(Blues) [WEB] Buddy Flett - Rough Edges - 2013, FLAC (tracks), lossless

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Путь: ...\Buddy Flett - Rough Edges (2013, WEB-FLAC)
01 -=- 01 - Train.flac -=- CDDA (100%)
02 -=- 02 - Third House on the Left.flac -=- CDDA (100%)
03 -=- 03 - Honky Tonk.flac -=- CDDA (100%)
04 -=- 04 - Teneha.flac -=- CDDA (100%)
05 -=- 05 - Born in Mississippi (Mr. Hubert).flac -=- CDDA (100%)
06 -=- 06 - First You Cry.flac -=- CDDA (100%)
07 -=- 07 - Good to Ya Baby.flac -=- CDDA (100%)
08 -=- 08 - Dance for Me.flac -=- CDDA (100%)
09 -=- 09 - Lil Martha.flac -=- CDDA (100%)
10 -=- 10 - Nothin Easy.flac -=- CDDA (100%)
11 -=- 11 - Bad Luck and Trouble.flac -=- CDDA (100%)
12 -=- 12 - Sylvie.flac -=- CDDA (100%)
Сводка 100,00% CDDA
97334660

foobar2000 1.3.8 / Dynamic Range Meter 1.1.1
log date: 2018-02-06 01:11:40
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Analyzed: Buddy Flett / Rough Edges
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DR         Peak         RMS     Duration Track
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DR6       -0.19 dB    -7.61 dB      4:05 01-Train
DR10      -0.20 dB   -11.88 dB      4:36 02-Third House on the Left
DR8       -0.20 dB    -9.64 dB      4:47 03-Honky Tonk
DR6       -0.19 dB    -7.43 dB      4:36 04-Teneha
DR7       -0.19 dB    -8.75 dB      5:27 05-Born in Mississippi (Mr. Hubert)
DR5       -0.18 dB    -6.54 dB      4:19 06-First You Cry
DR5       -0.18 dB    -5.79 dB      5:33 07-Good to Ya Baby
DR6       -0.20 dB    -7.85 dB      3:03 08-Dance for Me
DR10      -0.20 dB   -12.51 dB      3:56 09-Lil Martha
DR8       -0.19 dB    -8.89 dB      3:36 10-Nothin Easy
DR8       -0.19 dB   -10.17 dB      5:11 11-Bad Luck and Trouble
DR8       -0.20 dB   -11.06 dB      2:18 12-Sylvie
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Number of tracks:  12
Official DR value: DR7
Samplerate:        44100 Hz
Channels:          2
Bits per sample:   16
Bitrate:           696 kbps
Codec:             FLAC
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"Former Bluebird and A-Train guitarist
Song writing partner of David Egan (they have penned songs for Johnny Adams, Tab Benoit, Kenny Wayne Shepherd, Percy Sledge, John Mayall and others)
Former Hubert Sumlin sideman"-- cdbaby

"The Louisiana Bluesman is back with 9 originals and 3 covers of classics all performed in a raw, emotional style all his own."-- cdbaby
"It's all in a name. Some names and occupations just go together, especially in sports. Harmon Killebrew, Orlando Cepeda, and Catfish Hunter are all baseball names. Blues musicians have similar iconic names. The Ur-Blues has Eddie "Son" House, Nehemiah "Skip" James, Tommy Johnson, and Charlie Patton. The generation after has Muddy Waters (McKinley Morganfield), Howlin' Wolf (Chester Burnett) and Elmore James. Today, we have Joe Bonamassa, Ronnie Earl, and Kenny Wayne Shepherd. Add to this latter group the Southern-fried, bona fide name of Shreveport-native Buddy Flett. He emerges as a compelling answer to Delbert McClinton and Roy G. Rogers, perhaps more authentic with his feet firmly planted in the musical myth of northwest Louisiana.
Flett appeared on digital media in as part of the journeyman Louisiana band The Bluebirds, led by his brother, Bruce and himself. Flett struck out solo with his recording Mississippi Sea (Out of The Past, 2007), a perfectly serviceable acoustic/electric blues outing that rang truer than the majority of similar recordings of the surrounding period. What Mississippi Sea revealed was Flett's modest but compelling guitar skills, a superb writing facility, and, above all, a blues voice full of Dixie dirt and grace.
In 2007, while on a blues cruise with mentor Hubert Sumlin, Flett contracted a viral encephalitis requiring a medically- induced coma and a month in the hospital followed by extensive rehabilitation. What appears in Rough Edges, is first recording since recovery, is a Buddy Flett transformed by the experience. What began with a competent and capable blues musician on Mississippi Sea emerges a fully formed artist (from the liner notes), one where a superior blues voice passes into the sublime.
All twelve selections on Rough Edges were recorded live in various small venues in Little Rock, AR, Shreveport, LA, and Waterman, MS. Since his recovery, Flett has remained close to home, but that should not be for long. This is a talent not to remain beneath a basket. These songs, save one, have Flett playing guitar while keeping the beat on a bass drum, making him a light- traveling minstrel in the truest sense. The is no flash here, only honest, sometimes corrosive music making of an intensity and white- hot nature that the listen can expect a sunburn is too close.
Flett favors open-tuned slide guitar playing for sure, but incorporates derivations such as his percussive "Train" and a most beautifully and strangely transformed "Lil Martha" (Duane Allman) on record. Flett does not require roman-candle guitar technique. He uses his conservative and informed talent to seek out only what is necessary in his play to convey his blues universe. Buddy Flett is brand new fresh air in a genre long locked in reverent worship and stagnant strict constructionism. A superb recording by any measure."-- allaboutjazz

Buddy Flett: guitar, vocals, bass drum; Brady Blade: drums (5); Chris Michaels: bass (5); Billy Gibson: harmonica (8)