Media:
1969 Cadet Records LPS-826. Original US pressing
matrix/deadwax info - all hand etched, except the Columbia matrix (ending in 1A) which is stamped:
STM-3423-2 #17735 LPS-826 SIDE 1 [triangle, Pi symbols] XCSV141801-1A T
STM-3424-2 #17736 LPS-826 SIDE 2 [triangle, Pi symbols] XCSV141802-1A T
pressed by Columbia in Terre Haute, IN
Vinyl LP transfer at 24-bit 96khz
Transfer info:
Nitty Gritty Record Master
Music Hall MMF 9.1
sticky hand stylus cleaning
Grado Master Reference 1 cartridge
Graham Slee Era Gold Reflex phono preamp
Mytek Stereo192 ADC (analog to digital converter)
TT Weights outer ring clamp & center weight, cork platter mat, Blue Jean LC-1 interconnects
software used: Soundforge 10.0, ClickRepair 3.4.1 (in manual mode), Flac frontend 1.7.1
Dynamic Range Analysis:
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Analyzed: Phil Upchurch / Upchurch
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DR Peak RMS Duration Track
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DR12 -1.11 dB -14.73 dB 4:40 01-Black Gold
DR11 -0.79 dB -14.10 dB 3:42 02-America
DR12 -1.35 dB -16.18 dB 2:32 03-As You Said
DR11 -2.64 dB -16.01 dB 3:08 04-You Wouldn't, You Couldn't Be True
DR12 -0.21 dB -15.94 dB 3:58 05-Crosstown Traffic
DR11 -0.53 dB -14.79 dB 4:25 06-Adam and Charlene
DR12 -1.12 dB -15.73 dB 3:24 07-Spinning Wheel
DR11 -1.23 dB -15.23 dB 2:55 08-Voodoo Chile
DR12 -0.20 dB -14.61 dB 2:45 09-More and More
DR11 -0.73 dB -14.60 dB 4:02 10-Midnight Chile
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Number of tracks: 10
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2747 kbps
Codec: FLAC
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