Elgar – Enigma Variations, In the South
Vladimir Ashkenazy, Sydney Symphony Orchestra
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2009
Жанр: Classical/Orchestral
Издатель (лейбл): Exton
Продолжительность: 00:51:34
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
Variations on an Original Theme “Enigma” Op. 36
1. Enigma Variations Op. 36-01. Andante
2. Enigma Variations Op. 36-02. Variation I. (C.A.E.) L’istesso tempo
3. Enigma Variations Op. 36-03. Variation II. (H.D.S-P.) Allegro
4. Enigma Variations Op. 36-04. Variation III. (R.B.T.) Allegretto
5. Enigma Variations Op. 36-05. Variation IV. (W.M.B.) Allegro di molto
6. Enigma Variations Op. 36-06. Variation V. (R.P.A.) Moderato
7. Enigma Variations Op. 36-07. Variation VI. (Ysobel) Andantino
8. Enigma Variations Op. 36-08. Variation VII. (Troyte) Presto
9. Enigma Variations Op. 36-09. Variation VIII. (W.N.) Allegretto
10. Enigma Variations Op. 36-10. Variation IX. (Nimrod) Adagio
11. Enigma Variations Op. 36-11. Variation XI. (Dorabella) Intermezzo. Allegretto
12. Enigma Variations Op. 36-12. Variation XII. (G.R.S.) Allegro di molto
13. Enigma Variations Op. 36-13. Variation XIII. (B.G.N.) Andante
14. Enigma Variations Op. 36-14. Variation XIV. (***) Romanze. Moderato
15. Enigma Variations Op. 36-15. Variation XV. (E.D.U.) Finale. Allegro
16.
Overture “In the South” (Alassio) Op. 50
Musicians:
Sydney Symphony Orchestra
Vladimir Ashkenazy, conductor
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Доп. информация: Exton EXCL-00029
Recorded in Sydney, 12-14 November, 2008
SACD rip via OPPO BDP-103 to iso (2.08GB)
Источник (релизер): KolyaFokhin (PS³SACD)
https://www.hraudio.net/showmusic.php?title=6082&showall=1
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2021-03-12 23:56:36
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Анализ: SYDNEY SYMPHONY conducted by VLADIMIR ASHKENAZY / Elgar:Enigma Variations,In the South
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DR Пики RMS Продолжительность трека
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DR12 -11.74 дБ -24.48 дБ 1:24 01-Enigma Variations - Andante
DR14 -5.81 дБ -23.33 дБ 1:50 02-Enigma Variations - Var.1
DR12 -11.79 дБ -25.53 дБ 0:45 03-Enigma Variations - Var.2
DR12 -9.49 дБ -24.30 дБ 1:27 04-Enigma Variations - Var.3
DR11 -4.59 дБ -20.23 дБ 0:29 05-Enigma Variations - Var.4
DR12 -7.74 дБ -23.76 дБ 2:08 06-Enigma Variations - Var.5
DR12 -10.75 дБ -24.36 дБ 1:15 07-Enigma Variations - Var.6
DR14 -4.41 дБ -20.41 дБ 0:58 08-Enigma Variations - Var.7
DR13 -9.54 дБ -23.93 дБ 1:47 09-Enigma Variations - Var.8
DR13 -4.90 дБ -22.17 дБ 4:01 10-Enigma Variations - Var.9
DR12 -10.23 дБ -24.55 дБ 2:40 11-Enigma Variations - Var.10
DR13 -4.60 дБ -21.29 дБ 1:02 12-Enigma Variations - Var.11
DR13 -9.46 дБ -24.04 дБ 2:39 13-Enigma Variations - Var.12
DR13 -9.56 дБ -24.40 дБ 2:43 14-Enigma Variations - Var.13
DR12 -4.04 дБ -19.50 дБ 5:12 15-Enigma Variations - Var.14
DR14 -4.19 дБ -21.64 дБ 21:11 16-Overture "In the South"
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Количество треков: 16
Реальные значения DR: DR13
Частота: 2822400 Гц / Частота PCM: 352800 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Об альбоме (сборнике)
Vladimir Ashkenazy is nothing if not prolific. This is the last of the Elgar series that I have as I never got around to acquiring the Pomp and Circumstance disc. Unfortunately for fans of multichannel, this was about the time Exton started eschewing multichannel for stereo only.
“The third disc brings the Enigma Variations and Elgar’s great Straussian showpiece, In the South. The performance of Enigma is a decent one but for me it never really quite matches the achievement of an interpreter such as Barbirolli. He and Boult, though offering very different perspectives on this great masterpiece, knew through a mixture of instinct and long experience, how to mould and shape an Elgar phrase persuasively but without artifice. Ashkenazy, for all the merits of his performance, isn’t really in that league. Thus the theme itself and Variation I sound a bit cool and objective. In III the little interjections by flute and oboe are just a bit too staccato and, as a result, the music sounds snatched. On the other hand, Nimrod is noble and straightforward and all credit to Ashkenazy for that and for not falling into the trap of playing it as an elegy. However, Variation X is something of a disappointment; there’s insufficient fire and drive in the music, especially in the strings’ downward rushes, which sound anaemic. The finale is quite good but, to be honest, lacks the essential electricity and grandeur. Overall, this is an efficient but not inspiring Enigma.
“In the South fares better. This is a good, colourful rendition even if it doesn’t sweep the listener – or this listener, anyway – off his feet in the way that the best performances do. In my view those are the ones by Barbirolli (BBC Legends), Elder (review) and the incomparable Silvestri (review). Ashkenazy responds well to Elgar’s various changes of mood, ensuring that the work is not episodic. The canto popolare passage is atmospherically done, including a nice dusky viola solo, and the conductor prepares for this section imaginatively. One drawback is that there are times, both in this work, and in Enigma, where the violins sound slightly undernourished, especially in alt. The final pages, Elgar’s gloriously ripe coda, are taken just a fraction too steadily for my taste: the music doesn’t really take off, as it should.”
musicweb-international.com (from review of the series)
