[TR24][OF] J.S. Bach - Sonatas for Viola Da Gamba and Harpsichord - Antoine Tamestit, Masato Suzuki - 2019 (Classical)

foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-08-23 06:10:52
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Analyzed: Antoine Tamestit & Masato Suzuki / J.S. Bach: 3 Sonatas for Viola da Gamba and Harpsichord, BWV 1027-1029
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DR         Peak         RMS     Duration Track
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DR13      -1.37 dB   -18.35 dB      4:47 01-Sonata for Viola da Gamba in G Minor, BWV 1029: I. Vivace (Arr. for Viola)
DR14      -5.49 dB   -23.97 dB      4:41 02-Sonata for Viola da Gamba in G Minor, BWV 1029: II. Adagio (Arr. for Viola)
DR14      -0.51 dB   -18.90 dB      3:33 03-Sonata for Viola da Gamba in G Minor, BWV 1029: III. Allegro (Arr. for Viola)
DR14      -2.41 dB   -21.94 dB      6:05 04-Wo soll ich fliehen hin, BWV 5: III. Aria: Ergieße dich reichlich (Arr. for Viola)
DR11      -3.84 dB   -23.03 dB      1:46 05-Sonata for Viola da Gamba in D Major, BWV 1028: I. Adagio (Arr. for Viola)
DR13      -0.33 dB   -18.16 dB      3:35 06-Sonata for Viola da Gamba in D Major, BWV 1028: II. Allegro (Arr. for Viola)
DR14      -2.06 dB   -21.50 dB      3:57 07-Sonata for Viola da Gamba in D Major, BWV 1028: III. Andante (Arr. for Viola)
DR14      -0.32 dB   -18.58 dB      4:03 08-Sonata for Viola da Gamba in D Major, BWV 1028: IV. Allegro (Arr. for Viola)
DR13      -2.79 dB   -20.58 dB      3:45 09-Sonata for Viola da Gamba in G Major, BWV 1027: I. Adagio (Arr. for Viola)
DR14      -0.32 dB   -19.05 dB      3:19 10-Sonata for Viola da Gamba in G Major, BWV 1027: II. Allegro ma non tanto (Arr. for Viola)
DR12      -3.65 dB   -23.03 dB      2:09 11-Sonata for Viola da Gamba in G Major, BWV 1027: III. Andante (Arr. for Viola)
DR14      -0.93 dB   -19.28 dB      2:58 12-Sonata for Viola da Gamba in G Major, BWV 1027: IV. Allegro moderato (Arr. for Viola)
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Number of tracks:  12
Official DR value: DR13
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2995 kbps
Codec:             FLAC
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Antoine Tamestit and his artistic partner Masato Suzuki, a soloist in the famous Bach Collegium Japan, have immersed themselves in Bach’s three sonatas for viola da gamba and harpsichord in order to give a sublime interpretation of them on the viola – both instruments use the same alto clef, even if the projection of the sound is entirely different. So this is no transcription, but leaves the artists in total freedom to rediscover with delight these all too rarely played masterpieces!