Frank Rothkamm / Moers Works 1982-1984 Жанр: Musique Concrete, Tape Music, Monochrome Vision Носитель: CD Страна-производитель диска (релиза): Russia Год издания: 2006 Издатель (лейбл): Monochrome Vision Номер по каталогу: mv10 Страна исполнителя (группы): Germany Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 00:50:08 Источник (релизер): свой фирменный диск Наличие сканов в содержимом раздачи: Треклист:
1. Ich 3:21
2. Relikt 5:42
3. Ruckkopplung 4:33
4. Industrie 2:39
5. Wasser 2:49
6. Klavier 3:00
7. Quartett 4:30
8. Kurzwelle 1:41
9. Nein 0:54
10. Arpeggiator 4:44
11. Rauschmittel 12:29
12. hcI 3:17
Лог создания рипа
Exact Audio Copy V1.0 beta 4 from 7. December 2014 EAC extraction logfile from 13. August 2015, 21:44 Frank Rothkamm / Moers Works 1982-1984 Used drive : ASUS CRW-5232AS Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 3:23.42 | 0 | 15266 2 | 3:23.42 | 5:44.60 | 15267 | 41126 3 | 9:08.27 | 4:35.55 | 41127 | 61806 4 | 13:44.07 | 2:42.36 | 61807 | 73992 5 | 16:26.43 | 2:51.62 | 73993 | 86879 6 | 19:18.30 | 3:02.38 | 86880 | 100567 7 | 22:20.68 | 4:32.11 | 100568 | 120978 8 | 26:53.04 | 1:43.21 | 120979 | 128724 9 | 28:36.25 | 0:56.10 | 128725 | 132934 10 | 29:32.35 | 4:46.06 | 132935 | 154390 11 | 34:18.41 | 12:31.69 | 154391 | 210784 12 | 46:50.35 | 3:17.73 | 210785 | 225632 Track 1 Filename D:\zzz\01 - Ich.wav Pre-gap length 0:00:02.00 Peak level 97.7 % Extraction speed 3.4 X Track quality 100.0 % Test CRC 07476FE6 Copy CRC 07476FE6 Accurately ripped (confidence 2) [39DA64B7] (AR v2) Copy OK Track 2 Filename D:\zzz\02 - Relikt.wav Pre-gap length 0:00:02.00 Peak level 97.7 % Extraction speed 4.1 X Track quality 100.0 % Test CRC EC6EE677 Copy CRC EC6EE677 Accurately ripped (confidence 2) [049FDC52] (AR v2) Copy OK Track 3 Filename D:\zzz\03 - Ruckkopplung.wav Pre-gap length 0:00:02.00 Peak level 97.7 % Extraction speed 4.4 X Track quality 100.0 % Test CRC 57338DC4 Copy CRC 57338DC4 Accurately ripped (confidence 2) [305D63B7] (AR v2) Copy OK Track 4 Filename D:\zzz\04 - Industrie.wav Pre-gap length 0:00:02.00 Peak level 97.7 % Extraction speed 4.4 X Track quality 100.0 % Test CRC 0B13CDF0 Copy CRC 0B13CDF0 Accurately ripped (confidence 2) [45D5FCC7] (AR v2) Copy OK Track 5 Filename D:\zzz\05 - Wasser.wav Pre-gap length 0:00:01.74 Peak level 97.7 % Extraction speed 4.5 X Track quality 100.0 % Test CRC 7C4F7BD8 Copy CRC 7C4F7BD8 Accurately ripped (confidence 2) [1EE572C0] (AR v2) Copy OK Track 6 Filename D:\zzz\06 - Klavier.wav Pre-gap length 0:00:02.00 Peak level 97.7 % Extraction speed 4.8 X Track quality 100.0 % Test CRC 45797008 Copy CRC 45797008 Accurately ripped (confidence 2) [6E48E05C] (AR v2) Copy OK Track 7 Filename D:\zzz\07 - Quartett.wav Pre-gap length 0:00:02.00 Peak level 97.7 % Extraction speed 5.4 X Track quality 100.0 % Test CRC DB6629C5 Copy CRC DB6629C5 Accurately ripped (confidence 2) [58142A5F] (AR v2) Copy OK Track 8 Filename D:\zzz\08 - Kurzwelle.wav Pre-gap length 0:00:02.00 Peak level 97.7 % Extraction speed 4.6 X Track quality 100.0 % Test CRC 9E283388 Copy CRC 9E283388 Accurately ripped (confidence 2) [F714B164] (AR v2) Copy OK Track 9 Filename D:\zzz\09 - Nein.wav Pre-gap length 0:00:02.00 Peak level 97.7 % Extraction speed 3.8 X Track quality 100.0 % Test CRC 1F8030CC Copy CRC 1F8030CC Accurately ripped (confidence 2) [47C0D389] (AR v2) Copy OK Track 10 Filename D:\zzz\10 - Arpeggiator.wav Pre-gap length 0:00:02.00 Peak level 97.7 % Extraction speed 5.8 X Track quality 100.0 % Test CRC 2D73CF3A Copy CRC 2D73CF3A Accurately ripped (confidence 2) [72E4282D] (AR v2) Copy OK Track 11 Filename D:\zzz\11 - Rauschmittel.wav Pre-gap length 0:00:02.00 Peak level 97.7 % Extraction speed 6.8 X Track quality 100.0 % Test CRC 8E401806 Copy CRC 8E401806 Accurately ripped (confidence 2) [848FD674] (AR v2) Copy OK Track 12 Filename D:\zzz\12 - hcI.wav Pre-gap length 0:00:02.00 Peak level 97.7 % Extraction speed 6.4 X Track quality 100.0 % Test CRC 290C1404 Copy CRC 290C1404 Accurately ripped (confidence 2) [E20370F7] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum 397D5A1605B8BEFE03FBC59FB0A548D277E225C032A330212EC56AC29F7FC7B4 ====
Содержание индексной карты (.CUE)
