(House,Latin,Deep House,Vocal House,Latin House) [CD] Robert Clivilles (C+C Music Factory) - Robi Rob's Clubworld - 1996, FLAC (image+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 1. October 2014, 20:54
Robert Clivilles / Robi Rob's Clubworld
Used drive  : hp      DVD RW AD-7586H   Adapter: 0  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
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        1  |  0:00.00 |  8:11.47 |         0    |    36871
        2  |  8:11.47 |  9:47.33 |     36872    |    80929
        3  | 17:59.05 |  9:58.45 |     80930    |   125824
        4  | 27:57.50 |  5:58.60 |    125825    |   152734
        5  | 33:56.35 |  4:08.42 |    152735    |   171376
        6  | 38:05.02 |  7:28.63 |    171377    |   205039
        7  | 45:33.65 |  8:31.65 |    205040    |   243429
        8  | 54:05.55 |  6:05.62 |    243430    |   270866
        9  | 60:11.42 | 10:19.28 |    270867    |   317319
       10  | 70:30.70 |  4:37.37 |    317320    |   338131
Range status and errors
Selected range
     Filename C:\Users\HP\Music\5.UKRAINIAN MUSIC\Robert Clivilles - Robi Rob's Clubworld.wav
     Peak level 100.0 %
     Extraction speed 2.2 X
     Range quality 100.0 %
     Test CRC 8D5BC4D2
     Copy CRC 8D5BC4D2
     Copy OK
No errors occurred
AccurateRip summary
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None of the tracks are present in the AccurateRip database
End of status report
==== Log checksum 8C85D2FEA71453AD4EC719F4CEEE8CA5B4FD91126B7E79C51CD9CB3857BE600E ====

Robert Clivillés (born July 30, 1964) is an American record producer, songwriter, arranger, music video director most noted for his work with C+C Music Factory, a group he founded with musical partner David Cole. He is of Puerto Rican ancestry.
Clivillés and Cole also produced various hits for other artists such as Mariah Carey, Whitney Houston, Aretha Franklin, James Brown, Lisa Lisa and Cult Jam, Deborah Cooper, Scarlett Santana and many others.Musical career
In the late 1980s Robert Clivillés and David Cole were active in 2 Puerto Ricans, a Blackman, and a Dominican and The 28th Street Crew. At the time they were the driving force of the short lived Brat Pack. The duo were also responsible for the formation of pop group Seduction, for whom they wrote and produced a string of Top-10 hits. They contributed to the career of former The Weather Girls vocalist Martha Wash who at the same time was one the lead vocalists for the dance act Black Box. And in 1990 Clivillés and Cole released a single, featuring later C+C Music Factory rapper Freedom Williams, called "Get Dumb! (Free Your Body)" as The Crew. But the duo's biggest success was the group C+C Music Factory that scored worldwide in 1991.
After the death of his partner David Cole in 1995, Robert Clivillés continued to keep the C+C's legacy alive through his own production work. In 1995, he released a solo single under the name C+C Music Factory, called "I'll Always Be Around" (#1 Billboard Dance/Club Play), on MCA Records. This was the final #1 Dance/Club Play hit for C+C Music Factory. An album titled C+C Music Factory was released by MCA in 1995 in Europe, but it was not released in the US. This was the final studio album of new material to be released under the C+C Music Factory name. The same year, Columbia/SME Records released Ultimate, a greatest hits collection featuring a mixture of remixes and album versions of C+C Music Factory's Sony Music Entertainment singles. Two singles were released in conjunction with the album "I Found Love" (#13 Dance/Club Play) and "Robi Rob's Boriqua Anthem" (#29 Dance/Club Play), which featured Spanish-language reggae artist El General.
In October 1996, Robert Clivillés released an album of new material under the name Robi-Rob's Clubworld. The first single from the project, "Shake That Body," featured emcee Ya Kid K, formerly of Technotronic. The second single, "Reach," was a collaboration with Hex Hector and featured vocals from longtime C+C vocalist Deborah Cooper, which was the final recording to have piano tracks recorded by the late David Cole, his C+C partner.
In the 2000s, Clivillés worked with the group MVP.
In 2010 C+C Music Factory reformed with Eric Kupper stepping in to replace Cole.
Production and remix work
Further information: Clivillés and Cole production discography
Controversy
In 1989, Clivillés and Cole wrote a song titled "Get Dumb (Free Your Body)" that was covered by The Crew and Seduction. They allegedly illegally sampled portions of "The Music Got Me" which was written by Boyd Jarvis of early-1980s music group Visual. Boyd sued them for copyright infringement in 1990 and originally demanded $15 million in royalties.
Four years later, Kevin McCord filed the copyright infringement lawsuit against Mariah Carey, Cole, Clivillés and Columbia Records because, according to McCord, they took parts of his song called "I Want to Thank You" and made "Make It Happen" out of it without permission. Although the allegations were confirmed false, McCord eventually accepted a settlement offer of about US$500,000.