51 | 81677 | 125752 8 | 27:56.53 | 1:12.17 | 125753 | 131169 9 | 29:08.70 | 5:41.36 | 131170 | 156780 10 | 34:50.31 | 5:15.16 | 156781 | 180421 11 | 40:05.47 | 3:08.27 | 180422 | 194548 12 | 43:13.74 | 3:57.71 | 194549 | 212394 13 | 47:11.70 | 3:42.32 | 212395 | 229076 14 | 50:54.27 | 6:15.40 | 229077 | 257241 15 | 57:09.67 | 2:36.09 | 257242 | 268950 Track 1 Filename E:\Torrents of Autumn\Davies, Ray [2006] 80 Days -The Demos (CDr)\Ray Davies - 80 Days - The Demos - 01. 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Mongolia , No Surprises.wav Peak level 93.2 % Extraction speed 6.8 X Track quality 100.0 % Test CRC D92CD67F Copy CRC D92CD67F Copy OK Track 8 Filename E:\Torrents of Autumn\Davies, Ray [2006] 80 Days -The Demos (CDr)\Ray Davies - 80 Days - The Demos - 08. Welcome to India.wav Peak level 89.5 % Extraction speed 5.1 X Track quality 100.0 % Test CRC F6222942 Copy CRC F6222942 Copy OK Track 9 Filename E:\Torrents of Autumn\Davies, Ray [2006] 80 Days -The Demos (CDr)\Ray Davies - 80 Days - The Demos - 09. Just Passing Through.wav Peak level 86.1 % Extraction speed 7.2 X Track quality 100.0 % Test CRC 71A3E540 Copy CRC 71A3E540 Copy OK Track 10 Filename E:\Torrents of Autumn\Davies, Ray [2006] 80 Days -The Demos (CDr)\Ray Davies - 80 Days - The Demos - 10. Who Do You Think You Are.wav Peak level 97.7 % Extraction speed 7.5 X Track quality 100.0 % Test CRC 6AD04561 Copy CRC 6AD04561 Copy OK Track 11 Filename E:\Torrents of Autumn\Davies, Ray [2006] 80 Days -The Demos (CDr)\Ray Davies - 80 Days - The Demos - 11. 80 Days.wav Peak level 89.8 % Extraction speed 6.8 X Track quality 100.0 % Test CRC 059A6CA7 Copy CRC 059A6CA7 Copy OK Track 12 Filename E:\Torrents of Autumn\Davies, Ray [2006] 80 Days -The Demos (CDr)\Ray Davies - 80 Days - The Demos - 12. Members of the Club.wav Peak level 99.7 % Extraction speed 7.6 X Track quality 100.0 % Test CRC 1C405FCD Copy CRC 1C405FCD Copy OK Track 13 Filename E:\Torrents of Autumn\Davies, Ray [2006] 80 Days -The Demos (CDr)\Ray Davies - 80 Days - The Demos - 13. Conspiracy.wav Peak level 99.8 % Extraction speed 6.8 X Track quality 99.9 % Test CRC 32883B9C Copy CRC 32883B9C Copy OK Track 14 Filename E:\Torrents of Autumn\Davies, Ray [2006] 80 Days -The Demos (CDr)\Ray Davies - 80 Days - The Demos - 14. Tell Him, Tell Her.wav Peak level 99.8 % Extraction speed 8.6 X Track quality 100.0 % Test CRC 8401D62E Copy CRC 8401D62E Copy OK Track 15 Filename E:\Torrents of Autumn\Davies, Ray [2006] 80 Days -The Demos (CDr)\Ray Davies - 80 Days - The Demos - 15. Be Rational.wav Peak level 98.1 % Extraction speed 7.8 X Track quality 100.0 % Test CRC E1C2F42F Copy CRC E1C2F42F Copy OK No errors occurred End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: YscT4zty7qtv5Y5soVRJ4ax4A30-] disk not present in database Submit result: YscT4zty7qtv5Y5soVRJ4ax4A30- has been uploaded ==== Log checksum 4E82404E502EA046C7F24267CAD036A3348B10BB1F376F767D9D0D25692865B4 ====
