(Classical madrigali) Monteverdi - Madrigali - Terzo Libro gi Madrigali (Rossana Bertini, La Venexiana, Claudio Cavina) - 2008, FLAC (image+.cue) lossless

CLAUDIO MONTEVERDI (1567-1643)
Terzo Libro dei Madrigali, 1592
La Venexiana
Claudio Cavina, director
Rossana Bertini
Valentina Coladonato
Nadia Ragni
Paola Reggiani
Claudio Cavina
Giuseppe Maletto
Sandro Naglia
Daniele Carnovich
Recorded in Corsica (Auditorium di Pigna) in September 2001
Audio CD (May 26, 2008)

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XLD extraction logfile from 2017-07-31 23:08:17 +0200
Claudio Cavina: La Venexiana / Monteverdi: Terzo Libro Di Madrigali •
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TITLE "Monteverdi: Terzo Libro Di Madrigali •"
PERFORMER "Claudio Cavina: La Venexiana"
CATALOG 8424562209299
REM GENRE "Classical"
REM DATE "2002"
REM DISCNUMBER 1
REM TOTALDISCS 1
REM DISCID F60EA90F
FILE "Claudio Monteverdi - Terzo Libro dei Madrigali [2008].flac" WAVE
  TRACK 01 AUDIO
    TITLE "La giovinetta pianta"
    SONGWRITER "Anonymous"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "O come e gran martire"
    SONGWRITER "Giovanni Battista Guarini"
    INDEX 01 03:17:09
  TRACK 03 AUDIO
    TITLE "Sovra tenere erbette e bianchi fiori"
    SONGWRITER "Anonymous"
    INDEX 01 06:26:04
  TRACK 04 AUDIO
    TITLE "O dolce anima mia"
    SONGWRITER "Giovanni Battista Guarini"
    INDEX 01 09:50:10
  TRACK 05 AUDIO
    TITLE "Stracciami pur il core"
    SONGWRITER "Giovanni Battista Guarini"
    INDEX 01 13:13:52
  TRACK 06 AUDIO
    TITLE "O rossignuol che in queste verdi fronde - O rossignuol ch'in queste verdi fronde"
    SONGWRITER "Pietro Bembo"
    INDEX 01 16:27:47
  TRACK 07 AUDIO
    TITLE "Se per estremo ardore"
    SONGWRITER "Giovanni Battista Guarini"
    INDEX 01 20:12:63
  TRACK 08 AUDIO
    TITLE "Vattene pur, crudel, con quella pace"
    SONGWRITER "Torquato Tasso"
    INDEX 01 23:26:48
  TRACK 09 AUDIO
    TITLE "O primavera, gioventu dell'anno - O primavera gioventu de l'anno"
    SONGWRITER "Giovanni Battista Guarini"
    INDEX 01 31:33:39
  TRACK 10 AUDIO
    TITLE "Perfidissimo volto"
    SONGWRITER "Giovanni Battista Guarini"
    INDEX 01 34:23:58
  TRACK 11 AUDIO
    TITLE "Ch'io non t'ami, cor mio"
    SONGWRITER "Giovanni Battista Guarini"
    INDEX 01 37:29:12
  TRACK 12 AUDIO
    TITLE "Occhi un tempo mia vita"
    SONGWRITER "Giovanni Battista Guarini"
    INDEX 01 41:27:60
  TRACK 13 AUDIO
    TITLE "Vivro fra i miei tormenti e le mie cure"
    SONGWRITER "Torquato Tasso"
    INDEX 01 44:55:48
  TRACK 14 AUDIO
    TITLE "Lumi, miei cari lumi"
    SONGWRITER "Giovanni Battista Guarini"
    INDEX 01 52:10:05
  TRACK 15 AUDIO
    TITLE "Rimanti in pace a la dolente e bella"
    SONGWRITER "Livio Celiano"
    INDEX 01 54:36:23

The dedication of the Terzo Libro di Madrigali a cinque voci, published in Venice in 1592 by Ricciardo Amadino, represents the first documentary evidence that we have of Monteverdi’s stay in Mantua, where the composer had been working since 1590 as an instrumentalist playing the viola at the court of Vincenzo Gonzaga. Being connected to one of the era’s most flourishing and active cultural centres could not but exert a profound influence on the composer’s stylistic and aesthetic principles. Indeed, this new collection from Monteverdi appears in many ways to reflect the ambience alive in Mantua. Two names stand out in the selection of literary texts employed by Monteverdi: Giovanni Battista Guarini and Torquato Tasso, both poets at the Ferrara court who nevertheless maintained close ties with Mantua. But it is in the change of expressive registers above all where the most significant innovations are to be best appreciated...
The Third Book of Madrigals stands as a landmark in the Monteverdian exploration of the internal life of the word, which the music picks up and amplifies with renewed sensitivity and force. On the other hand, the contrapuntal fullness of episodes such as found at the start of Se per estremo ardore prompts us to see in this collection also the culmination of a certain “classicism”, a brilliant and final affirmation of the possibilities of the prima prattica. This miraculous balance between tradition and innovation perhaps may be the reason for the extraordinary success of the publication. Five reprintings in less than two decades bear witness to the recognition which the composer’s own contemporaries rendered to the exceptional nature of the Third Book.