Sweeney's Men / Sweeney's Men (1968)/ The Tracks of Sweeney (1969)
Жанр: British Folk, Folk Rock
Страна-производитель диска: UK
Год издания: 1996
Издатель (лейбл): Castle
Номер по каталогу: ESMCD 435
Страна: Ireland
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 1:17:36
Источник (релизер): what.cd()
Наличие сканов в содержимом раздачи: да
Треклист:
Sweeney's Men (1968)
01. Rattlin' Roarin' Willy (2:28)
02. Sullivan's John (3:17)
03. Sally Brown (2:24)
04. My Dearest Dear (3:55)
05. The Exile's Jig (1:43)
06. The Handsome Cabin Boy (4:43)
07. Dicey Riley (1:44)
08. Tom Dooley (2:33)
09. Willy O'Winsbury (4:56)
10. Dance To Your Daddy (2:09)
11. The House Carpenter (3:58)
12. Johnston (3:42)
13. Reynard The Fox (3:27)
Additional track
14. Old Woman In Cotton (2:50)
The Tracks of Sweeney (1969)
15. Dreams For Me (4:29)
16. The Pipe On The Hob (2:12)
17. Brain Jam (2:18)
18. Pretty Polly (4:41)
19. Standing On The Shore (3:52)
20. A Mistake No Doubt (2:32)
21. Go By Brooks (2:03)
22. When You Don't Care (2:40)
23. Afterthoughts (2:46)
24. Hiram Hubbard (3:11)
25. Hall Of Mirrors (3:04)
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 6. October 2012, 10:54
Sweeney's Men / Sweeney's Men & The Tracks Of Sweeney
Used drive : TSSTcorpCDDVDW SH-222BB Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 2:27.52 | 0 | 11076
2 | 2:27.52 | 3:16.55 | 11077 | 25831
3 | 5:44.32 | 2:23.43 | 25832 | 36599
4 | 8:08.00 | 3:55.32 | 36600 | 54256
5 | 12:03.32 | 1:42.38 | 54257 | 61944
6 | 13:45.70 | 4:43.35 | 61945 | 83204
7 | 18:29.30 | 1:44.15 | 83205 | 91019
8 | 20:13.45 | 2:32.72 | 91020 | 102491
9 | 22:46.42 | 4:56.13 | 102492 | 124704
10 | 27:42.55 | 2:08.70 | 124705 | 134374
11 | 29:51.50 | 3:58.00 | 134375 | 152224
12 | 33:49.50 | 3:41.45 | 152225 | 168844
13 | 37:31.20 | 3:26.57 | 168845 | 184351
14 | 40:58.02 | 2:50.30 | 184352 | 197131
15 | 43:48.32 | 4:28.45 | 197132 | 217276
16 | 48:17.02 | 2:12.30 | 217277 | 227206
17 | 50:29.32 | 2:18.00 | 227207 | 237556
18 | 52:47.32 | 4:41.35 | 237557 | 258666
19 | 57:28.67 | 3:51.68 | 258667 | 276059
20 | 61:20.60 | 2:32.10 | 276060 | 287469
21 | 63:52.70 | 2:03.02 | 287470 | 296696
22 | 65:55.72 | 2:39.68 | 296697 | 308689
23 | 68:35.65 | 2:46.05 | 308690 | 321144
24 | 71:21.70 | 3:10.40 | 321145 | 335434
25 | 74:32.35 | 3:04.15 | 335435 | 349249
Track 1
Filename Z:\EAC\FLAC\01 Rattlin' Roarin' Willy.wav
Pre-gap length 0:00:02.00
Peak level 99.1 %
Extraction speed 3.1 X
Track quality 99.9 %
Test CRC F69EB96C
Copy CRC F69EB96C
Accurately ripped (confidence 3) [C5286C65] (AR v1)
Copy OK
Track 2
Filename Z:\EAC\FLAC\02 Sullivan's John.wav
Pre-gap length 0:00:01.80
Peak level 87.1 %
Extraction speed 4.8 X
Track quality 100.0 %
Test CRC 0E21026B
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Accurately ripped (confidence 3) [8548F959] (AR v1)
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Track 3
Filename Z:\EAC\FLAC\03 Sally Brown.wav
Pre-gap length 0:00:02.29
Peak level 85.3 %
Extraction speed 4.8 X
Track quality 100.0 %
Test CRC 5083A562
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Accurately ripped (confidence 3) [81383538] (AR v1)
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Track 4
Filename Z:\EAC\FLAC\04 My Dearest Dear.wav
Pre-gap length 0:00:01.66
Peak level 80.3 %
Extraction speed 5.5 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [5643C1BD] (AR v1)
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Track 5
Filename Z:\EAC\FLAC\05 The Exile's Jig.wav
Pre-gap length 0:00:01.82
Peak level 62.6 %
Extraction speed 4.8 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [F4AA8E59] (AR v1)
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Track 6
Filename Z:\EAC\FLAC\06 The Handsome Cabin Boy.wav
Pre-gap length 0:00:01.64
Peak level 94.3 %
Extraction speed 6.2 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [4C85BC50] (AR v1)
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Track 7
Filename Z:\EAC\FLAC\07 Dicey Riley.wav
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Peak level 89.2 %
Extraction speed 5.3 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [55C03C2E] (AR v1)
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Track 8
Filename Z:\EAC\FLAC\08 Tom Dooley.wav
Pre-gap length 0:00:01.66
Peak level 84.8 %