Содержание индексной карты (.CUE)
REM GENRE Musical REM DATE 2006 REM DISCID DB0E020F REM COMMENT "ExactAudioCopy v1.6" PERFORMER "Ray Davies" TITLE "80 Days - The Demos" REM COMPOSER "Ray Davies" FILE "Ray Davies - 80 Days - The Demos - 01. Let It Be Written.wav" WAVE TRACK 01 AUDIO TITLE "Let It Be Written" PERFORMER "Ray Davies" REM COMPOSER "Ray Davies" INDEX 01 00:00:00 FILE "Ray Davies - 80 Days - The Demos - 02. Our World (Empire Song).wav" WAVE TRACK 02 AUDIO TITLE "Our World (Empire Song)" PERFORMER "Ray Davies" REM COMPOSER "Ray Davies" INDEX 01 00:00:00 FILE "Ray Davies - 80 Days - The Demos - 03. Well Bred Englishman.wav" WAVE TRACK 03 AUDIO TITLE "Well Bred Englishman" PERFORMER "Ray Davies" REM COMPOSER "Ray Davies" INDEX 01 00:00:00 FILE "Ray Davies - 80 Days - The Demos - 04. Against the Tide.wav" WAVE TRACK 04 AUDIO TITLE "Against the Tide" PERFORMER "Ray Davies" REM COMPOSER "Ray Davies" INDEX 01 00:00:00 FILE "Ray Davies - 80 Days - The Demos - 05. Ladies of the Night.wav" WAVE TRACK 05 AUDIO TITLE "Ladies of the Night" PERFORMER "Ray Davies" REM COMPOSER "Ray Davies" INDEX 01 00:00:00 FILE "Ray Davies - 80 Days - The Demos - 06. On the Map.wav" WAVE TRACK 06 AUDIO TITLE "On the Map" PERFORMER "Ray Davies" REM COMPOSER "Ray Davies" INDEX 01 00:00:00 FILE "Ray Davies - 80 Days - The Demos - 07. Mongolia , No Surprises.wav" WAVE TRACK 07 AUDIO TITLE "Mongolia / No Surprises" PERFORMER "Ray Davies" REM COMPOSER "Ray Davies" INDEX 01 00:00:00 FILE "Ray Davies - 80 Days - The Demos - 08. Welcome to India.wav" WAVE TRACK 08 AUDIO TITLE "Welcome to India" PERFORMER "Ray Davies" REM COMPOSER "Ray Davies" INDEX 01 00:00:00 FILE "Ray Davies - 80 Days - The Demos - 09. Just Passing Through.wav" WAVE TRACK 09 AUDIO TITLE "Just Passing Through" PERFORMER "Ray Davies" REM COMPOSER "Ray Davies" INDEX 01 00:00:00 FILE "Ray Davies - 80 Days - The Demos - 10. Who Do You Think You Are.wav" WAVE TRACK 10 AUDIO TITLE "Who Do You Think You Are" PERFORMER "Ray Davies" REM COMPOSER "Ray Davies" INDEX 01 00:00:00 FILE "Ray Davies - 80 Days - The Demos - 11. 80 Days.wav" WAVE TRACK 11 AUDIO TITLE "80 Days" PERFORMER "Ray Davies" REM COMPOSER "Ray Davies" INDEX 01 00:00:00 FILE "Ray Davies - 80 Days - The Demos - 12. Members of the Club.wav" WAVE TRACK 12 AUDIO TITLE "Members of the Club" PERFORMER "Ray Davies" REM COMPOSER "Ray Davies" INDEX 01 00:00:00 FILE "Ray Davies - 80 Days - The Demos - 13. Conspiracy.wav" WAVE TRACK 13 AUDIO TITLE "Conspiracy" PERFORMER "Ray Davies" REM COMPOSER "Ray Davies" INDEX 01 00:00:00 FILE "Ray Davies - 80 Days - The Demos - 14. Tell Him, Tell Her.wav" WAVE TRACK 14 AUDIO TITLE "Tell Him, Tell Her" PERFORMER "Ray Davies" REM COMPOSER "Ray Davies" INDEX 01 00:00:00 FILE "Ray Davies - 80 Days - The Demos - 15. Be Rational.wav" WAVE TRACK 15 AUDIO TITLE "Be Rational" PERFORMER "Ray Davies" REM COMPOSER "Ray Davies" INDEX 01 00:00:00
