The Oxfords / Flying Up Through The Sky (1970)
Жанр: Pop Rock, Psychedelic Rock, Psychedelic Pop
Носитель: CD
Страна-производитель диска (релиза): USA
Год издания: 2001
Издатель (лейбл): Gear Fab
Номер по каталогу: GF-168
Страна исполнителя (группы): USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 1:04:59
Источник (релизер): nelwizard
Наличие сканов в содержимом раздачи: да
Треклист:
01. My World (3:20)
02. Lighter Than Air (2:51)
03. Sung at Harvest Time (3:48)
04. Two Poems by E.E. Cummings (4:42)
05. Flying Up Through the Sky (3:02)
06. Come on 'Round (5:04)
07. Young Girl's Lament (2:43)
08. Trix Rabbit (3:21)
09. (There's) Always Something There to Remind Me (3:02)
10. Time and Place (2:25)
11. Sun Flower Sun (2:09)
12. Chicago Woman (2:55)
13. Come on Back to Beer (2:42)
14. Your Own Way (2:48)
15. The City (2:50)
16. Flute Thing (2:11)
17. Cuttin' You Loose (3:16)
18. Sweet Lover Man (2:42)
19. Those Winds (3:08)
20. Tornado Baby (6:02)
Лог создания рипа
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 7. November 2012, 14:11
Oxfords / Flying Up Through The Sky
Used drive : HP DVD Writer 630c Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 618
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 3:19.68 | 0 | 14992
2 | 3:19.68 | 2:51.18 | 14993 | 27835
3 | 6:11.11 | 3:47.71 | 27836 | 44931
4 | 9:59.07 | 4:42.29 | 44932 | 66110
5 | 14:41.36 | 3:01.56 | 66111 | 79741
6 | 17:43.17 | 5:03.54 | 79742 | 102520
7 | 22:46.71 | 2:43.04 | 102521 | 114749
8 | 25:30.00 | 3:21.26 | 114750 | 129850
9 | 28:51.26 | 3:01.53 | 129851 | 143478
10 | 31:53.04 | 2:24.39 | 143479 | 154317
11 | 34:17.43 | 2:09.23 | 154318 | 164015
12 | 36:26.66 | 2:54.47 | 164016 | 177112
13 | 39:21.38 | 2:42.19 | 177113 | 189281
14 | 42:03.57 | 2:48.02 | 189282 | 201883
15 | 44:51.59 | 2:49.55 | 201884 | 214613
16 | 47:41.39 | 2:10.63 | 214614 | 224426
17 | 49:52.27 | 3:15.45 | 224427 | 239096
18 | 53:07.72 | 2:42.07 | 239097 | 251253
19 | 55:50.04 | 3:07.64 | 251254 | 265342
20 | 58:57.68 | 6:01.40 | 265343 | 292457
21 | 67:31.33 | 4:09.01 | 303858 | 322533
Track 1
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\01 - My World.wav
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Peak level 100.0 %
Extraction speed 1.3 X
Track quality 100.0 %
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Track 2
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\02 - Lighter Than Air.wav
Pre-gap length 0:00:07.86
Peak level 100.0 %
Extraction speed 1.4 X
Track quality 100.0 %
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Track 3
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\03 - Sung At Harvest Time.wav
Pre-gap length 0:00:07.86
Peak level 100.0 %
Extraction speed 1.6 X
Track quality 100.0 %
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Track 4
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\04 - Two Poems By E.E. Cummings.wav
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Peak level 100.0 %
Extraction speed 1.8 X
Track quality 100.0 %
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Track 5
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\05 - Flying Up Through The Sky.wav
Pre-gap length 0:00:07.86
Peak level 100.0 %
Extraction speed 1.7 X
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Track 6
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\06 - Come On 'Round.wav
Pre-gap length 0:00:07.86
Peak level 100.0 %
Extraction speed 2.0 X
Track quality 100.0 %
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Track 7
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\07 - Young Girl's Lament.wav
Pre-gap length 0:00:07.86
Peak level 100.0 %
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Track 8
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\08 - Trix Rabbit.wav
Pre-gap length 0:00:07.86
Peak level 100.0 %
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Track 9
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\09 - (There's) Always Something There to Remind Me.wav
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Peak level 82.2 %
Extraction speed 2.1 X
Track quality 100.0 %
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Track 10
