Howard Stelzer / Bond Inlets Жанр: Electroacoustic, Musique Concrete, Intransitive Recordings Носитель: CD Страна-производитель диска (релиза): US Год издания: 2008 Издатель (лейбл): Intransitive Recordings Номер по каталогу: INT030 Страна исполнителя (группы): US Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 00:53:57 Источник (релизер): свой фирменный диск Наличие сканов в содержимом раздачи: Треклист:
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Лог создания рипа
Exact Audio Copy V1.0 beta 4 from 7. December 2014 EAC extraction logfile from 13. June 2015, 14:41 Howard Stelzer / Bond Inlets Used drive : PIONEER DVD-RW DVR-221L Adapter: 3 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 29:06.62 | 0 | 131011 2 | 29:06.62 | 24:50.41 | 131012 | 242802 Track 1 Filename D:\zzz\01 - untitled.wav Pre-gap length 0:00:02.00 Peak level 96.6 % Extraction speed 5.9 X Track quality 100.0 % Test CRC 6B3405F7 Copy CRC 6B3405F7 Accurately ripped (confidence 1) [64376EED] (AR v2) Copy OK Track 2 Filename D:\zzz\02 - untitled.wav Pre-gap length 0:00:04.00 Peak level 96.6 % Extraction speed 8.1 X Track quality 100.0 % Test CRC 8D8B5A1F Copy CRC 8D8B5A1F Accurately ripped (confidence 1) [594CE21A] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum B597BB51F2506AA43B48BCCFC464E0593D0189CB39EBD65792B134C0FF7EE227 ====
Содержание индексной карты (.CUE)
REM GENRE "Sound Collage, Electroacoustic, Tape Music" REM DATE 2008 REM DISCID 160CA502 REM COMMENT "ExactAudioCopy v1.0b4" PERFORMER "Howard Stelzer" TITLE "Bond Inlets" FILE "01 - untitled.wav" WAVE TRACK 01 AUDIO TITLE "untitled" PERFORMER "Howard Stelzer" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "untitled" PERFORMER "Howard Stelzer" INDEX 00 29:02:62 FILE "02 - untitled.wav" WAVE INDEX 01 00:00:00
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. ------------------------------------------------------------ Processing file: [01. untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [02. untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Final Conclusion: ------------------------------------------------------------ These tracks looks like CDDA with probability 100%
Доп. информация:
Album Info & Review
Composed and recorded 2005 to 2007 at Intransitive - Cambridge MA
Cassette tapes etc by HS, with a few moments of cello and electronics from Vic Rawlings Mastered by Ernst Karel Photography and design by Mike Shiflet For my brother, Craig. Thank you: Brendan Murray, Jay Sullivan, Jason Lescalleet, Greg Kelley, Vic Rawlings, Liz Witte, Joda Clement, Frans de Waard, Phil Blankenship, Giuseppe Ielasi, Roel Meelkop, Mike Bullock, Jessica Rylan, AMK, Mike Shiflet, Chris Wolf, Bridget Burns, Steve Lowenthal, Nicholas Malevitsis, Jerome Noetinger, Aaron Culich. Bostonian cassette wrangler Howard Stelzer has been manipulating magnetic tape for more than a decade now, but, given his penchant for collaboration, solo albums bearing Stelzer's name aren't bountiful. Stone Blind, Stelzer's solo debut, was issued by the artist's own Intransitive Records in 1998, and it took 10 years for another Howard Stelzer proper album to finally arrive. In the interim, of course, Stelzer has made a smattering of CD-Rs and cassettes, but, the chance to hear Stelzer solo, at least in the comfort of your own home, remains a relative rarity.
Some artists take pride in their ability to transform familiar sound sources and reconfigure them for use in novel settings, but Stelzer's not part of that camp. Stelzer's always remained mum on the subject of his tapes' contents, maintaining that the final collaged product is what matters, not the original sounds from which it is made. Bond Inlets evidences his point, with an atmospheric brew that gives little hint as to its base ingredients. At the start of the disc, there seems to be a chorus of plaintive vocals somewhere in the mix, but there's little else in the way of identifiable sound on the rest of Bond Inlets. Stelzer builds a murky ambiance out of the anonymous, making any attempts at "I spy" akin to tracking the trajectory of a mosquito through a blanket of the famed London fog.
Stelzer isn't beyond grinding things to a halt, but the two untitled tracks that make up Bonds Inlets are largely built of sustained sound, with subtle shifts in tone and character. Thick shrouds of static mask underbellies of more active sound as layers are added and peeled away, with Stelzer's manipulation of tape creating distorted wrinkles that come to the foreground in infrequent bunches, breaking through the cloud cover, at times only barely, to romp above the dense coat of grit and groan. Minuscule blips and beeps call out like distant lights on a hazy evening, easily missed in the miasmatic currents of sound.
For all the gloomy imagery that Bond Inlets produces in the mind, it's not an overly somber affair. The sound is dark in hue, but Stelzer's most sinister storms are offset by segments of an almost relaxing (though still bleak) sonic drift. The album isn't one of extremes, but the disc's moderation plays well into Stelzer's enveloping environments, with many of Bond Inlets' highlights coming when he lets the music breathe, filling the ears like the green poison gas of an old TV villain. - Adam Strohm, Dusted Magazine
