Kymatik / Dar-As-Sulh Vol. I
Жанр: Sound Collage, Sound Art, Electronic, Musique Concrete
Носитель: CD
Страна-производитель диска (релиза): UK
Год издания: 2001
Издатель (лейбл): Paradigm Discs
Номер по каталогу: PD 15
Страна исполнителя (группы): UK
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:07:19
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1. Dentists For Mice 17:11
2. Trawler Leaving Harbour 1:30
3. Excerpt From Kandinsky's "Im Blau" 7:30
4. Crickets In The Wind 3:47
5. Tisedni 10:59
6. Bees 3:10
7. Lorenz Attractor 23:00
Лог создания рипа
Exact Audio Copy V1.0 beta 4 from 7. December 2014
EAC extraction logfile from 13. April 2015, 20:31
Kymatik / Dar-As-Sulh Vol. I
Used drive : ASUS CRW-5232AS Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 17:11.48 | 0 | 77372
2 | 17:11.48 | 1:30.10 | 77373 | 84132
3 | 18:41.58 | 7:34.42 | 84133 | 118224
4 | 26:16.25 | 3:48.04 | 118225 | 135328
5 | 30:04.29 | 11:03.16 | 135329 | 185069
6 | 41:07.45 | 3:11.01 | 185070 | 199395
7 | 44:18.46 | 23:00.21 | 199396 | 302916
Track 1
Filename D:\zzz\01 - Dentists For Mice.wav
Pre-gap length 0:00:02.00
Peak level 94.6 %
Extraction speed 4.4 X
Track quality 100.0 %
Test CRC 52B25CD6
Copy CRC 52B25CD6
Accurately ripped (confidence 1) [70DABF2E] (AR v2)
Copy OK
Track 2
Filename D:\zzz\02 - Trawler Leaving Harbour.wav
Peak level 35.5 %
Extraction speed 3.9 X
Track quality 100.0 %
Test CRC 94ED3C37
Copy CRC 94ED3C37
Accurately ripped (confidence 1) [EA990BD4] (AR v2)
Copy OK
Track 3
Filename D:\zzz\03 - Excerpt From Kandinsky's ''Im Blau''.wav
Pre-gap length 0:00:03.00
Peak level 20.6 %
Extraction speed 5.3 X
Track quality 100.0 %
Test CRC 04C7847F
Copy CRC 04C7847F
Accurately ripped (confidence 1) [8383385D] (AR v2)
Copy OK
Track 4
Filename D:\zzz\04 - Crickets In The Wind.wav
Pre-gap length 0:00:04.00
Peak level 11.3 %
Extraction speed 4.7 X
Track quality 99.9 %
Test CRC 7FB04A7E
Copy CRC 7FB04A7E
Accurately ripped (confidence 1) [04E7B550] (AR v2)
Copy OK
Track 5
Filename D:\zzz\05 - Tisedni.wav
Peak level 86.2 %
Extraction speed 6.3 X
Track quality 100.0 %
Test CRC 4427A457
Copy CRC 4427A457
Accurately ripped (confidence 1) [62B5BD7E] (AR v2)
Copy OK
Track 6
Filename D:\zzz\06 - Bees.wav
Pre-gap length 0:00:04.00
Peak level 33.9 %
Extraction speed 5.9 X
Track quality 100.0 %
Test CRC 59ABF3A5
Copy CRC 59ABF3A5
Accurately ripped (confidence 1) [90410D03] (AR v2)
Copy OK
Track 7
Filename D:\zzz\07 - Lorenz Attractor.wav
Peak level 47.7 %
Extraction speed 7.4 X
Track quality 100.0 %
Test CRC F4D87D42
Copy CRC F4D87D42
Accurately ripped (confidence 1) [3254E1DC] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum D955DEABF3389C890828A246D4EB33CF6CB1A223EE7A55CF1938320DB262C044 ====
Содержание индексной карты (.CUE)
REM GENRE Electroacoustic
REM DATE 2001
REM DISCID 570FC607
REM COMMENT "ExactAudioCopy v1.0b4"
PERFORMER "Kymatik"
TITLE "Dar-As-Sulh Vol. I"
FILE "01 - Dentists For Mice.wav" WAVE
TRACK 01 AUDIO
TITLE "Dentists For Mice"
PERFORMER "Kymatik"
INDEX 01 00:00:00
FILE "02 - Trawler Leaving Harbour.wav" WAVE
TRACK 02 AUDIO
TITLE "Trawler Leaving Harbour"
PERFORMER "Kymatik"
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Excerpt From Kandinsky's 'Im Blau'"
PERFORMER "Kymatik"
INDEX 00 01:27:10
FILE "03 - Excerpt From Kandinsky's ''Im Blau''.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Crickets In The Wind"
PERFORMER "Kymatik"
INDEX 00 07:30:42
FILE "04 - Crickets In The Wind.wav" WAVE
INDEX 01 00:00:00
FILE "05 - Tisedni.wav" WAVE
TRACK 05 AUDIO
TITLE "Tisedni"
PERFORMER "Kymatik"
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "Bees"
PERFORMER "Kymatik"
INDEX 00 10:59:16
FILE "06 - Bees.wav" WAVE
INDEX 01 00:00:00
FILE "07 - Lorenz Attractor.wav" WAVE
TRACK 07 AUDIO
TITLE "Lorenz Attractor"
PERFORMER "Kymatik"
INDEX 01 00:00:00
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. Dentists For Mice.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02. Trawler Leaving Harbour.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03. Excerpt From Kandinsky's 'Im Blau'.wav]