REM GENRE "Musique Concrete, Tape Music, Avant-Garde" REM DATE 2006 REM DISCID 940BC00C REM COMMENT "ExactAudioCopy v1.0b4" PERFORMER "Frank Rothkamm" TITLE "Moers Works 1982-1984" FILE "01 - Ich.wav" WAVE TRACK 01 AUDIO TITLE "Ich" PERFORMER "Frank Rothkamm" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Relikt" PERFORMER "Frank Rothkamm" INDEX 00 03:21:42 FILE "02 - Relikt.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Ruckkopplung" PERFORMER "Frank Rothkamm" INDEX 00 05:42:60 FILE "03 - Ruckkopplung.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Industrie" PERFORMER "Frank Rothkamm" INDEX 00 04:33:55 FILE "04 - Industrie.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Wasser" PERFORMER "Frank Rothkamm" INDEX 00 02:40:37 FILE "05 - Wasser.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Klavier" PERFORMER "Frank Rothkamm" INDEX 00 02:49:62 FILE "06 - Klavier.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Quartett" PERFORMER "Frank Rothkamm" INDEX 00 03:00:38 FILE "07 - Quartett.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Kurzwelle" PERFORMER "Frank Rothkamm" INDEX 00 04:30:11 FILE "08 - Kurzwelle.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Nein" PERFORMER "Frank Rothkamm" INDEX 00 01:41:21 FILE "09 - Nein.wav" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "Arpeggiator" PERFORMER "Frank Rothkamm" INDEX 00 00:54:10 FILE "10 - Arpeggiator.wav" WAVE INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "Rauschmittel" PERFORMER "Frank Rothkamm" INDEX 00 04:44:06 FILE "11 - Rauschmittel.wav" WAVE INDEX 01 00:00:00 TRACK 12 AUDIO TITLE "hcI" PERFORMER "Frank Rothkamm" INDEX 00 12:29:69 FILE "12 - hcI.wav" WAVE INDEX 01 00:00:00
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. ------------------------------------------------------------ Processing file: [01. Ich.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [02. Relikt.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [03. Ruckkopplung.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [04. Industrie.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [05. Wasser.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [06. Klavier.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [07. Quartett.wav] ------------------------------------------------------------ This track looks like CDDA with probability 99% ------------------------------------------------------------ Processing file: [08. Kurzwelle.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [09. Nein.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [10. Arpeggiator.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [11. Rauschmittel.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [12. hcI.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Final Conclusion: ------------------------------------------------------------ These tracks looks like CDDA with probability 100%
Доп. информация:
Album Info & Reviews
All tracks were recorded to analog tape 1982 to 1984 in Moers, Germany
Additional samples were overdubbed to track 11 by Rothkamm and Rudolf Hoffmann in Cologne, 1985
Tracks 1,2,3 were stereophonically enhanced by Rothkamm in San Francisco, 1992
Track 12 was remixed by Rothkamm with an Arp Axxe in New York, 1997
Track 2 was mastered by Peter Scherer in New York, 1994
All other tracks were mastered by Rothkamm in New York, 2006 Cover design by Dmitry Vasilyev for Monochrome Vision Frank Rothkamm is the one of most interesting musicians of today, contemporary of industrial culture. He is a true underground figure, the fighter of invisible front, who realized a number of projects, produced great records for his own Flux Records label. Being a professionally trained musician, he was shifting freely from tape collages in his teens, and going through different forms including chamber music and pop arrangements. "Moers Works" is his first experiment, discovered and unearthed by me incidentally. Archive materials recorded back in 1982-84 and released after quarter of century! - Monochrome Vision If you know who Frank Rothkamm is, you're already a step ahead of me. "Moers Works (1982-1984)" was greeted with nothing but a blank stare when I laid eyes on it, but then again nobody ever accused me of being the most knowledgeable of ones. Can't say the label was a tip off for me either. Monochrome Vision operates out of Russia and generally releases archival material of 80's and 90's avant-garde electronic and tape music, although they've been known to present modern works too.
