(Modern Jazz, Latin Jazz)[LP][24/96]Sonny Rollins – What’s New?, {Pure Pleasure 180g} - 1962, FLAC (tracks)

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anahoret773

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anahoret773 · 16-Дек-12 21:36 (12 лет 9 месяцев назад, ред. 13-Апр-13 13:43)

Sonny Rollins – What’s New? 1962 {Pure Pleasure 180g}

Жанр: Modern Jazz, Latin Jazz
Год выпуска: 1962
Лейбл: RCA Victor/ LSP 2572 N2PY-2267
RCA Living Stereo/Pure Pleasure 180g analog reissue,
mastered by Kevin Gray/Steve Hoffman, stereo
Страна-производитель: U.S.A.
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/96
Формат раздачи: 24/96
Продолжительность: 43:20
Источник оцифровки: anonymous
Треклист:
All compositions by Sonny Rollins except as indicated
“If Ever I Would Leave You” (Alan Jay Lerner, Frederick Loewe) – 11:58
“Jungoso” – 10:51
“Bluesong” – 4:41
“The Night Has a Thousand Eyes” (Buddy Bernier, Jerry Brainin) – 9:08
“Brown Skin Girl” (Norman Span) – 6:48
Cостав:
Sonny Rollins – tenor saxophone
Jim Hall – guitar (tracks 1, 4 & 5)
Bob Cranshaw – bass
Ben Riley – drums (tracks 1, 4 & 5)
Dennis Charles, Frank Charles, Willie Rodriguez – percussion (tracks 1, 4 & 5)
Candido – percussion (tracks 2 & 3)
RipInfo
official DR value:13
deadwax info:
PPAN LSP. 2572-A KG+SH
PPAN LSP. 2572-B KG+SH
Rega RP1 turntable
Denon DL-110 high output moving coil cartridge
Graham Slee Gram Amp 2 phono pre
Tascam US-122 mkII USB interface
Neutrik interconnects
Knosti RCM
iZotope RX 2 for declicking and normalizing
Peak Pro 5 for splitting into individual tracks
files fully tagged in iTunes
XLD for FLAC conversion
Fujifilm X100 camera for high-resolution sleeve and label reproductions
My ripping and post processing technique
I rip one side at a time at a recording level that places the peaks around -6db, as suggested by mastering engineer Barry Diament, in order to minimize distortion inside the ADC. I then painstakingly declick each side, taking various approaches depending on the material. Silence between tracks is treated using higher values in iZotope (‘multiband declicker random’ between 2.0 and 5.0) and musical parts lacking transients with lower values (between 1.0 and 3.0, depending on record condition). On modern recordings, where the declicker might mistake musical information for clicks or pops, declicking is done fully manually by listening to the entire side and observing the spectral view. I then apply fades to beginning and end of sides, and in rare instances where the surface noise is too distracting I also fade each track. Normalizing is done one side at a time, at -.3 db.
No NoNoise or EQ are used in my rips under any circumstances.
You are free to share this rip on the internet as an anonymous rip. Please include the description, but do not share my name along with it.
Rip by crispi
Спектр АЧХ Уровень записи
Сэмпл
один из треков
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