Extraction speed 6.1 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [9B61764F] (AR v1)
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Track 9
Filename Z:\EAC\FLAC\09 Willy O'Winsbury.wav
Pre-gap length 0:00:01.82
Peak level 81.6 %
Extraction speed 7.0 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [6175DD7A] (AR v1)
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Track 10
Filename Z:\EAC\FLAC\10 Dance To Your Daddy.wav
Pre-gap length 0:00:01.44
Peak level 98.9 %
Extraction speed 6.3 X
Track quality 100.0 %
Test CRC 5384A598
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Accurately ripped (confidence 3) [D5D0B6D0] (AR v1)
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Track 11
Filename Z:\EAC\FLAC\11 The House Carpenter.wav
Pre-gap length 0:00:01.64
Peak level 88.0 %
Extraction speed 7.3 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [1233D49C] (AR v1)
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Track 12
Filename Z:\EAC\FLAC\12 Johnston.wav
Pre-gap length 0:00:01.70
Peak level 84.8 %
Extraction speed 7.4 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [DD490D8B] (AR v1)
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Track 13
Filename Z:\EAC\FLAC\13 Reynard The Fox.wav
Pre-gap length 0:00:01.84
Peak level 93.0 %
Extraction speed 7.5 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [39293072] (AR v1)
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Track 14
Filename Z:\EAC\FLAC\14 Old Woman In Cotton.wav
Pre-gap length 0:00:01.89
Peak level 100.0 %
Extraction speed 7.5 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [B00D1035] (AR v1)
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Track 15
Filename Z:\EAC\FLAC\15 Dreams For Me.wav
Pre-gap length 0:00:01.22
Peak level 99.3 %
Extraction speed 6.6 X
Track quality 99.9 %
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Accurately ripped (confidence 3) [B0D8EFDB] (AR v1)
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Track 16
Filename Z:\EAC\FLAC\16 The Pipe On The Hob.wav
Peak level 75.2 %
Extraction speed 7.4 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [E5410B3E] (AR v1)
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Track 17
Filename Z:\EAC\FLAC\17 Brain Jam.wav
Peak level 100.0 %
Extraction speed 7.6 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [10D85BDC] (AR v1)
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Track 18
Filename Z:\EAC\FLAC\18 Pretty Polly.wav
Pre-gap length 0:00:01.02
Peak level 100.0 %
Extraction speed 8.8 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [FF1A8F39] (AR v1)
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Track 19
Filename Z:\EAC\FLAC\19 Standing On The Shore.wav
Peak level 88.6 %
Extraction speed 8.9 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [64A5465A] (AR v1)
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Track 20
Filename Z:\EAC\FLAC\20 A Mistake No Doubt.wav
Pre-gap length 0:00:01.26
Peak level 80.2 %
Extraction speed 8.4 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [27A3A955] (AR v1)
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Track 21
Filename Z:\EAC\FLAC\21 Go By Brooks.wav
Peak level 53.2 %
Extraction speed 7.9 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [8BF7F78B] (AR v1)
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Track 22
Filename Z:\EAC\FLAC\22 When You Don't Care.wav
Peak level 82.6 %
Extraction speed 8.5 X
Track quality 100.0 %
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Track 23
Filename Z:\EAC\FLAC\23 Afterthoughts.wav
Peak level 98.8 %
Extraction speed 8.9 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [17883C9D] (AR v1)
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Track 24
Filename Z:\EAC\FLAC\24 Hiram Hubbard.wav
Peak level 82.8 %
Extraction speed 6.9 X
Track quality 99.9 %
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Accurately ripped (confidence 3) [A62F0927] (AR v1)
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Track 25
Filename Z:\EAC\FLAC\25 Hall Of Mirrors.wav
Peak level 71.5 %
Extraction speed 9.3 X
Track quality 100.0 %
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Accurately ripped (confidence 2) [74CD8A36] (AR v1)
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All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum C8D94E85D87CC7E965DE4E18F619F103BD08BAAB9959E9F4E8176C9C916FD1EC ====