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\10 - Time And Place.wav
Pre-gap length 0:00:07.86
Peak level 93.3 %
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Track quality 100.0 %
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Track 11
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\11 - Sun Flower Sun.wav
Pre-gap length 0:00:07.86
Peak level 100.0 %
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Track 12
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\12 - Chicago Woman.wav
Pre-gap length 0:00:07.86
Peak level 99.4 %
Extraction speed 1.8 X
Track quality 99.9 %
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Track 13
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\13 - Come On Back To Beer.wav
Pre-gap length 0:00:07.86
Peak level 100.0 %
Extraction speed 2.2 X
Track quality 100.0 %
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Track 14
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\14 - Your Own Way.wav
Pre-gap length 0:00:07.86
Peak level 100.0 %
Extraction speed 2.3 X
Track quality 100.0 %
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Track 15
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\15 - The City.wav
Pre-gap length 0:00:07.86
Peak level 90.3 %
Extraction speed 2.3 X
Track quality 100.0 %
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Track 16
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\16 - Flute Thing.wav
Pre-gap length 0:00:07.86
Peak level 88.8 %
Extraction speed 2.2 X
Track quality 100.0 %
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Track 17
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\17 - Cuttin' You Loose.wav
Pre-gap length 0:00:07.86
Peak level 94.1 %
Extraction speed 2.5 X
Track quality 100.0 %
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Track 18
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\18 - Sweet Lover Man.wav
Pre-gap length 0:00:07.86
Peak level 89.3 %
Extraction speed 2.5 X
Track quality 100.0 %
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Track 19
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\19 - Those Winds.wav
Pre-gap length 0:00:07.86
Peak level 93.7 %
Extraction speed 2.5 X
Track quality 100.0 %
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Track 20
Filename C:\EAC rips\Oxfords - (1970) Flying Up Through The Sky\20 - Tornado Baby.wav
Pre-gap length 0:00:07.86
Peak level 89.3 %
Extraction speed 2.4 X
Track quality 99.9 %
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None of the tracks are present in the AccurateRip database
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End of status report
==== Log checksum A53E78DE83FF649C42E15DF91BD637FCFDD36F14264EA4B964EC3AC194901C4F ====
Содержание индексной карты (.CUE)
REM GENRE "Psychedelic Pop"
REM DATE 1970
REM DISCID 3410CC15
REM COMMENT "ExactAudioCopy v1.0b2"
PERFORMER "Oxfords"
TITLE "Flying Up Through the Sky"
FILE "01 - My World.wav" WAVE
TRACK 01 AUDIO
TITLE "My World"
PERFORMER "Oxfords"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Lighter Than Air"
PERFORMER "Oxfords"
FLAGS DCP
INDEX 00 03:12:03
FILE "02 - Lighter Than Air.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Sung at Harvest Time"
PERFORMER "Oxfords"
FLAGS DCP
INDEX 00 02:43:28
FILE "03 - Sung at Harvest Time.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Two Poems by E.E. Cummings"
PERFORMER "Oxfords"
FLAGS DCP
INDEX 00 03:40:06
FILE "04 - Two Poems by E.E. Cummings.wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "Flying Up Through the Sky"
PERFORMER "Oxfords"
FLAGS DCP
INDEX 00 04:34:39
FILE "05 - Flying Up Through the Sky.wav" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "Come on 'Round"
PERFORMER "Oxfords"
FLAGS DCP
INDEX 00 02:53:66
FILE "06 - Come on 'Round.wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Young Girl's Lament"
PERFORMER "Oxfords"
FLAGS DCP
INDEX 00 04:55:64
FILE "07 - Young Girl's Lament.wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "Trix Rabbit"
PERFORMER "Oxfords"
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INDEX 00 02:35:14
FILE "08 - Trix Rabbit.wav" WAVE
