(Hard Bop) [CD] Carsten Dahl Trio - A Good Time - 2014, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 24. September 2014, 9:39
Carsten Dahl Original Trio / A Good Time
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Null samples used in CRC calculations       : Yes
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Submit result: eyUsL49fL3ZrcUrLvOBsBaXK2Ok- has been uploaded
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REM GENRE Jazz
REM DATE 2014
REM DISCID 76102008
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Carsten Dahl"
TITLE "A Good Time"
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FILE "04 - Easy Living.wav" WAVE
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FILE "06 - Someone to Watch over Me.wav" WAVE
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FILE "08 - Night and Day.wav" WAVE
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With this album, Denmark's premier jazz pianist Carsten Dahl throws into doubt the old adage that familiarity breeds contempt.
First, there's the line-up: he's played with Lennart Ginman (bass) and Frands Rifbjerg (drums) many times before, most notably on two previous albums for Storyville, Will You Make My Soup Hot & Silver from 1996 and Message From Bud, recorded two years later. Fine albums, both, but eclipsed by this one.
Secondly, there's the content. Nearly all the numbers on A Good Time will be familiar to Dahl aficionados, yet none have received such relaxed and warmly creative treatment as they are given here, most notably Paul Desmond's "Take Five" and Cole Porter's "Love For Sale," both featured on the previous albums.
The stand-out track, "Someone To Watch Over Me," is less familiar in his hands but, despite all the various versions over the years by different bands, Dahl manages to imbue the piece with new meaning, creating a gently swinging jazz meditation.
He's close to perfection on this one: demonstrating with consummate artistry how to start and get into the song, then how to keep it going and, finally, how to end it subtly, exactly where it should end, with no recall to the kind of tired old closing dramatics resorted to by lesser players.
On occasion he may bang away at a chord a little too long in the hope it will give birth to a melodic idea but a great many far more famous jazz pianists have been guilty of this over the years.
Let's let the man himself have the last word on this great album: "When Lennart, Frands and I meet, we never rehearse anything and we don't talk about what to play. The music springs naturally from my spontaneous introductions. Our only reference point is that the music must feel good and we must have a good time."