(Modern Electric Blues / Blues-Rock) [WEB] The Redhot Blues - Live - 2003, FLAC (tracks), lossless (The Red Hot Blues , The Shafran Klegseth Band)

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DON'T MODIFY THIS FILE
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FILE: 13 - Whiskey River.flac
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FILE: 12 - Get Me to Vegas.flac
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FILE: 11 - (I Feel Like) Breaking up Somebody's Home.flac
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  Conclusion: CDDA 100%
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FILE: 10 - One Bottle.flac
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FILE: 09 - I Think I Love You Too Much.flac
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FILE: 08 - Born in Chicago.flac
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FILE: 07 - Records of the Blues.flac
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FILE: 06 - Satisfied.flac
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FILE: 05 - I'll Be Doggone.flac
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FILE: 04 - Come Back Baby.flac
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FILE: 03 - Don't Say Never.flac
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FILE: 02 - My Baby's Bad.flac
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FILE: 01 - Thunderbird.flac
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foobar2000 1.6.6 / Dynamic Range Meter 1.1.1
log date: 2021-11-16 02:48:39
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Analyzed: The Redhot Blues / Live
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DR         Peak         RMS     Duration Track
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DR7       -0.18 dB    -8.54 dB      3:53 01-Thunderbird
DR7       -0.18 dB    -8.63 dB      5:28 02-My Baby's Bad
DR8       -0.18 dB    -8.94 dB      3:15 03-Don't Say Never
DR6       -0.18 dB    -8.04 dB      5:56 04-Come Back Baby
DR6       -0.18 dB    -7.78 dB      5:47 05-I'll Be Doggone
DR8       -0.18 dB    -9.30 dB      3:44 06-Satisfied
DR6       -0.18 dB    -8.58 dB      7:13 07-Records of the Blues
DR7       -0.18 dB    -8.95 dB      5:35 08-Born in Chicago
DR7       -0.18 dB    -7.96 dB      5:12 09-I Think I Love You Too Much
DR7       -0.18 dB    -9.75 dB      9:03 10-One Bottle
DR6       -0.18 dB    -7.25 dB      6:34 11-(I Feel Like) Breaking up Somebody's Home
DR7       -0.18 dB    -7.84 dB      4:25 12-Get Me to Vegas
DR7       -0.18 dB    -8.98 dB      4:22 13-Whiskey River
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Number of tracks:  13
Official DR value: DR7
Samplerate:        44100 Hz
Channels:          2
Bits per sample:   16
Bitrate:           843 kbps
Codec:             FLAC
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Amazon Editorial Review
About the Artist
It's ironic that The RedHot Blues have waited eleven years to put out a live disc. Formed in late 1991 by Junior Lee Klegseth, the band's guitar player, the entire vision of the band was a tribute to the live energy of bands Klegseth had grown up watching in bars (sneaking in from age 15) in the Midwest. Making the wait more curious is the fact that Klegseth despises sterile studio environments. For whatever reason, the band never got it done.
The absence of a live album shouldn't lead you to think the band hasn't honored that early vision. This band has thrilled live audiences from one to two thousand, in corners of pool halls to mountain top festivals, and loved every minute of it. Klegseth and vocalist Dave Shafran have been together from the first show on New Year's Day, 1992. These guys with various backlines have paid all the dues a band can be asked to pay and never complained for a moment of it.
Listening to the live release you will be struck with the sheer diversity this band handles well believe it or not, they push the boundaries even further in their shows (after all, how many bands legitimately pull off Hendrix's "Voodoo Chile" to Merle Haggard's "I Think I'll Just Stay Here and Drink"?). Shafran and Klegseth are old school, working hard and treating the stage as a place of honor. These guys have a reputation for starting early and playing late. Yes, some bands still do it that way.
Take a deep breath before you put in The RedHot Blues "live."

Amazon Editorial Review
Product Description
These days live albums seem to sound like little more than studio recordings with applause thrown in for ambience. Big 48-track semi-trucks roll up show after show and record hundreds, maybe thousands, of hours of music, which is then sorted through and processed again in the studio; sometimes even overdubs are added. There is none of that here. On the cuts included on The RedHot Blues "live, you will find the real deal, pretty much what you could expect from The RedHot Blues on any night in any bar, hiccups, blemishes, and flubs mixed right in with pure magic. We've never had the luxury of those 48-track semi-trucks, but I hope even if we had that we would have recorded in the same way, straight to two track, the closest you get to looking in the mirror.
I can honestly say The RedHot Blues, in all its many incarnations, never just showed up and punched the clock we came to play. My proudest acheivement as the founder and leader of the band has been the diversity we've achieved, becoming, in the classic sense, an Americana band. Can a show travel musically from Jimi Hendrix to Merle Haggard, from Albert King to Willie Nelson and still make sense? Hell yes. B.B. King once said that blues is not the notes you play but where those notes come from; if they are coming from the heart you are playing the blues. We play the blues.
Those who know me know I don't like the dry atmosphere of recording studios, especially for improvisational music like jazz and blues. Partially, it's because studios feel sterile to me, clean and proper and forgiving you just do another take if you screw up. But it's also because you, the audience, are a necessary ingredient in our kind of music. It can be one of you to several thousand, but our music is shaped, in part, by you. What happens on any given night in a club is a one-off, something that can never be recreated. All shows share similarities, but all shows are inherently unique. We should know. Almost eleven years after our first show, we still sit and recall this show or that show, distinguished from the others because the complicated chemistry necessary for magic came together on those nights. As much as it can be, that magic is presented here. --Junior Lee Klegseth, founder & guitarist, The RedHot Blues