INDEX 01 00:00:00
TRACK 09 AUDIO
TITLE "(There's) Always Something There to Remind Me"
PERFORMER "Oxfords"
FLAGS DCP
INDEX 00 03:13:36
FILE "09 - (There's) Always Something There to Remind Me.wav" WAVE
INDEX 01 00:00:00
TRACK 10 AUDIO
TITLE "Time and Place"
PERFORMER "Oxfords"
FLAGS DCP
INDEX 00 02:53:63
FILE "10 - Time and Place.wav" WAVE
INDEX 01 00:00:00
TRACK 11 AUDIO
TITLE "Sun Flower Sun"
PERFORMER "Oxfords"
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INDEX 00 02:16:49
FILE "11 - Sun Flower Sun.wav" WAVE
INDEX 01 00:00:00
TRACK 12 AUDIO
TITLE "Chicago Woman"
PERFORMER "Oxfords"
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INDEX 00 02:01:33
FILE "12 - Chicago Woman.wav" WAVE
INDEX 01 00:00:00
TRACK 13 AUDIO
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FILE "13 - Come on Back to Beer.wav" WAVE
INDEX 01 00:00:00
TRACK 14 AUDIO
TITLE "Your Own Way"
PERFORMER "Oxfords"
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INDEX 00 02:34:29
FILE "14 - Your Own Way.wav" WAVE
INDEX 01 00:00:00
TRACK 15 AUDIO
TITLE "The City"
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FILE "15 - The City.wav" WAVE
INDEX 01 00:00:00
TRACK 16 AUDIO
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FILE "16 - Flute Thing.wav" WAVE
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TRACK 18 AUDIO
TITLE "Sweet Lover Man"
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FILE "18 - Sweet Lover Man.wav" WAVE
INDEX 01 00:00:00
TRACK 19 AUDIO
TITLE "Those Winds"
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INDEX 00 02:34:17
FILE "19 - Those Winds.wav" WAVE
INDEX 01 00:00:00
TRACK 20 AUDIO
TITLE "Tornado Baby"
PERFORMER "Oxfords"
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INDEX 00 02:59:74
FILE "20 - Tornado Baby.wav" WAVE
INDEX 01 00:00:00
TRACK 21 MODEx/2xxx
TITLE "DATA"
PERFORMER "Oxfords"
INDEX 00 06:01:40
Об исполнителе (группе)
In 1964 I was a sophomore in high school, and like everyone else, was in awe of the Beatles. I had been playing guitar for a year or so and was having the usual problems keeping a band together for more than a week. I somehow managed to steal the best players from several groups that I had been practicing with. I finally had a band that was good enough to actually play gigs. The group was called "The Spectres". I played lead guitar, my high school classmates Bill Tullis and Bill Turner were lead singer and bass guitar respectively. Danny Marshall, a friend from another school, played rhythm, and Glenn Howerton played drums. That same year, a band known as "The Oxfords" was getting a lot of attention in Louisville.
In 1965 a rift between the Oxfords' leader and drummer Jim Guest and the other four members caused that group to split up. Because we had all seen each other's bands, Jim asked us if we'd like to play with him and become the Oxfords. This worked well, since the other guys in Jim's group liked our drummer better. The two bands swapped drummers and we became the Oxfords. The other guys with Glenn became the Rugbys. They chose this name because they wore rugby shirts when they played.
In 1966 the Oxfords entered a recording studio for the first time. Bill Turner had been replaced by bassist Ray Barrickman, and Danny Marshall had been replaced by guitarist Ronnie Brooks. The first thing we recorded was the Burt Bacharach/Hal David song "(There's) Always Something There To Remind Me". Gene Synder, our booking agent sent a rough mix to Nashville producer Buzz Cason. Buzz liked it, came to Louisville to help us finish it, and most importantly, got us a record deal with Bell Records.
Ray Barrickman sang the lead vocal on this song, but in the fall of 1966 he left the band to attend college out of town. Ronnie Brooks then switched to playing bass, and Bill Tullis started playing rhythm guitar. So when the song was finally released, we had to try to cover the record on gigs with Bill Tullis singing the lead vocal. This worked (more or less), since PA systems weren't all that good in those days. However, shortly after the record's release, the song was quickly recorded by another group and our air play all but stopped.
