(Classical vocal) de Beaulieu, Carroubel, Boyer, Guerdon, Le Blanc, Caietain, Lorenzini, Costeley, Le Roy - Coeur [Airs de Cour Francais de la fin du XVie siecle] (Le Poeme Harmonique, Vincent Dumestre) - 2015, FLAC (image+.cue) lossless

1 Helas que me fait-il faire
02:36 Dumestre/Le Poeme Harmonique/Lefilliatre/+ / De Beaulieu, Girard
2 Passepieds de Bretagne
02:42 Dumestre/Le Poeme Harmonique/Lefilliatre/+ / Carroubel, Pierre-Francisque
3 Que feray-je?
06:17 Dumestre/Le Poeme Harmonique/Lefilliatre/+ / Boyer, Jean
4 Allons vieille imparfaite
03:45 Dumestre/Le Poeme Harmonique/Lefilliatre/+ / Anonym
5 Bien qu'un cruel martire
06:35 Dumestre/Le Poeme Harmonique/Lefilliatre/+ / Guédron, Pierre
6 Spagnolette
03:35 Dumestre/Le Poeme Harmonique/Lefilliatre/+ / Carroubel, Pierre-Francisque
7 Sus! Mon lut d'un accord pitoyable
03:20 Dumestre/Le Poeme Harmonique/Lefilliatre/+ / Le Bland, Didier
8 Les mariniers adorent un beau jour
04:40 Dumestre/Le Poeme Harmonique/Lefilliatre/+ / Le Bland, Didier
9 Quel secours faut-il que j'attende
05:08 Dumestre/Le Poeme Harmonique/Lefilliatre/+ / Le Bland, Didier
10 Tant et tant il m'ennuye tant
03:48 Dumestre/Le Poeme Harmonique/Lefilliatre/+ / Guédron, Pierre
11 Mais voyez mon cher Esmoy
04:18 Dumestre/Le Poeme Harmonique/Lefilliatre/+ / Caiétain, Fabrice-Marin
12 Fantaisie
03:11 Dumestre/Le Poeme Harmonique/Lefilliatre/+ / Lorenzini
13 J'ayme trop mieux souffrir la mort
02:09 Dumestre/Le Poeme Harmonique/Lefilliatre/+ / Costeley, Guillaume
14 O combien est heureuse (arr. von Adrien Le Roy)
07:05 Dumestre/Le Poeme Harmonique/Lefilliatre/+ / Anonym
15 Belle qui m'avez blessé
05:00 Dumestre/Le Poeme Harmonique/Lefilliatre/+ / Guédron, Pierre

GIRARD DE BEAULIEU (CA 1540-1590)
1 HELAS QUE ME FAUT-IL FAIRE 2'36
PIERRE-FRANCISQUE CARROUBEL (1566-1611)
2 PASSEPIEDS DE BRETAIGNE 2'42
JEAN BOYER (BEFORE 1600-1648)
3 QUE FERAY-JE? 6'17
ANONYME
4 ALLONS VIEILLE IMPERFAITE 3'45
PIERRE GUÉDRON (CA 1565-1620)
5 BIEN QU’UN CRUEL MARTIRE 6'35
PIERRE-FRANCISQUE CARROUBEL
6 SPAGNOLETTE 3'35
DIDIER LE BLANC (FL. 1579-1584)
7 SUS ! MON LUT D’UN ACCORD PITOYABLE 3'20
8 LES MARINIERS ADORENT UN BEAU JOUR 4'40
9 QUEL SECOURS FAUT-IL QUE J'ATENDE 5'08
PIERRE GUÉDRON
10 TANT ET TANT IL M’ENNUYE TANT 3'48
FABRICE-MARIN CAIÉTAIN (CA 1540-AFTER 1578)
11 MAIS VOYEZ MON CHER ESMOY 4'18
LORENZINI (FL. 2ND HALF XVITH CENTURY)
12 FANTAISIE 3'11
GUILLAUME COSTELEY (CA 1530-1606)
13 J’AYME TROP MIEUX SOUFFRIR LA MORT 2'09
ADRIAN LE ROY [ARR.] (CA 1520-1598)
14 Ô COMBIEN EST HEUREUSE 7'05
PIERRE GUÉDRON
15 BELLE QUI M’AVEZ BLESSÉ 5'
TOTAL TIME : 64'16

