Vijay Iyer - Mutations
Жанр: Modern Creative, Chamber Jazz
Носитель: CD
Страна-производитель диска: Германия
Год издания: 2014
Издатель (лейбл): ECM Records
Номер по каталогу: ECM 2372
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 60:17
Источник (релизер): sapsap (what)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Spellbound and Sacrosanct, Cowrie Shells and the Shimmering Sea (Iyer) - 7:40
02. Vuln, Part 2 (Iyer) - 4:34
03. Mutation I: Air (Iyer) - 4:13
04. Mutation II: Rise (Iyer) - 2:44
05. Mutation III: Canon (Iyer) - 5:47
06. Mutation IV: Chain (Iyer) - 5:26
07. Mutation V: Automata (Iyer) - 6:32
08. Mutation VI: Waves (Iyer) - 3:00
09. Mutation VII: Kernel (Iyer) - 5:59
10. Mutation VIII: Clade (Iyer) - 1:35
11. Mutation IX: Descent (Iyer) - 5:17
12. Mutation X: Time (Iyer) - 4:00
13. When We're Gone (Iyer) - 3:30
Состав:
Vijay Iyer - piano, electronics
Miranda Cuckson, Michi Wiancko - violin
Kyle Armbrust - viola
Kivie Cahn-Lipman - violoncello
Recorded at Avatar Studios, New York in September 2013.
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 19. April 2014, 11:07
Vijay Iyer / Mutations
Used drive : ASUS SDRW-08D2S-U Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 7:39.45 | 0 | 34469
2 | 7:39.45 | 4:34.23 | 34470 | 55042
3 | 12:13.68 | 4:12.53 | 55043 | 73995
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11 | 47:30.74 | 5:17.24 | 213824 | 237622
12 | 52:48.23 | 4:00.18 | 237623 | 255640
13 | 56:48.41 | 3:30.18 | 255641 | 271408
Track 1
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Peak level 48.4 %
Extraction speed 3.2 X
Track quality 100.0 %
Test CRC D4B2B483
Copy CRC D4B2B483
Accurately ripped (confidence 3) [E1208228] (AR v2)
Copy OK
Track 2
Filename C:\Ripipito\Vijay Iyer - Mutations [2014]-FLAC\02 - Vuln, Part 2.wav
Peak level 22.1 %
Extraction speed 3.5 X
Track quality 100.0 %
Test CRC 206E97B1
Copy CRC 206E97B1
Accurately ripped (confidence 3) [046ED328] (AR v2)
Copy OK
Track 3
Filename C:\Ripipito\Vijay Iyer - Mutations [2014]-FLAC\03 - Mutation I- Air.wav
Peak level 28.2 %
Extraction speed 3.7 X
Track quality 100.0 %
Test CRC 034DFFFB
Copy CRC 034DFFFB
Accurately ripped (confidence 3) [56F41759] (AR v2)
Copy OK
Track 4
Filename C:\Ripipito\Vijay Iyer - Mutations [2014]-FLAC\04 - Mutation II- Rise.wav
Peak level 51.5 %
Extraction speed 2.7 X
Track quality 99.9 %
Test CRC 72FE399D
Copy CRC 72FE399D
Accurately ripped (confidence 3) [B94D8569] (AR v2)
Copy OK
Track 5
Filename C:\Ripipito\Vijay Iyer - Mutations [2014]-FLAC\05 - Mutation III- Canon.wav
Peak level 57.6 %
Extraction speed 4.3 X
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Test CRC C39C4AEC
Copy CRC C39C4AEC
Accurately ripped (confidence 3) [1D66495C] (AR v2)
Copy OK
Track 6
Filename C:\Ripipito\Vijay Iyer - Mutations [2014]-FLAC\06 - Mutation IV- Chain.wav
Peak level 89.6 %
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Test CRC 5E8A7B6E
Copy CRC 5E8A7B6E
Accurately ripped (confidence 3) [A96E3B62] (AR v2)
Copy OK
Track 7
Filename C:\Ripipito\Vijay Iyer - Mutations [2014]-FLAC\07 - Mutation V- Automata.wav
Peak level 64.3 %
Extraction speed 4.7 X
Track quality 100.0 %
Test CRC 5704F947
Copy CRC 5704F947
Accurately ripped (confidence 3) [BAC938AF] (AR v2)
Copy OK
Track 8
Filename C:\Ripipito\Vijay Iyer - Mutations [2014]-FLAC\08 - Mutation VI- Waves.wav
Peak level 66.9 %
Extraction speed 4.5 X
Track quality 100.0 %
Test CRC 0AA19F09
Copy CRC 0AA19F09
Accurately ripped (confidence 3) [A4E939DB] (AR v2)
Copy OK
Track 9
Filename C:\Ripipito\Vijay Iyer - Mutations [2014]-FLAC\09 - Mutation VII- Kernel.wav
Peak level 72.2 %
Extraction speed 5.1 X
Track quality 100.0 %
Test CRC 6ABDA329
Copy CRC 6ABDA329
Accurately ripped (confidence 3) [C50AB84D] (AR v2)
Copy OK
Track 10
Filename C:\Ripipito\Vijay Iyer - Mutations [2014]-FLAC\10 - Mutation VIII- Clade.wav
Peak level 88.1 %
Extraction speed 4.1 X
Track quality 100.0 %
Test CRC 9E85F67C
Copy CRC 9E85F67C
Accurately ripped (confidence 3) [B81CE4FA] (AR v2)
Copy OK
Track 11
Filename C:\Ripipito\Vijay Iyer - Mutations [2014]-FLAC\11 - Mutation IX- Descent.wav
Peak level 54.9 %
Extraction speed 5.3 X
Track quality 100.0 %
Test CRC 0DBF29DD
Copy CRC 0DBF29DD
Accurately ripped (confidence 3) [A19F7EE4] (AR v2)
Copy OK
Track 12
Filename C:\Ripipito\Vijay Iyer - Mutations [2014]-FLAC\12 - Mutation X- Time.wav
Peak level 36.4 %
Extraction speed 5.2 X
Track quality 100.0 %
Test CRC CFB19367
Copy CRC CFB19367
Accurately ripped (confidence 3) [1CE05046] (AR v2)
Copy OK
Track 13
Filename C:\Ripipito\Vijay Iyer - Mutations [2014]-FLAC\13 - When We're Gone.wav
Peak level 38.6 %
Extraction speed 5.2 X
Track quality 100.0 %
Test CRC 997ACCC5
Copy CRC 997ACCC5
Accurately ripped (confidence 3) [3EC0F6EB] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.3
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[f5954754] (2/3) Accurately ripped
[ba298e6f] (1/3) Differs in 174 samples @52:55:62-52:55:63,52:58:12-52:58:13
You can use CUETools to repair this rip.