We recorded our second record "Sun Flower Sun", which was also released on Bell records in 1967. This record made an appearance on Dick Clark's American Bandstand in the "Rate the Record" segment. With a score of only 65, the single was effectively doomed.
Later in 1967 Ronnie left the band and was replaced by bassist Garry Johnson. Garry then left after several months to play bass in the newly-formed Louisville group Elysian Field, with guitarist Frank Bugbee and drummer Marvin Maxwell.
A few years ago Ronnie Brooks wrote several songs for Hank Williams, Jr. Ronnie was invited to the recording session, and as he was talking with Hank he heard someone call out his name. It was Ray Barrickman, who was playing bass in Hank Williams, Jr.'s band.Ronnie is now a music producer in Nashville and was the voice of the middle Budweiser Frog in the TV commercials.
Ronnie's older brother Randy, was a high school classmate and good friend of mine. A few years ago Randy wrote the timeless Christmas classic "Grandma Got Run Over By A Reindeer".
Meanwhile back in the 60's, there was an all-girl band in Louisville known as The Hearby. Jim Guest and I liked their sound and helped them make their first and only record. I was particularly interested in their lead singer Jill DeMarco.
In 1968 our group evolved again. This time, drummer Jim Guest was replaced by Donnie Hale, Dill Asher became the bass player, and most significantly, I asked Jill to join the group.
This was the group that recorded the bulk of the LP material. Donnie's friend Keith Spring was a brilliant musician and orchestrator. Keith agreed to do the orchestrations for the album cuts and played on the recording sessions. Keith, also played in the group for a short time in 1968. However, the musical direction we were going with Keith was far too esoteric for the gigs we were playing (we actually played regularly at Fort Knox during the Viet Nam War). Keith later went on to work with actor/musician Martin Mull and legendary rock group NRBQ. That year we got to open for Frank Zappa and the Mothers at a Louisville rock club and for The Grateful Dead at Bellarmine College.
In 1969, Dill Asher was replaced by bassist Larry Holt, and Donnie Hale was replaced by drummer Paul Hoerni (brother of the Rugby's bass player Mike Hoerni). We recorded several more album cuts and the group's last single "Come On Back To Beer", which was inspired by our contact with Frank Zappa. This single was released on Paula Records and made it to number one on rock radio in Louisville.
In 1970 the album was finally finished. Although we had offers from two record labels, we were uncomfortable with both deals. The labels wanted total control, along with buy-outs of all materials and rights. We decided to release and promote the record ourselves.
In 1971, out of the frustration of not being able to play enough original songs on our gigs, I got heavily involved with a theatrical production that I had written. My show was a rock musical called "Grease". It happed simultaneously with another more-famous production by the same name that was just starting in Chicago. The Oxfords got all greased up and became the pit band for the show. It ran for several weeks on the University of Louisville campus and was also performed in Atlanta and at the University of Kansas.
At that same time, I had gotten a notice from Selective Service to report for a draft physical. I fasted for two weeks and weighed only 117 pounds (10 pounds underweight for my 5'-11" height) at the time of the physical. Because of this, however, I didn't have enough strength to support the weight of my guitar and also sing. I decided I'd switch to playing keyboards and flute and we added guitarist Jerry Canter to the group. We recorded "The City" with this group, but it was never released on vinyl.
Finally in 1972, Paul, Larry, and Jerry all left the band. Quentin Sharpenstein, became the bass player. Quentin had played tuba on the orchestra overdub session for our album four years earlier. Guitarist Tony Williamson, a good friend of Larry, and jazz drummer Bobbie Jones also joined the group. Jill played both guitar and clavinet at various times, and I played a Hammond organ and Rhodes piano.
That same year, Danny King, a friend of mine, opened a recording studio. I volunteered the band's services in trade for studio time, and soon became the studio's engineer. I wasn't paid, but I used this opportunity to record most of the later cuts on the CD.
By this time, it was becoming obvious (even to me) that the Oxfords were not on the road to rock stardom. Jill was especially tired of the situation, the other musicians had opportunities to play with other groups, and I had discovered that my passion was working in a recording studio.
The group disbanded for good in the summer of '72. But hey, that's the cool thing about recording...the music lives on!
by Jay Petach