Содержание индексной карты (.CUE)
REM GENRE Folk
REM DATE 1996
REM DISCID 67123019
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Sweeney's Men"
TITLE "Sweeney's Men & The Tracks Of Sweeney"
FILE "01 Rattlin' Roarin' Willy.wav" WAVE
TRACK 01 AUDIO
TITLE "Rattlin' Roarin' Willy"
PERFORMER "Sweeney's Men"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Sullivan's John"
PERFORMER "Sweeney's Men"
INDEX 00 02:25:67
FILE "02 Sullivan's John.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Sally Brown"
PERFORMER "Sweeney's Men"
INDEX 00 03:14:33
FILE "03 Sally Brown.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "My Dearest Dear"
PERFORMER "Sweeney's Men"
INDEX 00 02:21:68
FILE "04 My Dearest Dear.wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "The Exile's Jig"
PERFORMER "Sweeney's Men"
INDEX 00 03:53:45
FILE "05 The Exile's Jig.wav" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "The Handsome Cabin Boy"
PERFORMER "Sweeney's Men"
INDEX 00 01:40:65
FILE "06 The Handsome Cabin Boy.wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Dicey Riley"
PERFORMER "Sweeney's Men"
INDEX 00 04:41:50
FILE "07 Dicey Riley.wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "Tom Dooley"
PERFORMER "Sweeney's Men"
INDEX 00 01:42:40
FILE "08 Tom Dooley.wav" WAVE
INDEX 01 00:00:00
TRACK 09 AUDIO
TITLE "Willy O'Winsbury"
PERFORMER "Sweeney's Men"
INDEX 00 02:31:10
FILE "09 Willy O'Winsbury.wav" WAVE
INDEX 01 00:00:00
TRACK 10 AUDIO
TITLE "Dance To Your Daddy"
PERFORMER "Sweeney's Men"
INDEX 00 04:54:55
FILE "10 Dance To Your Daddy.wav" WAVE
INDEX 01 00:00:00
TRACK 11 AUDIO
TITLE "The House Carpenter"
PERFORMER "Sweeney's Men"
INDEX 00 02:07:22
FILE "11 The House Carpenter.wav" WAVE
INDEX 01 00:00:00
TRACK 12 AUDIO
TITLE "Johnston"
PERFORMER "Sweeney's Men"
INDEX 00 03:56:22
FILE "12 Johnston.wav" WAVE
INDEX 01 00:00:00
TRACK 13 AUDIO
TITLE "Reynard The Fox"
PERFORMER "Sweeney's Men"
INDEX 00 03:39:57
FILE "13 Reynard The Fox.wav" WAVE
INDEX 01 00:00:00
TRACK 14 AUDIO
TITLE "Old Woman In Cotton"
PERFORMER "Sweeney's Men"
INDEX 00 03:24:65
FILE "14 Old Woman In Cotton.wav" WAVE
INDEX 01 00:00:00
TRACK 15 AUDIO
TITLE "Dreams For Me"
PERFORMER "Sweeney's Men"
INDEX 00 02:49:13
FILE "15 Dreams For Me.wav" WAVE
INDEX 01 00:00:00
FILE "16 The Pipe On The Hob.wav" WAVE
TRACK 16 AUDIO
TITLE "The Pipe On The Hob"
PERFORMER "Sweeney's Men"
INDEX 01 00:00:00
FILE "17 Brain Jam.wav" WAVE
TRACK 17 AUDIO
TITLE "Brain Jam"
PERFORMER "Sweeney's Men"
INDEX 01 00:00:00
TRACK 18 AUDIO
TITLE "Pretty Polly"
PERFORMER "Sweeney's Men"
INDEX 00 02:16:73
FILE "18 Pretty Polly.wav" WAVE
INDEX 01 00:00:00
FILE "19 Standing On The Shore.wav" WAVE
TRACK 19 AUDIO
TITLE "Standing On The Shore"
PERFORMER "Sweeney's Men"
INDEX 01 00:00:00
TRACK 20 AUDIO
TITLE "A Mistake No Doubt"
PERFORMER "Sweeney's Men"
INDEX 00 03:50:48
FILE "20 A Mistake No Doubt.wav" WAVE
INDEX 01 00:00:00
FILE "21 Go By Brooks.wav" WAVE
TRACK 21 AUDIO
TITLE "Go By Brooks"
PERFORMER "Sweeney's Men"
INDEX 01 00:00:00
FILE "22 When You Don't Care.wav" WAVE
TRACK 22 AUDIO
TITLE "When You Don't Care"
PERFORMER "Sweeney's Men"
INDEX 01 00:00:00
FILE "23 Afterthoughts.wav" WAVE
TRACK 23 AUDIO
TITLE "Afterthoughts"
PERFORMER "Sweeney's Men"
INDEX 01 00:00:00
FILE "24 Hiram Hubbard.wav" WAVE
TRACK 24 AUDIO
TITLE "Hiram Hubbard"
PERFORMER "Sweeney's Men"
INDEX 01 00:00:00
FILE "25 Hall Of Mirrors.wav" WAVE
TRACK 25 AUDIO
TITLE "Hall Of Mirrors"
PERFORMER "Sweeney's Men"
INDEX 01 00:00:00
Об исполнителе (группе)
Coming after the Clancy Brothers and before groups like Planxty and the Bothy Band, Sweeney's Men occupy a pivotal place in the history of Irish music, in addition to introducing the Greek bouzouki to the tradition, since which time it's become a staple instrument in so many bands. The original trio came together in Galway in 1966: Andy Irvine, Johnny Moynihan, and Joe Dolan. They picked up on the challenge thrown down by artists like Sean O'Riada and the early Chieftains by blending traditional song with exquisite harmonies and some trickily arranged instrumentals. They also, in time, became the first of the Irish folk bands to use electric instruments, putting themselves very much at the forefront of what would become folk-rock.
