Tom Harrell - Moving Picture
Жанр: Post-Bop
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 2017
Издатель (лейбл): HighNote Records
Номер по каталогу: HCD 7301
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Продолжительность: 01:07:23
Источник: gregorious
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Moving Picture (Harrell) - 8:12
02. Apple House (Harrell) - 5:12
03. Montego Bay (Harrell) - 3:39
04. Time Passage (Harrell) - 4:56
05. Different Clouds (Harrell) - 5:00
06. Gee, A. Bee (Harrell) - 5:34
07. Happy Ring (Harrell) - 8:45
08. Vibrer (Harrell) - 11:52
09. Sea (Harrell) - 8:04
10. Four the Moment (Harrell) - 6:09
Состав:
Tom Harrell - trumpet, flugelhorn
Danny Grissett - piano
Ugonna Okegwo - bass
Adam Cruz - drums
Recorded at That Sound Music, Pompignan, France on September 20-21, 2016.
Лог создания рипа
X Lossless Decoder version 20210101 (153.1)
XLD extraction logfile from 2021-10-01 13:20:01 -0700
Tom Harrell / Moving Picture
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Media type : Pressed CD
Ripper mode : XLD Secure Ripper
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Read offset correction : 6
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Gap status : Analyzed, Appended (except HTOA)
TOC of the extracted CD
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8 | 41:18:23 | 11:52:12 | 185873 | 239284
9 | 53:10:35 | 08:04:18 | 239285 | 275602
10 | 61:14:53 | 06:08:45 | 275603 | 303247
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Track 02 : OK (v2, confidence 11/11)
Track 03 : OK (v2, confidence 11/11)
Track 04 : OK (v2, confidence 11/11)
Track 05 : OK (v2, confidence 11/11)
Track 06 : OK (v2, confidence 11/11)
Track 07 : OK (v2, confidence 11/11)
Track 08 : OK (v2, confidence 11/11)
Track 09 : OK (v2, confidence 11/11)
Track 10 : OK (v2, confidence 11/11)
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Содержание индексной карты (.CUE)
TITLE "Moving Picture"
PERFORMER "Tom Harrell"
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Отчет CUETools
[CUETools log; Date: 21.10.2021 20:47:58; Version: 2.1.9]
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2 | (16/16) Accurately ripped
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4 | (16/16) Accurately ripped
5 | (16/16) Accurately ripped
6 | (16/16) Accurately ripped
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9 | (16/16) Accurately ripped
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Track [ CRC | V2 ] Status
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Review by Brian Zimmerman
Trumpeter Tom Harrell’s new disc comes on the heels of two phenomenal previous releases, First Impressions (the subject of a 5-star review in the December 2015 issue of DownBeat) and 2016’s Something Gold, Something Blue. Those albums had clear and abundant strengths—Harrell’s poetic phrasing and luxuriant tone chief among them—but they were most remarkable for their freshness of concept. The former found Harrell inhibiting the sonic worlds of classical composers Ravel and Debussy; the latter featured a two-trumpet frontline that paired Harrell with kindred spirit Ambrose Akinmusire. Moving Picture puts Harrell in a more familiar setting: at the helm of his working quartet with bassist Ugonna Okegwo, pianist Danny Grissett and drummer Adam Cruz. The program has a homegrown feel, with 10 tracks culled from Harrell’s repertoire, and the tunes rarely stray from the trumpeter’s wheelhouse, oscillating between hard-pivoting modern jazz and warm, soft-focused balladry. Despite the relative modesty of the premise, this album is riveting. Harrell flourishes as the center of attention, slicing through knotty, fugue-like passages with characteristic precision on the title track, and burning bluesy lines into the funk-dappled surface of “Gee, A. Bee.” On tunes with rounder edges, such as “Apple House” and “Different Clouds,” he takes a coolly understated approach, framing occasional bursts of rhythmic energy with longer passages that emphasize underlying harmonic shapes. But one of Harrell’s most admirable traits is the grace with which he cedes the spotlight to his bandmates, and this album is rife with sublime moments from his supporting crew. Grissett plays with aching beauty on a solo section of “Sea,” while Cruz displays acute melodic sense with his drum solo on “Time Passage.” Okegwo, the longest-tenured member of the quartet, marches in sturdy lockstep with the leader on the melody of “Montego Bay,” and later provides indefatigable support beneath the trumpeter’s gospel-winged solo, which builds in intensity as it unfurls. More than a powerful statement in its own right, Moving Picture is proof that even in the most “standard” of situations, Harrell is capable of elevating the art form.