The Dogmatics / Chop Off The Tops
Жанр: Free Improvisation
Носитель:
WEB
Год издания: 2018
Страна исполнителя (группы): Germany+Australia
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 0:41:06
Источник: интернет (неизвестен)
Наличие сканов в содержимом раздачи: нет
Треклист:
01 It Never Yielded Results Which They Had Failed to Discover by Other Means 9:24
02 I Am Now Wearing Surgical Gloves 11:23
03 Nobody Knew Their Reasons 4:26
04 Death Is Now Your Friend 15:53
Лог проверки качества
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FILE: 1-04 Death Is Now Your Friend.flac
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FILE: 1-03 Nobody Knew Their Reasons.flac
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FILE: 1-01 It Never Yielded Results Which They Had Failed to Discover by Other Means.flac
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Brian Olewnick
An LP release with four entrancing pieces, all improvisations, from the duo of Kai Fagaschinski (clarinet) and Chris Abrahams (piano), recorded in 2013. It opens with the contemplative (deep breath), 'It Never Yielded Results Which They Had Failed to Discover by Other Means', Abrahams casting slow, tonal arpeggios, accented by occasional deep, soft, single notes, Fagaschinski blowing airily, softly atop and through, with the odd subtly sour overtone creeping in. 'I Am Now Wearing Surgical Gloves' (the titles are nothing if not entertaining) is darker, hollower, the piano tones suspended and uncertain, the clarinet quavering and searching, though both remain quiet--a sense of feeling one's way in the dark. The third track, 'Nobody Knew Their Reasons' is darker still, with heavy strikes at the body of the piano and balloon-like squeals and sputter from Fagaschinski. Finally, the lengthiest cut, 'Death Is Now Your Friend', which is also the most extreme musically. Abrahams restlessly probes the piano strings, banging into adjacent points unconcernedly before retreating to the keyboard, constructing a gorgeous series of hanging notes, mid-range--Feldmanesque, yes, but with a unique sense of wonder. Fagaschinski, meanwhile, has been rasping, then subtly gurgling, just tingeing the atmosphere. About midway through, he begins yelping plaintively, very high-pitched and with a painful aspect. Disquieting and impressive, as is the whole album