1. Helas que me faut-il faire  - 2:36
   Автор: Philippe Desportes / Композитор: Girard de Beaulieu
2. Passepieds de Bretaigne  - 2:42
   Композитор: Pierre-Francisque Carroubel
3. Airs à quatre parties, Livre I: Que feray-je?  - 6:17
   Композитор: Jean Boyer
4. Allons vielle imperfaite  - 3:45
   Композитор: Anonymous
5. Airs de cour à quatre & cinq parties, Livre I: Bien qu'un cruel martire  - 6:35
   Композитор: Pierre Guédron
6. Spagnolette  - 3:35
   Композитор: Pierre-Francisque Carroubel
7. Sus mon lut, d'un accord pitoyable  - 3:20
   Автор: Philippe Desportes / Композитор: Didier Le Blanc
8. Les mariniers adorent un beau jour  - 4:40
   Автор: Philippe Desportes / Композитор: Didier Le Blanc
9. Quel secours faut-il que j'atende a ma peine  - 5:08
   Автор: Philippe Desportes / Композитор: Didier Le Blanc
10. Airs de cour à quatre & cinq parties, Livre II: Tant et tant il m'ennuye tant  - 3:48
   Композитор: Pierre Guédron
11. Airs mis en musique... sur les poësies de P. de Ronsard & autres excelens poëtes: Mais voyez mon cher esmoy  - 4:18
   Автор: Pierre De Ronsard / Композитор: Fabrice-Marin Caiétain
12. Fantaisie  - 3:11
   Композитор: Lorenzini
13. J'ayme trop mieux souffrir la mort  - 2:09
   Композитор: Guillaume Costeley
14. Second livre de guiterre: Ô combien est heureuse  - 7:05
   Композитор: Adrian Le Roy
15. Airs de cour à quatre & cinq parties, Livre II: Belle qui m'avez blessé  - 5:00
   Композитор: Pierre Guédron

CŒUR
AIRS DE COUR FRANÇAIS DE LA FIN DU XVIe SIÈCLE
FRENCH COURTLY SONGS FROM THE LATE 16TH CENTURY
FRANZÖSISCHE „AIRS DE COUR“ DES SPÄTEN 16. JAHRHUNDERTS
композиторы:
GIRARD DE BEAULIEU (CA 1540-1590)
PIERRE-FRANCISQUE CARROUBEL (1566-1611)
JEAN BOYER (BEFORE 1600-1648)
PIERRE GUÉDRON (CA 1565-1620)
DIDIER LE BLANC (FL. 1579-1584)
FABRICE-MARIN CAIÉTAIN (CA 1540-AFTER 1578)
LORENZINI (FL. 2ND HALF XVITH CENTURY)
GUILLAUME COSTELEY (CA 1530-1606)
ADRIAN LE ROY [ARR.] (CA 1520-1598)
Le Poème Harmonique
Vincent Dumestre (Director)
LE POÈME HARMONIQUE
VINCENT DUMESTRE GUITARE RENAISSANCE, THÉORBE, ARRANGEMENT & DIRECTION
CLAIRE LEFILLIÂTRE - SOPRANO
BRUNO LE LEVREUR - CONTRE-TÉNOR
SERGE GOUBIOUD - TÉNOR
MARC MAUILLON - BARYTON
JULIEN CHAUVIN VIOLON
MÉLANIE FLAHAUT - FLÛTES & BASSON
ATSUSHI SAKAI - DESSUS DE VIOLE
SYLVIA ABRAMOWICZ - TÉNOR DE VIOLE
FRANÇOISE ENOCK, LUCAS PERES - VIOLE DE GAMBE
ANGÉLIQUE MAUILLON - HARPE BAROQUE
HARPE DE SIMON CAPP, 2013
PIERRE GALLON - CLAVECIN
CLAVECIN DE JEAN-FRANÇOIS BRUN CORDÉ DE BOYAU, D'APRÈS CELESTINI, 1587
RECORDED AT THE GERMAN PROTESTANT CHURCH
IN PARIS, FRANCE, FROM 3 TO 9 FEBRUARY 2015
& ON 9 JUNE 2015
Release Date: 02. October 2015

