Michael Moore Trio - Holocene
Жанр: Avant-Garde Jazz, Free Improvisation, Contemporary Jazz
Страна: Netherlands
Год издания: 2008
Аудиокодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 49:31
Наличие сканов в содержимом раздачи: да
01 - The Thaw 02:01
02 - To And Fro 03:00
03 - Well On Our Way 04:12
04 - Jodi Jones 03:48
05 - Dark Christians 05:23
06 - Gilgamesh 05:12
07 - Killjoy 03:04
08 - Discrepancy 03:13
09 - Fata Morgana 05:01
10 - Accumulation 03:07
11 - Trouble House 04:41
12 - Unity 04:52
13 - Woodcut 01:56
Об исполнителе
Moore was born and raised in Eureka, California, the son of a semi-professional musician. He studied music at Humboldt State and in 1977 graduated from the New England Conservatory of Music, where he studied with Jaki Byard and Gunther Schuller, and was a classmate of Marty Ehrlich's. Moore played in a wide variety of musical contexts - especially those in support of theatre and dance groups. By 1982 he was a regular member of Misha Mengelberg's Instant Composers Pool and had relocated to Amsterdam. He remains active in ICP to this day. He also was member of Georg Gräwes Grubenklang Orchester.
Aside from ICP, Moore is perhaps best known as one-third of the Clusone 3 (aka Trio Clusone and Clusone Trio), along with cellist Ernst Reijseger and drummer Han Bennink. Originally meant only to play a single date at a festival in Clusone, Italy, the trio toured irregularly for several years and recorded six CDs, including one of freely-interpreted Irving Berlin compositions.
Moore's first recording as a leader was in 1992 but it was with 1994's Chicoutimi that he began to earn serious recognition as a composer. The drummerless trio on this CD (Fred Hersch, piano, and Mark Helias, bass) was inspired by the duo recordings of Lee Konitz and Gil Evans, and recalls in places the legendary Jimmy Giuffre trios of the early 1960s.
Moore continues to play in a very wide variety of musical contexts. Another group in which he plays - Jewels and Binoculars, a collective trio with bassist Lindsey Horner and drummer Michael Vatcher - is devoted to interpretations of Bob Dylan songs.[1][2]
In 1986, Moore won the VPRO/Boy Edgar Award, regarded as the most prestigious jazz award in the Netherlands. In 1991, he founded Ramboy records to document his music. The label had 22 releases as of August 2006.
Moore started his Jazz Quintet in 2005. In this quintet, Moore pairs himself with accomplished Dutch players: trumpeter Eric Vloeimans, pianist Marc van Roon, bassist Paul Berner, and drummer Owen Hart, Jr. In October 2005, the Quintet recorded the album Osiris. Wikipedia.
Об альбоме
The Michael Moore Trio brings us the versatile reedist in the company of Guy Klusevcek on accordion and Erik Friedlander on cello, three formidable musicians, who all share a common penchant for melodious adventure, with a background in jazz but certainly not restricted by genres. On this album they bring no less than 13 pieces, all between two and five minutes long. The "Holocene" is the time period that started 10,000 years ago and continues to the present, or the end of the glacial period. The music reflects some of this timeless peek in history, offering primal sound combinations, sometimes very organic, almost natural, like ice melting, or rain dripping, or birds chattering, as on "Well On Our Way", or melodic, with a light mediterranean quality, as on "Jody Jones", but always light, fragile, almost transparent music. Even on the more somber pieces, such as "Dark Christians", with a gloomy atmosphere, or on the more solemn pieces, such as "Gilgamesh", the lightness and subtlety of touch prevail. Like on many of his previous albums, Moore explores the boundaries of many musical traditions, moving them into common ground, not of form, but of feeling and depth, giving his music a universal quality which is hard to describe, "holoscenic" may be good description. Excellent album. Stef - freejazz-stef.blogspot.com
Состав
Michael Moore - Alto Saxophone, Clarinet, Bass Clarinet
Guy Klucevsek - Accordion
Erik Friedlander - Cello
Recorded February 14, 2004, Excello, Brooklyn, New York (tracks #1-#7, #9-#13)
Engineer Jason Marcucci
Recorded February 21, 2005, het Bethanienklooster, Amsterdam (Track #8)
Engineer Frank Van Der Weij
Mixed, Edited Frank Van Der Weij
Desing, Photography Isabelle Vigier