fiks22 · 06-Июн-14 20:51(11 лет 3 месяца назад, ред. 06-Июн-14 20:51)
Jim Snidero - Close Up Жанр: Hard Bop, Post-Bop Носитель: CD Страна-производитель диска: Германия Год издания: 2004 Издатель (лейбл): Milestone Номер по каталогу: MCD-9341-2 Страна: США Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 54:32 Источник (релизер): CmdrChesticle (what) Наличие сканов в содержимом раздачи: нет Треклист:
01. Close Up (6:13)
02. I Should Care (6:42)
03. Nippon Blue (8:42)
04. Windswept (5:30)
05. Blues for the Moment (6:03)
06. Reality (7:34)
07. Prisoner of Love (7:22)
08. Smash (6:26) Состав:
Jim Snidero - alto saxophone
David Hazeltine - piano
Paul Gill - bass
Billy Drummond - drums
with special guest
Eric Alexander - tenor saxophone Recorded at Systems Two, Brooklyn, NY on May 26-27, 2004.
TITLE "Close Up" PERFORMER "Jim Snidero" REM GENRE "Jazz" REM DATE "2004" REM DISCID 8A0CC808 REM REPLAYGAIN_ALBUM_GAIN -7.48 dB REM REPLAYGAIN_ALBUM_PEAK 1.000000 FILE "01 - Close Up.flac" WAVE TRACK 01 AUDIO TITLE "Close Up" ISRC USFI80400119 REM REPLAYGAIN_TRACK_GAIN -8.22 dB REM REPLAYGAIN_TRACK_PEAK 1.000000 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "I Should Care" ISRC USFI80400120 REM REPLAYGAIN_TRACK_GAIN -7.62 dB REM REPLAYGAIN_TRACK_PEAK 1.000000 INDEX 00 06:09:58 FILE "02 - I Should Care.flac" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Nippon Blue" ISRC USFI80400121 REM REPLAYGAIN_TRACK_GAIN -7.69 dB REM REPLAYGAIN_TRACK_PEAK 1.000000 INDEX 00 06:39:15 FILE "03 - Nippon Blue.flac" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Windswept" ISRC USFI80400122 REM REPLAYGAIN_TRACK_GAIN -6.08 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 08:37:48 FILE "04 - Windswept.flac" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Blues for the Moment" ISRC USFI80400123 REM REPLAYGAIN_TRACK_GAIN -8.08 dB REM REPLAYGAIN_TRACK_PEAK 1.000000 INDEX 00 05:28:22 FILE "05 - Blues for the Moment.flac" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Reality" ISRC USFI80400124 REM REPLAYGAIN_TRACK_GAIN -6.52 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 05:58:43 FILE "06 - Reality.flac" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Prisoner of Love" ISRC USFI80400125 REM REPLAYGAIN_TRACK_GAIN -6.33 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 07:31:27 FILE "07 - Prisoner of Love.flac" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Smash" ISRC USFI80400126 REM REPLAYGAIN_TRACK_GAIN -7.72 dB REM REPLAYGAIN_TRACK_PEAK 1.000000 INDEX 00 07:19:23 FILE "08 - Smash.flac" WAVE INDEX 01 00:00:00
It's been said that in the 21st century, there is no such thing as an overexposed jazz musician -- that because jazz usually sells a fraction of what rock, R&B, rap, and country sell, it is impossible to be an overexposed jazz musician. There is some truth in that argument; even heavyweights like Jackie McLean and Sonny Rollins don't expect to headline Madison Square Garden or outsell Pink, Creed, Shania Twain, or Britney Spears. But within the jazz community, some artists receive more exposure than others -- and Jim Snidero is a perfect example of someone who isn't huge in the jazz world but still has an enthusiastic group of admirers. The alto saxman has never been groundbreaking, but when it comes to delivering solid, reliable hard bop/post-bop discs, he usually comes through. Close Up does nothing to hurt his reputation; those who have admired Snidero's work in the past will be glad to know that he is in good form throughout this 2004 date, which employs David Hazeltine on piano, Paul Gill on bass, Billy Drummond on drums, and special guest Eric Alexander on tenor sax. Alexander doesn't play on all of the tracks; he is absent from three of them, including performances of the standard "I Should Care" and crooner Russ Columbo's 1931 hit "Prisoner of Love" (which was also a hit for Perry Como in 1946 and Soul Godfather James Brown in 1963). But Alexander is featured on five songs, and he enjoys a strong rapport with the leader on swinging, lively Snidero originals like "Smash" and "Blues for the Moment." The combination of Snidero's alto and Alexander's tenor is an appealing one on Close Up, which doesn't pretend to reinvent the jazz wheel but will please die-hard bop and post-bop enthusiasts.