Frank Rothkamm, meanwhile, is a computer programmer, professionally trained musician and composer, not to mention sole proprietor of the Flux Records label. Born in 1965, he apparently began his composing career (for piano) at age 12 but an attraction to electronic music was soon borne out of the limitations of the piano and and at age 16 (in the town of Moers) he created an analogue sampling system comprised of a turntable, a shortwave radio, a phaser, an EQ, a cassette recorder, and an UHER reel-to-reel tape recorder. He also devised what the liner notes refer to as "the method of irreversible additive overdubbing of monophonic tracks with stereophony achieved with tape delay". I hope that means something to you because while it sure sounds impressive to me, I'm no gearhead and can scarcely imagine just what that all means. I think when I was 16 I was getting notes sent home to my parents for talking in science class. Regardless. Since these initial works, Rothkamm has kept himself busy with other recordings: 9 solo albums to date on labels as disparate as Capital, PolyGram and Knitting Factory as well as close to 300 compositions with numerous soundtracks, remixes, jingles, and such under his belt. Not exactly of Edward De Deyster scale elusiveness, to say the least.
"Moers Works" boasts a wide range of methods and sound sources. For example, "Relikt" and "Arpeggiator" feature a Korg MS-20 synthesizer, "Ruckkopplung" was recorded during a week-long sleep schedule adjustment, "Quartett" serves as the overture to a Heiner Muller play of the same name and tracks four through six ("Industrie", "Wasser" and "Klavier") are excerpts from his "Fisch II" series, written for four "actors/instrumentalists", four lights, tape, and fish - the ritual killing of which on-stage would bring Rothkamm his highest degree of notoriety within the public eye.
But despite all this, "Works" still - ahem - works as a coherant and fully-formed album and not merely a compilation. What's even more is that all the tracks are totally great.
"Rauschmittel" clocks in as by far the longest piece at 12 and a half minutes but every single second is pure joy - an amusing/frightening work of warped tape, electronic/synth gulps, orchestral pomp and chamber pop, and packed the gills with lots of samples, jump cuts and plunderphonia of just about everything you can imagine. The perpetual pulse reminds me of the first time I heard "Dark Side of the Moon" and I have to think that kinda stuff bore some degree of influence on Rothkamm when he made this.
The aforementioned "Quartet" is a great theatrical piece indeed, the brunt of which is devoted to stretched out violin whines but also makes time for an epic sci-fi sounding soundtrack loop.
The three "Fisch II" tracks are ominous atmoscapes of dark water electronic-induced ambience and noise that match up pretty evenly with the likes of Nurse With Wound, Throbbing Gristle, Whitehouse, and the Schimpfluch actionists.
Also worth mentioning is "Relikt". At just under six minutes it's the second longest track on the compilation and is a definite stand-out - Conrad Schnitzler-type space drones are bathed, first in a static pummel, then in the sound of delirious chime glimmer, and finally back to the onrushing waterfall of stasis that started it off.
The two book-ending tracks "Ich" and "hcI" are lovely slices of fuzzy ambience and chopped up voices, providing almost a direct lineage to the paths of current electronica names like Tim Hecker and Thomas Koner.
What's startling is the fact that there's nary a dull moment or a bad sound to be found over the course of these 50 minutes. What's shocking is that he was still in his late teens when he produced this unearthly music.
"Moers Works (1982-1984)" probably takes more than a few cues from 60s/70s electronic and electronic-inspired artists (some of whom are no doubt getting the reissue treatment from the likes of Creel Pone even as we speak) but it's still no less an amazing collection.
In fact this sounds like exactly the kind of thing Creel Pone would be handling, if it didn't fall outside their statute of limitations on the golden age of electronic music. Or maybe something you read about one day out of the blue on Mimaroglu Music Sales (and who better than Keith Fullerton Whitman to provide the straight dope on a guy like Frank Rothkamm) but it ain't there, at least not yet. Whatever Trevor - if you see this around I'd strongly suggest picking it up. Ain't nothing fancy about it (I'm starting to understand the name Monochrome Vision a little more...) but it ain't none need to be when the sounds are this boggling. - Matt McKeogh, Outer Space Gamelan Франк Роткамм - один из интереснейших музыкантов современности, ровесник индустриальной эпохи. Это настоящий борец невидимого фронта, продюсер и инициатор множества проектов, основатель лейбла Flux Records, который перепробовал множество стилей, от магнитно-коллажной музыки в домашней студии до пост-классической музыки для камерного оркестра. "Moers Works" - его первый эксперимент со звуком. Архивный материал, записанный в 1982-1984 годах и изданный спустя почти четверть века! Весь материал альбома построен на аналоговом сэмплировании. Основу некоторых сэмплов составляют звуки, полученные из фортепиано, гитары и других струнных, записанные в студии местного Castle Theatre, где Франк обучался актерскому мастерству. Тем не менее, он воспринимал свою работу с позиций цифровой техники - это был некий синтез панк-роковой непредсказуемости и математических теорий. - fulldozer.ru
