[TR24][OF] Philharmonia Orchestra - Vladimir Ashkenazy - Rachmaninov Symphony No. 2 in E Minor, Op. 27 - 2015 / 2018 (Classical)

foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2018-04-08 18:29:05
--------------------------------------------------------------------------------
Analyzed: Philharmonia Orchestra, Vladimir Ashkenazy / Rachmaninov: Symphony No. 2
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR16      -0.41 dB   -22.79 dB     18:37 01-Symphony No. 2 in E Minor, Op. 27: I. Largo – Allegro moderato
DR16      -0.41 dB   -23.83 dB     10:16 02-Symphony No. 2 in E Minor, Op. 27: II. Allegro molto
DR16      -1.56 dB   -26.36 dB     15:05 03-Symphony No. 2 in E Minor, Op. 27: III. Adagio
DR14      -0.41 dB   -19.25 dB     14:41 04-Symphony No. 2 in E Minor, Op. 27: IV. Allegro vivace
--------------------------------------------------------------------------------
Number of tracks:  4
Official DR value: DR15
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2548 kbps
Codec:             FLAC
================================================================================

https://en.wikipedia.org/wiki/Philharmonia_Orchestra
https://en.wikipedia.org/wiki/Vladimir_Ashkenazy

Marking their latest collaboration with their conductor laureate Vladimir Ashkenazy, the Philharmonia return to disc with a stellar live-performance of Rachmaninov’s ebullient Symphony No.2 in E Minor. This is the second release in a new series of Rachmaninov’s symphonies, conducted by Vladimir Ashkenazy in live performances with the Philharmonia Orchestra. The first release of Symphony No. 1 (SIGCD484) was met by critical acclaim:
“Perhaps the most satisfying of all [Ashkenazy’s recordings of the Symphony]…” (BBC Music Magazine)
“Ashkenazy knows how to shape detail and soar in the big melodic moments. The Philharmonia sound is muscular and alert, from the opening woodwind solos to the mighty, stirring symphonic tutti of the finale.” (The Observer)