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TITLE "Cœur"
PERFORMER "Le Poème Harmonique"
CATALOG 3760014192135
REM GENRE "Classical"
REM DATE "2015"
REM DISCNUMBER 1
REM TOTALDISCS 1
REM DISCID AE0F0E0F
FILE "Cœur - Airs de Cour Français de la fin du XVie siècle.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Helas que me faut-il faire"
    ISRC FR50X1521301
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Passepieds de Bretaigne"
    ISRC FR50X1521302
    INDEX 01 02:36:35
  TRACK 03 AUDIO
    TITLE "Airs à quatre parties, Livre I: Que feray-je?"
    ISRC FR50X1521303
    INDEX 01 05:19:09
  TRACK 04 AUDIO
    TITLE "Allons vielle imperfaite"
    SONGWRITER "Anonymous"
    ISRC FR50X1521304
    INDEX 01 11:36:10
  TRACK 05 AUDIO
    TITLE "Airs de cour à quatre & cinq parties, Livre I: Bien qu'un cruel martire"
    ISRC FR50X1521305
    INDEX 01 15:21:11
  TRACK 06 AUDIO
    TITLE "Spagnolette"
    SONGWRITER "Pierre Francisque Carroubel"
    ISRC FR50X1521306
    INDEX 01 21:56:73
  TRACK 07 AUDIO
    TITLE "Sus mon lut, d'un accord pitoyable"
    SONGWRITER "Didier Le Blanc"
    ISRC FR50X1521307
    INDEX 01 25:32:11
  TRACK 08 AUDIO
    TITLE "Les mariniers adorent un beau jour"
    SONGWRITER "Didier Le Blanc"
    ISRC FR50X1521308
    INDEX 01 28:52:24
  TRACK 09 AUDIO
    TITLE "Quel secours faut-il que j'atende a ma peine"
    ISRC FR50X1521309
    INDEX 01 33:33:20
  TRACK 10 AUDIO
    TITLE "Airs de cour à quatre & cinq parties, Livre II: Tant et tant il m'ennuye tant"
    SONGWRITER "Pierre Guédron"
    ISRC FR50X1521310
    INDEX 01 38:41:24
  TRACK 11 AUDIO
    TITLE "Airs mis en musique... sur les poësies de P. de Ronsard & autres excelens poëtes: Mais voyez mon cher esmoy"
    ISRC FR50X1521311
    INDEX 01 42:30:19
  TRACK 12 AUDIO
    TITLE "Fantaisie"
    SONGWRITER "Lorenzini"
    ISRC FR50X1521312
    INDEX 01 46:48:71
  TRACK 13 AUDIO
    TITLE "J'ayme trop mieux souffrir la mort"
    SONGWRITER "Guillaume Costeley"
    ISRC FR50X1521313
    INDEX 01 49:59:72
  TRACK 14 AUDIO
    TITLE "Second livre de guiterre: Ô combien est heureuse"
    ISRC FR50X1521314
    INDEX 01 52:09:05
  TRACK 15 AUDIO
    TITLE "Airs de cour à quatre & cinq parties, Livre II: Belle qui m'avez blessé"
    ISRC FR50X1521315
    INDEX 01 59:14:39

In this new release, Vincent Dumestre’s Le Poème Harmonique once again immerses us in the France of the second half of the 16th century, which witnessed the emergence of new centres of artistic activity. These ‘bourgeois’ societies were initiated by patron princes concerned with building their prestige through the arts and letters just as much as by arms. At the same time, refined circles held by cultivated women enabled them to rub shoulders with the leading poets of the time, as well as musicians sensitive to humanist research, all profiting from a context propitious to the invention of new artistic forms and practices. The new, more lyrical poetry, inspired by both antiquity and contemporary Italian models, was matched, in particular, by the courtly air, a new musical genre perfectly adapted to the humanist ideals of sobriety and intelligibility of the text.
Through this music, still insufficiently known, this programme invites us to discover a refined poetic and musical universe, witness to a French Renaissance at its apogee, with works by composers such as Pierre Cléreau, Guillaume Costeley, Adrian Le Roy, and Didier Le Blanc.
As usual, Vincent Dumestre, uncontested master of these repertoires, has surrounded himself with the finest singers and instrumentalists, a loyal troupe that exhumes unusual musical treasures, letting us share in them.

Airs de cour
  ...между народно-песенным творчеством и высокими профессиональными жанрами - оперой, культовым пением, инструментальной культурой (орган, клавесин, гамба, лютня, скрипка) - пролегала, по крайней мере с начала XVII века, обширная жанровая область, соединявшая эти сферы между собою и способствовавшая их плодотворному интонационному взаимодействию. Это жанр airs de cour - "куртуазных арий" - жанр, в течение первой половины столетия распространившийся с огромной быстротой и, вопреки своему "сословному" наименованию, завоевавший горячие симпатии во всех классах тогдашнего французского общества. Их пели везде и по всякому поводу.
   Вокруг airs de cour возникали литературные дебаты, журнальная полемика. В одной из дискуссий (она посвящена была арии "Ты хочешь смерти мне, жестокая любовь!") принимали участие величайшие умы эпохи - Декарт, Гюйгенс, Мерсенн. Это случилось в 1638 году. Только за двадцать пять лет - с 1575 по 1600 - было написано не менее пятисот сочинений этого жанра. Недаром кто-то шутил в сохранившемся анонимном каламбуре:
Вступая в песенный розарий,
Пью аромат куртуазных арий
И сочиняю каламбур
О знаменитых airs de cour.
Любители сих сладких арий –
Принцесса, шут, купец, викарий...
Поют все птицы airs de cour
За исключеньем, впрочем, кур.
   Что же представляла собою Airs de Cour? To была обычно бытовая песня с кантабильной, четко метризованной, ритмически оживленной мелодией и куплетным строением. Склад песни - гомофонный, с basso continuo в лютневом или клавирном изложении и с отчетливым силлабическим выпеванием текста. Иногда арии исполнялись и без аккомпанемента. Песни сочинялись сольные, песни-диалоги, наконец, песни хоровые (на две, три и четыре партии). Бывали и сольные песни с хором. При повторении куплетов (строф) мелодии обычно варьировались, украшались мелизматическим рисунком (doubles).
   Вскоре возникли жанровые разновидности airs: застольные (airs a boire), элегические (airs serieux), любовные (airs amoureux), духовные (псалмы и кантаты). Всякая жанровая разновидность обладала своими стилистическими особенностями...
из книги: Розеншильд К.К. "Музыка во Франции XVII - начала XVIII века"