(Bop) [STREAM] James Williams - Live At Maybeck Recital Hall, Volume Forty-Two (42) - 1996, FLAC (tracks), lossless

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papa1954 · 17-Июн-21 12:52 (4 года 2 месяца назад)

James Williams - Live At Maybeck Recital Hall, Volume Forty-Two Жанр: Bop
Носитель: STREAM
Год издания: 1996
Издатель (лейбл): Concord Jazz
Номер по каталогу: CCD-4694
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Продолжительность: 64:24
Источник:
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Polka Dots And Moonbeams (8:35)
02. Footprints (5:09)
03. Dreamsville (7:21)
04. I Fall In Love Too Easily (7:45)
05. New York (5:51)
06. 'Round Midnight (4:26)
07. Inner Urge (3:16)
08. Street Of Dreams (4:04)
09. Blues Étude (5:12)
Spiritual Medley:
10. Holy, Holy, Holy (1:26)
11. Sometimes I Feel Like A Motherless Child (4:41)
12. Blessed Assurance (2:07)
13. Why We Sing (4:32)
James Williams - piano
Rec.: live at Maybeck Recital Hall, Berkeley, CA, August 27, 1995.
 

Лог проверки качества

AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
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-=== DO NOT EDIT THIS FILE! ===-
Path: ...\1996. James Williams - Live At Maybeck Recital Hall, Vol. 42
01 -=- 01. Polka Dots And Moonbeams.flac -=- CDDA (100%)
02 -=- 02. Footprints.flac -=- CDDA (100%)
03 -=- 03. Dreamsville.flac -=- CDDA (100%)
04 -=- 04. I Fall In Love Too Easily.flac -=- CDDA (100%)
05 -=- 05. New York.flac -=- CDDA (100%)
06 -=- 06. 'Round Midnight.flac -=- CDDA (100%)
07 -=- 07. Inner Urge.flac -=- CDDA (100%)
08 -=- 08. Street Of Dreams.flac -=- CDDA (100%)
09 -=- 09. Blues Étude.flac -=- CDDA (100%)
10 -=- 10. Holy, Holy, Holy.flac -=- CDDA (100%)
11 -=- 11. Sometimes I Feel Like A Motherless Child.flac -=- CDDA (100%)
12 -=- 12. Blessed Assurance.flac -=- CDDA (100%)
13 -=- 13. Why We Sing.flac -=- CDDA (100%)
Summary 100,00% CDDA
254251140
Замер динамического диапазона

foobar2000 1.3.9 / Dynamic Range Meter 1.1.1
log date: 2021-06-17 10:28:02
--------------------------------------------------------------------------------
Analyzed: James Williams / Live At Maybeck Recital Hall, Vol. 42
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -0.50 dB -20.50 dB 8:35 01-Polka Dots And Moonbeams
DR13 -3.63 dB -20.47 dB 5:09 02-Footprints
DR15 -1.96 dB -22.41 dB 7:21 03-Dreamsville
DR13 -2.86 dB -21.09 dB 7:45 04-I Fall In Love Too Easily
DR14 -1.40 dB -17.62 dB 5:51 05-New York
DR14 -1.15 dB -19.13 dB 4:26 06-'Round Midnight
DR13 -0.92 dB -17.60 dB 3:16 07-Inner Urge
DR13 -2.53 dB -20.66 dB 4:04 08-Street Of Dreams
DR14 -2.25 dB -19.16 dB 5:12 09-Blues Étude
DR12 -7.64 dB -23.08 dB 1:26 10-Holy, Holy, Holy
DR14 -4.21 dB -22.54 dB 4:41 11-Sometimes I Feel Like A Motherless Child
DR12 -4.03 dB -21.00 dB 2:07 12-Blessed Assurance
DR13 -2.56 dB -19.92 dB 4:32 13-Why We Sing
--------------------------------------------------------------------------------
Number of tracks: 13
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 479 kbps
Codec: FLAC
================================================================================
AllMusic Review by Richard S. Ginell
This is Vol. 42 of the exhaustive Maybeck Recital Hall project, the last one that the late Concord founder Carl Jefferson set up and reportedly the final installment in the series (the hall has since changed ownership). Of course it must be a coincidence (or is it?) that much of Williams' recital sounds like an affectionate farewell to the room, as most of the selections are taken at ballad tempo with nostalgic harmonies in the left hand. Indeed, the program closes with what could be interpreted as a benediction, a 12½-minute "Spiritual Medley" where Williams reveals his deep gospel roots at often eloquent length. Otherwise, Williams pretty much divides its time between pop and jazz standards and semi-standards, with the opening "Polka Dots and Moonbeams" setting the elegiac mood. The program does have its athletic moments – Joe Henderson's "Inner Urge" is a jagged bit of work, and so is "Blues Etude" – yet in essence, this CD is a pleasing, often reflective possible capstone to the long Maybeck project.

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