------------------------------------------------------------
This track looks like CDDA with probability 58%
------------------------------------------------------------
Processing file: [04. Crickets In The Wind.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05. Tisedni.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06. Bees.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [07. Lorenz Attractor.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
Доп. информация:
Album Info & AMG Review
All noise construction by Kymatik except 5. (McNaughton / Tamea)
1. Collage of found sound from unreleased work and media edits. Thanks to Clive Graham
2. Recorded early morning June 1997. Thanks to the Scarborough Lighthouse crew
3. This is a transposition of the painting using RGB values to feed the frequency output. The painting was divided into sections which were each assigned a tone or range of tones depending on the colour value within the section. In this way a grid is formed with the corresponding tonal values in their respective positions. This does not form the painting in sound but rather gives the overall tonal quality of the work. Using smaller sections will yield more intricate changes, as in chaos theory. But the overall "tone" remains
4. UHJ stereo recording made at Blackingstone Rock, Devon at around midnight 29th September 1997
5. This was originally realised in 1994 with Mark Tamea. The sole sound source is a spin dryer... apart from the voice of course; that would be clever.
6. B-format recording made at Chew Lake near Bristol during the summer of 1998
7. An investigation into complex tones in motion. This piece is the culmination of 10 years work in psychoacoustics and states of consciousness. In a time when no ambient field exists without the influence of E.M. or sonic interference a space may have to be engineered in which freedom from peripheral information can be achieved. It is taken for granted that physical space alone is no haven from subliminal information. This is an attempt to create such a haven & Dar-As-Sulh Vol. II will be totally dedicated to the further exploration of this field. The Lorenz attractor is a mathematical system displaying randomness in a fundamentally repetitive situation, or the converse depending on one's point of view. Please cease all other activity while listening to this piece
All Kymatik projects are dedicated to the work & memory of Dr. Hans Jenny, a man before his time
"You ask me, what is, at the present time, the greatest obstacle to human progress. I answer in one word: noise." - Aleister Crowley
Dar-As-Sulh, Vol. 1 regroups four works by Kymatik, with environmental recordings (crickets, bees) acting as interludes. The best piece opens the set: "Dentists for Mice" lies somewhere between sound collage, electro-acoustics, and techno. It gradually evolves as new sound channels replace old ones -- work well-done. More conceptual, "Except from Kandinsky's 'Im Blau'" has less to offer. Kandinsky's painting is interpreted in RGB values transposed into signal output. Each color is assigned a tonal range -- interesting idea, inconclusive results. "Tisedni" is the oldest piece in this set (1993) and the only one produced in collaboration (with Mark Tamea). A spin dryer serves as the sole sound source to create the weirdest 11 minutes of progressive techno recorded to date. "Lorenz Attractor" is the most difficult work to listen to. Kymatik can argue that it sums up ten years of research in psychoacoustics and that it is based on Lorenz's mathematical system, but the fact remains that for 23 minutes all you will hear is a succession of cumulating tones starting below the range of the human ear and ending above it -- linear, static, and of very limited appeal. Luckily, this track comes last. - Francois Couture, AMG
