Julia Fritz & Johannes Hämmerle
Notari & Fontana
Early Baroque Music from the Basilica di Santa Barbara, Mantua
• Формат записи | Источник записи: [TR24][OF]
• Наличие водяных знаков: Нет
• Год издания релиза: 2021
• Жанр: Classical
• Лейбл: ARS-Produktion
• Продолжительность: 01:12:33
• Источник: internet
• WEB релиз: ссылка
• Контейнер: FLAC (*.flac)
• Тип рипа: tracks
• Разрядность: 24/96
• Формат: WAV (flac.ape.wv)
• Количество каналов: 2.0
• Наличие сканов: front
Tracklist:
◈ 01 - Sonata seconda (00:06:19)
◈ 02 - Aria sopra il Ruggiero (00:08:14)
◈ 03 - Aria sopra la Monica (Modi 8-10) (00:04:42)
◈ 04 - Sonata sesta (00:06:15)
◈ 05 - Sonata terza (00:04:19)
◈ 06 - Ciaccona (00:03:07)
◈ 07 - Sonata quinta (00:04:51)
◈ 08 - Aria sopra la Romanesca (00:06:39)
◈ 09 - Ancor che col partire (00:03:41)
◈ 10 - Canzone passaggiata (00:05:31)
◈ 11 - Sonata prima (00:03:41)
◈ 12 - Aria sopra la Monica (Modi 1-7) (00:06:17)
◈ 13 - Gagliarda (Digital Bonus Track) (00:00:51)
◈ 14 - Sonata quarta (00:04:34)
◈ 15 - Toccata (00:03:26)
• Information •
Compared to the Italian centres of power – Milan, Florence and Rome – the Lombardian city of Mantua in the Po Valley is small in size. All the more prestigious was the commitment to the arts by the ruling Gonzaga dynasty: artists such as Andrea Mantegna, Giulio Romano and Leon Battista Alberti created lasting masterpieces in their paintings and architecture for them, whilst musicians such as Giaches de Wert and Claudio Monteverdi consolidated Mantua’s reputation throughout Europe. Their stage was within the grand complex of the ducal palace and the adjoining church of Santa Barbara: an impressive synthesis of the arts consisting of Mannerist architecture and painting – and an ideal space for music.
This magical place was chosen by recorder player Julia Fritz together with organist Johannes Hämmerle, soprano Magdalene Harer and harpist Reinhild Waldek to record works by Giovanni Battista Fontana and Angelo Notari, two contemporaries of Monteverdi. Fontana’s Solo Sonatas for violin and continuo, which Julia Fritz interprets on various recorders, belong to the canon of early baroque violin music, while the pieces by Notari, some of which are recorded here for the first time, hail from a British Library manuscript which the composer presumably produced for English music lovers in the circle of King Charles I. They are variations and arrangements of songs that demonstrate the high standard of solo and ornamental art of the time, which were as popular in Italy as in the rest of Europe.
A special feature of this recording is the interplay between a chamber music formation and the famous organ of Santa Barbara. Graziadio Antegnati, one of the great Italian organ builders of the sixteenth century, equipped the instrument with special stops and the meantone tuning of the time; following extensive restoration, it can now be admired once again in its original sound, perfectly suited not only for solo pieces but also for accompanying mixed vocal-instrumental ensembles. © ARS-Produktion
• Лог Dynamic Range Meter ~ DR ~ 11 •
foobar2000 1.4.2 / Dynamic Range Meter 1.1.1
log date: 2021-07-04 18:03:53
--------------------------------------------------------------------------------
Analyzed: Johannes Hammerle / Notari & Fontana (Early Baroque Music from the Basilica di Santa Barbara, Mantua) (1)
Julia Fritz / Notari & Fontana (Early Baroque Music from the Basilica di Santa Barbara, Mantua) (2-12)
Magdalene Harer / Notari & Fontana (Early Baroque Music from the Basilica di Santa Barbara, Mantua) (13-15)
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR10 -3.90 dB -17.77 dB 3:27 15-Toccata
DR11 -1.77 dB -15.26 dB 6:19 01-Sonata seconda
DR11 -0.93 dB -16.94 dB 8:15 02-Aria sopra il Ruggiero
DR11 -3.50 dB -17.86 dB 6:15 04-Sonata sesta
DR10 -2.35 dB -16.25 dB 4:19 05-Sonata terza
DR11 -2.87 dB -17.60 dB 4:52 07-Sonata quinta
DR11 -2.81 dB -17.59 dB 6:39 08-Aria sopra la Romanesca
DR11 -3.76 dB -18.22 dB 5:32 10-Canzone passaggiata
DR10 -6.91 dB -20.01 dB 3:41 11-Sonata prima
DR12 -2.14 dB -18.60 dB 6:17 12-Aria sopra la Monica (Modi 1-7)
DR9 -8.25 dB -20.97 dB 0:52 13-Gagliarda (Digital Bonus Track)
DR10 -3.49 dB -18.02 dB 4:34 14-Sonata quarta
DR13 -0.20 dB -18.04 dB 4:42 03-Aria sopra la Monica (Modi 8-10)
DR13 0.00 dB -16.79 dB 3:07 06-Ciaccona
DR12 -0.60 dB -16.16 dB 3:42 09-Ancor che col partire
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Number of tracks: 15
Official DR value: DR11
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2680 kbps
Codec: FLAC
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