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Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2014
REM DISCID B20E220D
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PERFORMER "Vijay Iyer"
TITLE "Mutations"
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TITLE "Spellbound and Sacrosanct, Cowrie Shells and the Shimmering Sea"
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ISRC DEB331337203
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ISRC DEB331337206
INDEX 01 00:00:00
FILE "07 - Mutation V- Automata.wav" WAVE
TRACK 07 AUDIO
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ISRC DEB331337206
INDEX 01 00:00:00
FILE "08 - Mutation VI- Waves.wav" WAVE
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ISRC DEB331337208
INDEX 01 00:00:00
FILE "09 - Mutation VII- Kernel.wav" WAVE
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ISRC DEB331337209
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FILE "10 - Mutation VIII- Clade.wav" WAVE
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INDEX 01 00:00:00
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ISRC DEB331337211
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FILE "12 - Mutation X- Time.wav" WAVE
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ISRC DEB331337212
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FILE "13 - When We're Gone.wav" WAVE
TRACK 13 AUDIO
TITLE "When We're Gone"
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Отчет CUETools
[CUETools log; Date: 20.04.2014 4:44:16; Version: 2.1.4]
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Review by Thom Jurek
Mutations is not only Vijay Iyer's debut album for ECM, but also the first recording he's issued since winning a MacArthur Foundation "genius" grant in the fall of 2013. As a recording, it is certainly among his most provocative. There are no traces of his Hindustani or Carnatic jazz explorations, his athletic post-bop or modal works, or even his explosive readings of modern pop. This is a showcase for Iyer the composer. Even the set opener, a solo piano reading of "Spellbound and Sacrosanct, Cowrie Shells and the Shimmering Sea," which appeared on Memorophilia--his 1995 debut--showcases its harmonic subtleties and formal construction over improvisation -- though it's certainly there. The album's title is actually a ten-part suite for piano, string quartet, and electronics originally composed and premiered in 2005; it has been evolving ever since. The srting quartet was specially assembled for this date. Iyer played violin for 15 years before devoting himself to the piano. He has not only played in string quartets, but has written for them and performed with them -- and larger classical ensembles -- as well. Mutations is an incremental piece based on his perception of "...evolution as a dynamic, noisy interaction between a species and innumerable, competing, fluctuating environmental factors...." Each of these sections undergoes a mutation, as notation-- with the interaction of the players--begin to shift and change with the introduction of an inconstancy or interruptive figure in a recurrent theme. Samples of the players are also introduced to alter themes and create altering textural and dynamic factors. The piano is one such element, and improvisation -- especially in "Mutations VII: Kernel" -- is another. The notation was simply handed out to be freely played with by the strings as they saw fit. Despite the possibility for chaos and obstructive dissonance, Mutations is aesthetically beautiful. throughout, articulated fragments and melodies interact in rhythmic and open frames, counterpoint, and harmony, even as they converse, gradually exchanging one flow of thought for another. In "Mutation III: Canon" the ghosts of Beethoven, Bartók, Stravinsky, Carter, Strayhorn, and Evans visit, though fluid spontaneity reigns overall. As the individual movements evolve, so does the overall structure of the work, arriving at "Mutations X: Time," the elastic of all philosophical and scientific constructs as the slippery undercurrent of rhythms suggest. "Vuln, Pt. 2" and "When We're Gone" are recent works for piano and electronics. The primary instrument engages in counterpoint and exchange with synthetic textures and rhythms. They stand out from the central work, but don't distract from its impact and feel more like extensions of it. Along with tis keen compositional attributes, Mutations rewards with well-considered, inspired performances. Whether fans of Iyer's jazz work will follow him here remains to be seen. That said, whether or not they do doesn't diminish the artist's considerable achievement.