Their name derived from the book At Swim Two Birds by Flann O'Brien and they soon began touring Ireland under the management of Des Kelly. They released two singles for Pye, "Old Maid in the Garret" and "Waxie's Dargle," both of which made the Irish Top Ten. In 1967, Dolan left for Israel and was replaced by banjo player Terry Woods. Their sound changed, as documented on their first album, 1968's Sweeney's Men, recorded for Transatlantic, the signing was helped by prodding from Moynihan's girlfriend, English folk singer Anne Briggs. While the record wasn't strictly Irish -- its source material came from all over the British Isles -- its feel was very Irish. And it marked the first time the bouzouki had appeared in Irish traditional music -- an instrument mandolinist Moynihan had borrowed from a friend and adapted to the style. Following the appearance of the record, Irvine quit the group to travel in Eastern Europe and his replacement was electric guitarist Henry McCullough from Portstewart in Northern Ireland. He'd been in showbands and also a member of Eire Apparent, which had toured with Jimi Hendrix. While he hadn't been exposed to traditional music before, it came naturally to him, and the rest of the band met him halfway by going electric. However, although this lineup gigged, they never recorded before McCullough left the fold to join Joe Cocker. Woods and Moynihan continued as a duo. For a brief period they were joined by Al O'Donnell, but it was the twosome who recorded The Tracks of Sweeney in 1969, a mix of traditional and original pieces which wasn't as well-received as their debut. Shortly after, Sweeney's Men came to an end, Woods forming Orphanage with Thin Lizzy members Brian Downey and Phil Lynott, before moving to the English folk scene with wife Gay and joining the fledgling Steeleye Span. Moynihan took a little time off, then formed the seminal Planxty. The two albums from Sweeney's Men were collected on Time Was Never Here 1968-1969, issued in 1992 on Transatlantic.
Об альбоме (сборнике)
This is a two-for-one reissue of both Sweeney's Men albums. The 1968 self-titled debut was a notable contribution to contemporary Irish and British Isles folk in that it gathered some traditional material from Ireland, not just Britain and America. It also gave some depth to the well-traveled songs -- and songs like "Tom Dooley," "The House Carpenter," and "The Handsome Cabin Boy" are extremely well-traveled -- with an admirable assortment of instruments, including mandolin, bouzouki, harmonica, tin whistle, and concertina. Still, it's a rather average Irish folk record, with just one original song (Terry Woods' "My Dearest Dear"), and less striking to audiences of subsequent decades than it might have been at the time. Jigs, a cappella songs, and somewhat earthy folk (on "The Handsome Cabin Boy" and "The House Carpenter") all appear. Note that the version of "Tom Dooley" uses a much more rapid tempo, and a substantially different tune, than the familiar hit by the Kingston Trio does. The rendition of "Willy O'Winsbury" is probably the highlight. They were reduced to a duo on the subsequent The Tracks of Sweeney, with the departure of Andy Irvine. Actually, their music got more interesting, in large part because it featured mostly original material (often by Terry Woods) rather than old folk standbys. The music, while still folk and not folk-rock, took on a more personal, moody, and bluesy hue. "Dreams for Me" and "When You Don't Care" don't sound too different from some of Tim Hardin's work, with a bit of a British Isles slant. "Afterthoughts," with its unusual acoustic guitar sustain, was troubled yet subdued British singer/songwriter folk, putting Woods into the same company as Roy Harper, Ralph McTell, and others, without being derivative of those composers. There were still some numbers that were in the standard traditional folk vein, like the instrumental "The Pipe on the Hob" and "Pretty Polly," surely one of the most over-covered folk standards ever. At its best, it's quality, though minor, somber late-'60s British Isles folk; at its less impressive, it's routine traditional stuff. The one bonus track, "Old Woman in Cotton," comes from a 1967 single, and is one of their more memorable and dramatic songs.