Динамический отчет (DR)
foobar2000 1.4.6 / Замер динамического диапазона (DR) 1.1.1 Дата отчёта: 2021-11-15 21:50:02 -------------------------------------------------------------------------------- Анализ: ? / ? -------------------------------------------------------------------------------- DR Пики RMS Продолжительность трека -------------------------------------------------------------------------------- DR11 -0.09 дБ -14.58 дБ 2:44 ?-Ray Davies - 80 Days - The Demos - 01. Let It Be Written DR11 -0.14 дБ -12.88 дБ 5:00 ?-Ray Davies - 80 Days - The Demos - 02. Our World (Empire Song) DR9 -0.08 дБ -11.75 дБ 1:44 ?-Ray Davies - 80 Days - The Demos - 03. Well Bred Englishman DR12 -0.15 дБ -14.69 дБ 3:03 ?-Ray Davies - 80 Days - The Demos - 04. Against the Tide DR11 -0.13 дБ -13.59 дБ 3:44 ?-Ray Davies - 80 Days - The Demos - 05. Ladies of the Night DR10 -0.07 дБ -12.31 дБ 1:54 ?-Ray Davies - 80 Days - The Demos - 06. On the Map DR12 -0.60 дБ -14.64 дБ 9:48 ?-Ray Davies - 80 Days - The Demos - 07. Mongolia , No Surprises DR11 -0.96 дБ -14.33 дБ 1:12 ?-Ray Davies - 80 Days - The Demos - 08. Welcome to India DR11 -1.30 дБ -14.79 дБ 5:41 ?-Ray Davies - 80 Days - The Demos - 09. Just Passing Through DR12 -0.20 дБ -14.34 дБ 5:15 ?-Ray Davies - 80 Days - The Demos - 10. Who Do You Think You Are DR11 -0.93 дБ -14.07 дБ 3:08 ?-Ray Davies - 80 Days - The Demos - 11. 80 Days DR10 -0.02 дБ -12.84 дБ 3:58 ?-Ray Davies - 80 Days - The Demos - 12. Members of the Club DR9 -0.02 дБ -10.57 дБ 3:42 ?-Ray Davies - 80 Days - The Demos - 13. Conspiracy DR10 -0.01 дБ -11.24 дБ 6:16 ?-Ray Davies - 80 Days - The Demos - 14. Tell Him, Tell Her DR12 -0.16 дБ -15.23 дБ 2:36 ?-Ray Davies - 80 Days - The Demos - 15. Be Rational -------------------------------------------------------------------------------- Количество треков: 15 Реальные значения DR: DR11 Частота: 44100 Гц Каналов: 2 Разрядность: 16 Битрейт: 778 кбит/с Кодек: FLAC ================================================================================
Доп. информация
An unofficial release of Ray Davies's songs for the stage production of 80 Days: A New Musical. A musical version, 80 Days, with songs by Ray Davies of The Kinks and a book by playwright Snoo Wilson, directed by Des McAnuff, ran at the Mandell Weiss Theatre in San Diego from 23 August to 9 October 1988, receiving mixed responses from the critics. Davies’s multi-faceted music, McAnuff’s directing, and the acting were well received, with the show winning the “Best Musical” award from the San Diego Theatre Critics Circle.
