(Avant-Garde, Free Improvisation) Lol Coxhill - Ear Of Beholder - 1994, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 24. December 2011, 11:08
Lol Coxhill / Ear of Beholder
Used drive  : TSSTcorpCDDVDW SH-S222A   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Tool\CD\EAC10\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--ta
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.32 |  0:35.43 |        32    |     2699
        2  |  0:36.00 |  7:15.50 |      2700    |    35374
        3  |  7:51.50 |  3:27.22 |     35375    |    50921
        4  | 11:18.72 |  3:21.28 |     50922    |    66024
        5  | 14:40.25 |  3:17.40 |     66025    |    80839
        6  | 17:57.65 |  4:58.50 |     80840    |   103239
        7  | 22:56.40 |  1:14.60 |    103240    |   108849
        8  | 24:11.25 |  8:20.05 |    108850    |   146354
        9  | 32:31.30 |  1:41.72 |    146355    |   154001
       10  | 34:13.27 |  1:23.23 |    154002    |   160249
       11  | 35:36.50 | 20:11.45 |    160250    |   251119
       12  | 55:48.20 |  2:45.07 |    251120    |   263501
       13  | 58:33.27 |  3:56.58 |    263502    |   281259
       14  | 62:30.10 |  2:31.02 |    281260    |   292586
       15  | 65:01.12 |  4:55.28 |    292587    |   314739
       16  | 69:56.40 |  1:06.17 |    314740    |   319706
       17  | 71:02.57 |  2:10.35 |    319707    |   329491
       18  | 73:13.17 |  3:32.35 |    329492    |   345426
       19  | 76:45.52 |  0:26.08 |    345427    |   347384
Track  1
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\01 - Introduction.wav
     Pre-gap length  0:00:02.32
     Peak level 67.5 %
     Extraction speed 1.3 X
     Track quality 100.0 %
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Track  2
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\02 - Hungerford.wav
     Peak level 72.5 %
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     Track quality 100.0 %
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Track  3
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\03 - Deviation Dance.wav
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     Peak level 51.9 %
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Track  4
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\04 - Two Little Pigeons.wav
     Pre-gap length  0:00:02.57
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Track  5
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\05 - Don Alfonso.wav
     Peak level 79.9 %
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Track  6
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\06 - Open Piccadilly.wav
     Pre-gap length  0:00:03.35
     Peak level 47.9 %
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     Track quality 100.0 %
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Track  7
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\07 - Feedback.wav
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Track  8
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\08 - Insensatez.wav
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Track  9
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\09 - A Conversation with Children - Jamaican Rumba.wav
     Pre-gap length  0:00:03.68
     Peak level 67.2 %
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Track 10
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\10 - Piccadilly with Goofs.wav
     Pre-gap length  0:00:03.12
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Track 11
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\11 - Rasa-Moods.wav
     Pre-gap length  0:00:02.70
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Track 12
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\12 - A Collective Improvisation.wav
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Track 13
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\13 - I Am The Walrus.wav
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Track 14
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\14 - The Rhythmic Hooter.wav
     Pre-gap length  0:00:04.53
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Track 15
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\15 - Lover Man.wav
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Track 16
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\16 - Zoological Fun.wav
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Track 17
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\17 - Little Triple One Shot.wav
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Track 18
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\18 - That's Why ... Darkies Were Born.wav
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Track 19
     Filename C:\! UPLOAD\Lol Coxhill - Ear Of Beholder (1994) [FLAC] {See For Miles}\19 - A Series of Superbly Played Mellotron Codas.wav
     Peak level 96.8 %
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==== Log checksum FD88CE262D1A2A4A4833D6A69BF082B62D15755E9165FBDBA03EAAB7418F0231 ====

REM GENRE Jazz
REM DATE 1994
REM DISCID 1E121713
