Swamp Fox · 08-Ноя-19 19:10(5 лет 10 месяцев назад, ред. 08-Ноя-19 19:37)
Peter NarvaezSome Good Blues Жанр:blues, american primitive guitar, harmonica Страна-производитель диска: USA Год издания:2002 Издатель (лейбл):Takoma Номер по каталогу:7502041412 Страна:USA Аудиокодек:FLAC (*.flac) Тип рипа:image+.cue Битрейт аудио:lossless Продолжительность:50'12" Источник (релизер):собственный диск Наличие сканов в содержимом раздачи:600dpi, JPG Треклист:
01 - Make Some Time (Beeper Blues)
02 - Organically Grown
03 - Maine
04 - Proper Thing Bounce
05 - The Stove
06 - Hoodoo Doctor
07 - Your Cigarettes And Coffee
08 - Black Fly Moan
09 - Time Alone With You
10 - Your Grate Needs Coal
11 - Curmudgean Baby Blues
12 - Mean And Dirty
13 - Airport Blues
14 - My Wife Drove Me From The Door
15 - Bulldozer Blues
16 - Fat Cats
17 - Bad Blood Mama
TITLE "Some Good Blues" PERFORMER "Peter Narvaez" REM GENRE "Blues" REM DATE "2002" REM DISCID EF0BC411 REM REPLAYGAIN_ALBUM_GAIN -5.11 dB REM REPLAYGAIN_ALBUM_PEAK 0.999969 FILE "Some Good Blues.flac" WAVE TRACK 01 AUDIO TITLE "Make Some Time (Beeper Blues)" PERFORMER "Peter Narvaez" REM REPLAYGAIN_TRACK_GAIN -4.23 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Organically Grown" PERFORMER "Peter Narvaez" REM REPLAYGAIN_TRACK_GAIN -4.96 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 01 02:45:58 TRACK 03 AUDIO TITLE "Maine" PERFORMER "Peter Narvaez" REM REPLAYGAIN_TRACK_GAIN -9.02 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 01 07:05:08 TRACK 04 AUDIO TITLE "Proper Thing Bounce" PERFORMER "Peter Narvaez" REM REPLAYGAIN_TRACK_GAIN -7.94 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 01 11:39:60 TRACK 05 AUDIO TITLE "The Stove" PERFORMER "Peter Narvaez" REM REPLAYGAIN_TRACK_GAIN -3.59 dB REM REPLAYGAIN_TRACK_PEAK 0.999451 INDEX 01 14:12:16 TRACK 06 AUDIO TITLE "Hoodoo Doctor" PERFORMER "Peter Narvaez" REM REPLAYGAIN_TRACK_GAIN -2.49 dB REM REPLAYGAIN_TRACK_PEAK 0.980042 INDEX 01 17:11:31 TRACK 07 AUDIO TITLE "Your Cigarettes And Coffee" PERFORMER "Peter Narvaez" REM REPLAYGAIN_TRACK_GAIN -4.10 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 01 19:41:52 TRACK 08 AUDIO TITLE "Black Fly Moan" PERFORMER "Peter Narvaez" REM REPLAYGAIN_TRACK_GAIN -4.41 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 01 23:13:24 TRACK 09 AUDIO TITLE "Time Alone With You" PERFORMER "Peter Narvaez" REM REPLAYGAIN_TRACK_GAIN -4.10 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 01 25:25:73 TRACK 10 AUDIO TITLE "Your Grate Needs Coal" PERFORMER "Peter Narvaez" REM REPLAYGAIN_TRACK_GAIN -5.49 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 01 27:33:72 TRACK 11 AUDIO TITLE "Curmudgean Baby Blues" PERFORMER "Peter Narvaez" REM REPLAYGAIN_TRACK_GAIN -1.94 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 01 30:49:43 TRACK 12 AUDIO TITLE "Mean And Dirty" PERFORMER "Peter Narvaez" REM REPLAYGAIN_TRACK_GAIN -3.48 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 01 32:49:63 TRACK 13 AUDIO TITLE "Airport Blues" PERFORMER "Peter Narvaez" REM REPLAYGAIN_TRACK_GAIN -2.66 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 01 36:11:31 TRACK 14 AUDIO TITLE "My Wife Drove Me From The Door" PERFORMER "Peter Narvaez" REM REPLAYGAIN_TRACK_GAIN -2.94 dB REM REPLAYGAIN_TRACK_PEAK 0.999359 INDEX 01 39:46:65 TRACK 15 AUDIO TITLE "Bulldozer Blues" PERFORMER "Peter Narvaez" REM REPLAYGAIN_TRACK_GAIN -2.13 dB REM REPLAYGAIN_TRACK_PEAK 0.999908 INDEX 01 42:02:73 TRACK 16 AUDIO TITLE "Fat Cats" PERFORMER "Peter Narvaez" REM REPLAYGAIN_TRACK_GAIN -4.61 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 01 45:17:33 TRACK 17 AUDIO TITLE "Bad Blood Mama" PERFORMER "Peter Narvaez" REM REPLAYGAIN_TRACK_GAIN -6.35 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 01 47:02:38
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Peter Narvaez
Питер Нарваэз (16.03.1942 - 11.11. 2011) - фольклорист и музыкант (гитара, гармоника, мандолина). Далее на английском.
