(Avant-Garde, Experimental Rock, Free Jazz, Throatsinging) [WEB] Arrington de Dionyso's Malaikat dan Singa - Open the Crown {K Records KLP244, USA} - 2013, FLAC (tracks), lossless

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Path: ...\Arrington de Dionyso's Malaikat dan Singa - (2013) - Open the Crown
1 -=- Arrington de Dionyso's Malaikat dan Singa -  Open the Crown - 01 I Feel the Quickening.flac -=- CDDA (100%)
2 -=- Arrington de Dionyso's Malaikat dan Singa -  Open the Crown - 02 I Create in the Face of Destruction.flac -=- CDDA (100%)
3 -=- Arrington de Dionyso's Malaikat dan Singa -  Open the Crown - 03 There Will Be No Survivors.flac -=- CDDA (100%)
4 -=- Arrington de Dionyso's Malaikat dan Singa -  Open the Crown - 04 Tak Terbatas (versi Iblis).flac -=- CDDA (100%)
5 -=- Arrington de Dionyso's Malaikat dan Singa -  Open the Crown - 05 Open The Crown.flac -=- CDDA (100%)
6 -=- Arrington de Dionyso's Malaikat dan Singa -  Open the Crown - 06 Jiwa dari Jiwaku (Soul of My Soul).flac -=- CDDA (100%)
7 -=- Arrington de Dionyso's Malaikat dan Singa -  Open the Crown - 07 The Akedah (The Moon is Full).flac -=- CDDA (100%)
8 -=- Arrington de Dionyso's Malaikat dan Singa -  Open the Crown - 08 Halilintar (versi Jatilan).flac -=- CDDA (100%)
9 -=- Arrington de Dionyso's Malaikat dan Singa -  Open the Crown - 09 I Manipulate the Form'd and the Formless.flac -=- CDDA (100%)
Summary 100.00% CDDA
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Arrington de Dionyso, K's resident madman, is an artist of many hats. As a solo act he explores experimental tonal jazz through self-made instruments and tuvan-style throat sounds, but as Malaikat dan Singa (roughly translated to Angels and Lions) Arrington channels that wild, thumping chaos that made fans follow him and Old Time Relijun to the ends of the earth. Laid out on a Tascam 388, Open The Crown is a fierce and unexpected record, a pinnacle of personal achievement in a long fought career. It's heavy and sexy, and is Arrington's first english recording in five years.

Open the Crown conveys tendrils of raw energy emanating from the head – dream visions translated directly to audio outrage. Heavy. And sexy. To be expected from Arrington de Dionyso and his molten collection of Malaikat dan Singa who manipulate the “form’d and the formless” to create from within this broken system.
You may have experienced Arrington de Dionyso’s Malaikat dan Singa as an unexpected live force, pushing up through the earth like daffodils in late winter; or maybe you’re familiar with their previous exploits in the studio, Malaikat dan Singa [KLP215] and Suara Naga [KLP226], which burn clean with fragrant traumas. Open the Crown is similarly passion-filled, with new vistas (channeled hallucinations) exploring English (previously only the Indonesian language was employed) as their stomping ground to expand parallel themes anew.
The players involved have all been Arrington cohorts in past lives with Malaikat dan Singa and other Dub Narcotic Studio exploits: Ben Kapp (drums), Angelo Spencer (guitar), Mark Morrison (keyboards) and Nehemiah St. Danger (electric bass guitar); tape echo over all. The joy of Open the Crown was captured by Dub Narcotic Studio engineers Ben Hargett (the mix) and Ephriam Nagler (the mastering). It’s cosmically pleasing to both ear and dance floor.
Arrington de Dionyso (b. January 4,1975) makes trans-utopian world music for a world that may or may not exist. He traverses the nameless territories between surrealist automatism, shamanic seance, and the folk imagery of rock’n’roll using performance and visual art. He clarified his eccentric brew of ecstatic lunacy and prophetic madness during his 15 year tour-of-duty with Olympia’s Old Time Relijun. De Dionyso’s Malaikat dan Singa is a trance-punk outfit featuring bass clarinet, guitars, multiple drummers and his trademark wild vocals (multi-spectral harmonic throat singing combined with grunts, yelps, and barks). “Malaikat dan Singa” translates as “Angels and Lions,” and de Dionyso’s lyrics (both Indonesian and any other language he chooses to ply) fiercely combine mythology and fantasy. As a band Malaikat dan Singa ultimately defies a clean translation gaining power by crossing boundaries — both linguistic and psychic.