REM COMMENT "ExactAudioCopy v1.0b2"
PERFORMER "Lol Coxhill"
TITLE "Ear of Beholder"
FILE "01 - Introduction.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Introduction"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    PREGAP 00:00:32
    INDEX 01 00:00:00
FILE "02 - Hungerford.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Hungerford"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Deviation Dance"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    INDEX 00 07:12:27
FILE "03 - Deviation Dance.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Two Little Pigeons"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    INDEX 00 03:24:40
FILE "04 - Two Little Pigeons.wav" WAVE
    INDEX 01 00:00:00
FILE "05 - Don Alfonso.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Don Alfonso"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Open Piccadilly"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    INDEX 00 03:14:05
FILE "06 - Open Piccadilly.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Feedback"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    INDEX 00 04:55:07
FILE "07 - Feedback.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Insensatez"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    INDEX 00 01:11:50
FILE "08 - Insensatez.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "A Conversation with Children - Jamaican Rumba"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    INDEX 00 08:16:12
FILE "09 - A Conversation with Children - Jamaican Rumba.wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Piccadilly with Goofs"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    INDEX 00 01:38:60
FILE "10 - Piccadilly with Goofs.wav" WAVE
    INDEX 01 00:00:00
  TRACK 11 AUDIO
    TITLE "Rasa-Moods"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    INDEX 00 01:20:28
FILE "11 - Rasa-Moods.wav" WAVE
    INDEX 01 00:00:00
  TRACK 12 AUDIO
    TITLE "A Collective Improvisation"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    INDEX 00 20:09:37
FILE "12 - A Collective Improvisation.wav" WAVE
    INDEX 01 00:00:00
  TRACK 13 AUDIO
    TITLE "I Am The Walrus"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    INDEX 00 02:42:17
FILE "13 - I Am The Walrus.wav" WAVE
    INDEX 01 00:00:00
  TRACK 14 AUDIO
    TITLE "The Rhythmic Hooter"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    INDEX 00 03:52:05
FILE "14 - The Rhythmic Hooter.wav" WAVE
    INDEX 01 00:00:00
  TRACK 15 AUDIO
    TITLE "Lover Man"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    INDEX 00 02:28:02
FILE "15 - Lover Man.wav" WAVE
    INDEX 01 00:00:00
  TRACK 16 AUDIO
    TITLE "Zoological Fun"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    INDEX 00 04:51:70
FILE "16 - Zoological Fun.wav" WAVE
    INDEX 01 00:00:00
  TRACK 17 AUDIO
    TITLE "Little Triple One Shot"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    INDEX 00 01:03:50
FILE "17 - Little Triple One Shot.wav" WAVE
    INDEX 01 00:00:00
  TRACK 18 AUDIO
    TITLE "That's Why ... Darkies Were Born"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    INDEX 00 02:10:20
FILE "18 - That's Why ... Darkies Were Born.wav" WAVE
    INDEX 01 00:00:00
FILE "19 - A Series of Superbly Played Mellotron Codas.wav" WAVE
  TRACK 19 AUDIO
    TITLE "A Series of Superbly Played Mellotron Codas"
    PERFORMER "Lol Coxhill"
    ISRC 000000000000
    INDEX 01 00:00:00

The avant-garde is an odd beast. In the case of saxophonist/singer Lol Coxhill, that can range from the virtually unlistenable squawk of "Feedback" (which is exactly what the title says) to '30s music hall songs performed with keyboard player David Bedford. Cobbled together from live tapes and a few studio sessions, much of the backing comes from the Whole World, the Kevin Ayers backing band of which Coxhill was a member. But not all: "Rasa-Moods," a 20-minute spontaneous performance taped in Holland, brings in Dutch free musicians for something that travels through moods; "A Conversation With Children" is exactly that; and the cover of "I Am the Walrus" is sung by kids, to offer an odd, disquieting effect. Some pieces work better than others; the solo railway bridge improvisations of "Hungerford," punctuated by passing trains, is the perfect plunge into this record, while "The Rhythmic Hooter" is as close to something normal as it gets here, before descending into "That's Why...Darkies Were Born," an ironic, deliberately anti-racist performance of an old vaudeville hit (as the notes emphasize).
The standard "Lover Man" gets a working over, not always with the best result, while "Open Picadilly" is just that, recorded in the open in London's Picadilly. It's a challenging record, and as Coxhill admits at the very beginning (on "Introduction" he disarmingly discusses the disc's successes and failures), it doesn't all work. When it hits, it's excellent; when it doesn't, attention wanders all too easily. But for 1971, aimed at the rock audience via John Peel's Dandelion label, it was decidedly adventurous and daring -- and still is.