When Peter Narvaez came to St. John's in 1974, he knew almost no one. He had just come from the U.S. to an archival job at Memorial University's Folklore Department. Also a musician, he had been playing and recording since high school, but produced no big hits. He unpacked at his hotel, and walked to the Continental Bar downtown at the foot of Bates Hill to hear a young musician named Ron Hynes. And Hynes played one of Narvaez's songs. This story, a legend in the St. John's music scene, aptly illustrates the different yet complementary aspects of Narvaez's work. He wrote a song that preceded him to his new home and introduced him to a new community. In a bar was Hynes, whom Narvaez would befriend, play music with and write about. Peter Narvaez was born Peter Reuben Aceves on March 16, 1942, in Brooklyn, and grew up in Boonton, N.J. His father, George Aceves, was from Mexico, a labour organizer in the furrier trade, and his mother, Borinquin Maria Narvaez, was from Puerto Rico. She ran an antique business. He had one sibling, an older brother, George. Narvaez was always interested in music. An uncle taught him to play guitar and he formed his first band in high school, Pete & Jimmy With The Rhythm Knights. DJ Alan Freed was championing rock 'n' roll on New York's WINS radio station, and they connected. Freed produced the band's sole 45, So Wild (Castle Records, 1959) and published the song. One of the band's gigs was opening for a group called Tom and Jerry, an Everly Brothers cover band. Tom and Jerry later became Simon & Garfunkel. He was also influenced by Chuck Berry and Bob Dylan. In the early 1960s Narvaez started going to nightclubs in Greenwich Village and listening to the blues. He loved the sound, and that performers sang about everything – "drinking, sex, and gambling … crop failures, welfare lines, death, God" – as he said in a 1986 interview. And that they sang for everyone. He started a jug band. Having earned a history degree from Drew University in New Jersey in 1963, he then went to the folklore department of Indiana University in Bloomington, and earned his MA in 1967. One of his fellow students, Neil Rosenberg, would later become an academic colleague and fellow musician. In 1968 Narvaez formed Homegas, which had one release on the small but authoritative Takoma Label in 1971. "There is talk of reissuing it in vinyl," Rosenberg said. "It was an underground favourite, but gained zero sales." Narvaez then moved to Maine, taught at a free school for a year, and then took a position at Bliss College in Lewiston. He was quickly promoted from associate professor to dean of students, but the institution was in financial trouble. Paycheques stopped, there were accusations of malfeasance at the highest levels, and by 1972 "the upshot was that that was the end of Bliss," Rosenberg said. Narvaez gigged for a year, until Rosenberg, by then with the Folklore Department at Memorial University in St. John's, urged him to apply as an archivist with the Folklore and Language Archives. STORY CONTINUES BELOW ADVERTISEMENT Narvaez was hired in 1974, and was soon a lecturer and then professor, beginning a career of tremendous research and output, and connecting to a music scene that was already attuned to his style. Rosenberg was one of the few owners of the Homegas release, and it was this album that Hynes had heard and played at the Continental Bar. As augured by this incident, Narvaez's musical influence was huge. As one example, in 1975 he gave a young musician named Kelly Russell a tape of fiddler Rufus Guinchard. Russell was with a then-fledgling Figgy Duff, and a folk music revival followed. (Narvaez also played harmonica on the first Wonderful Grand Band album.) Along with English musician Denis Parker, he basically crafted the provincial blues scene, and he also created a website for the genre, www.rowdyblues.com. His bands included Bopular Demand, Cookstown Jukes, Rowdy Blues, and Divin' Duck. His last group was The Superpickers, with Sandy Morris and Glenn Collins, which released a recording earlier this year. Narvaez's abbreviated CV of writing and research runs for five pages. His academic writing ranges from Hynes' song Sonny's Dream, to former premier Joseph Smallwood's broadcasting career, to Robert Johnson and his mythic Faustian bargain, to berry picking and fairies. "He responded to popular culture, he was interested in working-class culture," Rosenberg said. Narvaez's PhD dissertation in 1986 was on a song booklet, Come Hell or High Water, produced during the Buchans miners' strike in 1973. Jazz, Newfoundland wakes, African-American folklore, Newfoundland folk custom and vernacular music from Mexican streets to life in the outports were among the topics of his hundreds of publications, journal contributions, recordings, radio and television productions and appearances, archival depositions, and professional and critical activities. So much engaged him. "I liked how he disregarded the false dichotomy of 'high' and 'low' culture," said CBC radio host Jamie Fitzpatrick, who conducted one of Narvaez's last interviews. Narvaez, who retired in 2005, was past president of the Folklore Studies Association of Canada and the Association for the Study of Canadian Radio and Television. Among his awards, he received the Marius Barbeau Medal from the Folklore Studies Association of Canada (2006) and a Lifetime Achievement Award from the Newfoundland and Labrador Folk Arts Society (2010). He edited three volumes of essays, including Of Corpse: Death and Humour in Folklore and Popular Culture (Utah State University Press, 2003). His CD of original blues, Some Good Blues, was nominated for both Music Industry Association of Newfoundland and East Coast Music Association awards in 2003. Rosenberg is currently completing an introduction to a collection of 15 of Narvaez's essays, which is expected to be published by MUN Folklore next year. Narvaez changed his last name soon after coming to Newfoundland. He gave two reasons: one was that he was a bit disenchanted with his father and the other was that it was easier for people to pronounce. He was married four times: first when he was in his early 20s and still in university, to Rinda Metz – they had a daughter, Jamille. They divorced in the early 1970s. In St. John's he married Ann Anderson, then Anne Budgell, and, on Nov. 7, 1998, Holly Everett. Narvaez was a generous, clever man, open-minded and full of genuine good humour. "As a colleague I appreciated the way he dealt with difficult subjects at meetings," Rosenberg said. "He brought people together. And he was a lot of fun to play music with." Narvaez leaves his wife Holly, daughter Jamille (Rivera), granddaughter Jessie, and brother George Aceves.
Swamp Fox
Спасибо, дорогой!
Peter Narvaez родился 16 марта 1942 года.гитара, гармоника, мандолина гитара и бас. из Википедеии
Вообче и даже раньше не знал о Peter Narvaez.
Молодца!
Понравилось. Спасибо!