“When you’re doing Around the World and entering the world of Jules Verne, there’s no choice but to be big and spectacular.” Broadway director and dramaturge Des McAnuff does not have any doubts about the extraordinary nature of a musical, which critics called one of the most lavish and expensive stage productions the West Coast has ever seen. Six years of intensive preparation had preceded the world premiere of 80 Days: A New Musical on August 23, 1988, at the Mandell Weiss Theatre in San Diego. Together with playwright Snoo Wilson (script) and English songwriter Ray Davies (music and lyrics), Tony-Award winner McAnuff created during this period a musical of 2 ½ hours length. Modern stage design with movable intermediate stages, along with extravagant properties and lavish costumes, formed a kaleidoscopic framework for not less than 40 changes of scenery and 400 changes of costumes. 173 Commedia-dell’Arte-style masks gave the 24 actors the opportunity to perform up to 200 characters of different origin. The baroque equipment supported a story full of allusions which follows the plot of Verne’s novel on the outside but is on the inside only “inspired” by its literary model and the biography of the author who as a literary figure takes the role of the French servant Passepartout. The content: The writer Verne is in the midst of a creative and social crisis: he has to provide nourishment for his family, and publishers force him to deliver a new best-seller within 80 days. In order to overcome his writer’s block, Verne decides to travel around the world in 80 days as a servant to the English gentleman Phileas Fogg—a journey which takes place only in his fantasy. Being creator and creature of his literary imagination at the same time, Verne tries, against the opposition of the fictitious cast, to present the events following the bet in London’s Reform Club in an attractive manner. In the meantime, he is constantly being persecuted by a gigantic typewriter, which serves as a reminder of the peremptory deadline and the expectations of his publishers. Verne’s concept is considerably shaken not only by Fogg’s emotional coldness and his arrogance, but also by an uninvited travelling companion, namely the Victorian matron Mrs. Fix, the mother of the detective, as well as by the haughty Indian princess Aouda, who refuses to play the part of the damsel in distress and the paramour. Along the way from London via Paris, Suez, Bombay, Calcutta, Yokohama to San Francisco by ship, train, elephant, and—against Verne's will—by aerostat, the travellers encounter not only characters from earlier novels (e.g. Captain Nemo), but also historical characters such as Queen Victoria, prime minister Gladstone, and the American journalist and feminist Nellie Bly. Having reached the end of the journey and the novel, Fogg, Aouda and her child finally come together in a marriage blessed by Queen Victoria, whereas Verne has to face new literary challenges. The way time is presented—not to say over-represented—as a central theme in 80 Days hints at the apocalyptic dimension of this piece of world theatre with an imperialistic tone: Verne, Fogg, Fix, Mrs. Fix, and Aouda together form a miniature portrait of the Empire, whose time finally has come. The end of the musical, which differs from its source, is an ironic swansong for the Victorian Age, trying hard to suggest that ethnic prejudices have been overcome: having received Queen Victoria’s blessing, the freshly-married couple walks into the sunset, although not alone. They are accompanied by Aouda’s child, symbolizing the next generation. At the end of the Empire, where the sun goes never down (“Empire Song”), there waits the agony of the 20th century. (Thomas Bartoldus, , https://www.kindakinks.net/misc/40yearskinks/teil6_e.html)
Об исполнителе (группе)
Ray Davies was the lead singer, chief songwriter, and rhythm guitarist in the Kinks, one of the most long-lived of the British Invasion rock groups of the 1960s. In effect, the Kinks had always been merely a backup group for Davies, who wrote and sang nearly all their songs with only the occasional contribution from his brother Dave, who played lead guitar in the group. At various times, Ray Davies made noises about dissolving the group and going solo, but for years the closest he came to it was taking solo credit for the soundtrack to his 1985 film, Return to Waterloo (which he wrote and directed), even though the music sounds as much like the Kinks as that on any regular Kinks record.
