(Post-Bop, Contemporary Jazz) [CD] Chet Doxas Quartet - Sidewalk Etiquette - 2006, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 2. March 2013, 7:53
Chet Doxas Quartet / Sidewalk Etiquette
Used drive  : TSSTcorpDVD+-RW TS-H653B   Adapter: 2  ID: 0
Read mode               : Secure
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Defeat audio cache      : Yes
Make use of C2 pointers : No
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Overread into Lead-In and Lead-Out          : No
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Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
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        2  |  9:45.15 | 11:00.10 |     43890    |    93399
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        8  | 55:39.39 |  5:59.54 |    250464    |   277442
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Track  2
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Track  3
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Track  4
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Track  5
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Track  6
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Track  7
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Track  8
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None of the tracks are present in the AccurateRip database
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==== Log checksum AA0F47D6CEC5F730F81E84AAD0BCC8541090688846237E5B1AE8B59595476381 ====

REM GENRE Jazz
REM DATE 2006
REM DISCID 750E7308
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Chet Doxas"
TITLE "Sidewalk Etiquette"
FILE "01 - Sidewalk Etiquette.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Sidewalk Etiquette"
    PERFORMER "Chet Doxas"
    INDEX 01 00:00:00
FILE "02 - Unsung (For Jimmy Giuffre).wav" WAVE
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    TITLE "Unsung (For Jimmy Giuffre)"
    PERFORMER "Chet Doxas"
    INDEX 01 00:00:00
FILE "03 - Upstart.wav" WAVE
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    PERFORMER "Chet Doxas"
    INDEX 01 00:00:00
FILE "04 - Forlorn.wav" WAVE
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    TITLE "Forlorn"
    PERFORMER "Chet Doxas"
    INDEX 01 00:00:00
FILE "05 - Long for Shorter.wav" WAVE
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FILE "06 - Rite Shoe.wav" WAVE
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FILE "07 - Moment's Notice.wav" WAVE
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FILE "08 - Nouveau Brit.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Nouveau Brit"
    PERFORMER "Chet Doxas"
    INDEX 01 00:00:00

In 2006, the term "Young Lions" had become a figure of speech when used to describe many of the straight-ahead hard bop and post-bop players who emerged in the '80s. Branford Marsalis and Donald Harrison both turned 46 in 2006; Winard Harper turned 44. And straight-ahead tenor man Chet Doxas, born in the early '80s, is young enough to be a son of one of those "Young Lions" -- which points to the fact that the hard bop/post-bop movement the "Young Lions" led back in the early '80s continued after many of them weren't all that young anymore. Doxas shares many of Marsalis' '60s influences -- especially Wayne Shorter and John Coltrane, with some Joe Henderson appreciation as well -- and those influences are very much in evidence on Sidewalk Etiquette, his first album as a leader. This 61-minute CD, which was recorded in 2004 and released in 2006, isn't overly original; stylistically, most of Doxas' material could have appeared on one of Shorter's pre-Weather Report, pre-fusion albums of the mid-'60s. But Doxas is good at what he does; the Canadian improviser has a strong command of the tenor sax as well as the bass clarinet (which he plays as a secondary instrument), and his performances are enjoyable on post-bop originals such as "Long for Shorter" (yes, that's Shorter as in Wayne), "Nouveau Brit" and "Upstart." John Roney, Doxas' pianist, is heard on electric keyboards as well as the acoustic piano; even so, Sidewalk Etiquette is a largely straight-ahead affair and doesn't venture into fusion territory apart from hits of CTI-ish funkiness on bassist Zach Lober's "Rite Shoe." Sidewalk Etiquette won't go down in history as the most groundbreaking session of 2004, but it is a noteworthy, if derivative, effort from the Montreal-based Doxas.