During the ’90s, however, the Kinks gradually became inactive, and Davies pursued other projects, starting with his semi-fictional 1995 memoir, X-Ray. He supported the book with a series of concerts subtitled Storyteller, where he played classic Kinks songs, read from the book, told stories, and showcased new songs. The Storyteller concerts sowed the seeds of a number of projects, including the music cable network VH1’s recurring series of the same name. Davies himself released a book entitled Storyteller, filled with short stories, and a similarly titled album that captured one of his solo acoustic concerts. That record was his first solo effort since Return to Waterloo, and was released in the spring of 1998.
In late 2005 he released the benefit EP Thanksgiving Day. All net proceeds raised by the EP went to New Orleans music education programs. A year later the full-length Other People’s Lives appeared, followed by Working Man’s Cafe in 2008. A year later, in 2009, Davies released choral orchestral arrangements of some of his hit songs for The Kinks Choral Collection. Davies then devoted himself to See My Friends, an album project where he revisited his catalog with the assistance of such admirers as Bruce Springsteen, Metallica, Alex Chilton, Black Francis, Jackson Browne, and Spoon.
Davies published a second memoir, Americana, in 2013. Following its release, he worked on adapting the book into song, recording an album with the Jayhawks during the course of 2016. The resulting Americana appeared in April 2017. Also that year, Davies was knighted by Prince Charles. A follow-up to his memoir-inspired release, Our Country: Americana Act 2, arrived in 2018. (William Ruhlmann, AllMusic)
Об альбоме (сборнике)
The musical combines textual and/or dialogue passages of different length with musical parts of varied character; they are used to increase the action, to interpret and to comment. The music is the motor of 80 Days. Ray Davies relates his music to Verne’s narrative variety and the satiric potential of Wilson’s script. Quite early he became, although an Englishman, fascinated by American musicals such as Oklahoma! or Calamity Jane. His contribution to 80 Days combines different styles of music such as military marches, ragtime, can-can, vaudeville, bebop, and raga that add up to something like the soundtrack of a journey around the world. At first, Davies was not fascinated at all when McAnuff approached him with the idea of making a musical based on Verne’s novel in 1984. “I didn't like the novel. It was a bit of a travelogue.” The closer he studied the French writer, however, the better he was able to recognize similarities in nature between the two of them. Davies was even responsible for the idea of making Verne himself the protagonist of the play: “I wanted it to be about Verne rather than the sort of travelogue like the Mike Todd movie. And I also wanted it to be about the Empire, about imperialism. I’ve always had a passion for that.” The musical received mixed responses from the critics, provided these nuances were recognized at all. Ray Davies’s multi-faceted music, McAnuff's directing, and the acting (Stephen Bogardus, among others), however, were well received. On the whole, it was acknowledged that McAnuff, Wilson and Davies went to the limit of what is possible on stage, but at the same time many critics viewed the play as being too cluttered to ever reach Broadway. While taking a closer look, it becomes evident that advantages and disadvantages of the production are mutually responsible for each other and hint at the sore point of any conversion of a novel into a drama: The limited space of narrative time indigenous to a musical or a drama is always in contrast to the sheer vastness of literary content. Despite good attendance figures and awards, the musical was performed for the last time on October 9, 1988, in San Diego, without making it to Broadway. Nevertheless (or perhaps just because of that), 80 Days rises above the previous stage adaptations of Around the World in 80 Days in terms of creative interpretation and artistic reproduction. (Thomas Bartoldus, , https://www.kindakinks.net/misc/40yearskinks/teil6_e.html)
DoobieBro
и от меня большое спасибо. Очень-преочень интересно... И еще: я конечно извиняюсь и еще раз спасибо за музыку, но внутри буклета ничего нет? Совсем ничего?
