40years · 10-Апр-11 20:06(14 лет 5 месяцев назад, ред. 27-Ноя-21 11:23)
●★●Mathias Eick • Discography●★●Жанр: ECM, contemporary jazz, modern creative, nordic jazz Страна: Germany Год издания: 2008-2021 Аудиокодек: MP3 Тип рипа: tracks Битрейт аудио: 320 kbps Продолжительность: 03:31:46 Наличие сканов в содержимом раздачи: да
2008 - The Door (49:12)
01. The Door (7:51) 02. Stavanger (6:58) 03. Cologne Blues (8:47) 04. October (4:41) 05. December (4:44) 06. Williamsburg (7:23) 07. Fly (4:35) 08. Porvoo (4:11) Состав:
Mathias Eick – trumpet, guitar, vibraphone
Jon Balke – piano, Fender Rhodes
Audun Erlien – electric bass, guitar
Audun Kleive – drums, percussion
Stian Carstensen – pedal steel guitar (3-5)Rec.: Rainbow Studio, Oslo, Norway, September 2007. Additional recordings at Cabin Recorders by Audun Ofstad Borrmann.
Mixed by Mathias Eick, Manfred Eicher and Peer Espen Ursfjord.
Несколько слов на английском
Mathias Eick’s resumé includes work with musicians of many styles, from Chick Corea and the Trondheim Jazz Orchestra to Norwegian psychedelic rock band Motorpsycho. A primary project in the last ten years has been the jazz/progressive rock ten-piece band Jaga Jazzist: Eick’s multi-instrumentalism has been an important part of that group’s sound and on The Door he is also heard on vibraphone and guitar as well as trumpet, as he puts it, whatever needs to be played. Eick has appeared on two ECM recordings with Norwegian-American guitarist Jacob Young, Evening Falls and Sideways, and on Finnish harpist/pianist/composer Iro Haarla’s Northbound. In 2007 he became a frontline soloist of Manu Katché’s band, appearing on the best-selling Playground… Trumpeter Mathias Eick, in the first album released under his own name, focuses all the qualities that have made him a musician to be reckoned with in and around jazz of the last decade. The Door is distinguished by vaulting lyricism and clear-edged melodies, a strong sense of ambient space in the writing, and edge and excitement and openness to improvisation. The 28-year-old Norwegian cites Miles Davis, Clifford Brown, Kenny Wheeler, Tomasz Stanko, Arve Henriksen and Nils Petter Molvaer as influences upon his stylistic evolution as a soloist. However it was his own, meanwhile characteristic, sound that prompted the International Association of Jazz Educators (IAJE) to present him the International Jazz Award for New Talent in 2007. The prize included support for an international tour, allowing Eick and musicians to develop their repertoire. The Door was subsequently recorded in Oslo s Rainbow and Cabin Recorders studios in September 2007. Eick s spacious pieces allow plenty of free range for Jon Balke, whose resourcefulness as pianist, always taking the path less trodden, is in evidence throughout the album. Balke s playing, in a rare sideman role, is one of the pleasures of The Door. Orchestrator par excellence in presentations of his own music (particularly with Magnetic North), Balke the pianist is effectively an arranger-in-action here, continually opening up fresh perspectives inside Eick s robust ballads and mid-tempo pieces. Drummer Audun Kleive is another player with deep ECM roots. A former member of Terje Rypdal s Chasers and of Charles Lloyd s touring quartet, he has also had a long association with percussionist Marilyn Mazur. Here he in tandem with bassist Audun Erlien, (previously heard on ECM with Nils Petter Molvaer), developing and telescoping the grooves and pulses. Guest artist Stian Carstensen who appears on three tunes ( Cologne Blues , October and December ) was last heard on ECM playing accordion with Trygve Seim (Different Rivers) is here featured on pedal steel guitar, an instrument whose expressive potential is rarely glimpsed in jazz contexts.
2011 - Skala (41:46)
01. Skala (6:17) 02. Edinburgh (5:11) 03. June (4:19) 04. Oslo (5:31) 05. Joni (5:57) 06. Biermann (6:11) 07. Day After (4:55) 08. Epilogue (3:21) Состав: Mathias Eick - trumpet
Tore Brunborg - tenor saxophone
Andreas Ulvo - piano
Morten Qvenild - keyboards
Sidsel Walstad - harp
Audun Erlien - electric bass
Torstein Lofthus - drums
Gard Nilssen - drums
2015 - Midwest (42:46)
01. Midwest (Eick) - 5:14 02. Hem (Eick) - 5:17 03. March (Eick) - 5:56 04. At Sea (Eick) - 4:07 05. Dakota (Eick) - 4:59 06. Lost (Eick) - 5:46 07. Fargo (Eick) - 6:23 08. November (Eick) - 5:03 Состав: Mathias Eick, trumpet Gjermund Larsen, violin Jon Balke, piano Mats Eilertsen, double bass Helge Norbakken, percussionRecorded at Rainbow Studio, Oslo in May 2014.
Об альбоме
Info for MidwestMathias Eick reflects on distances travelled in this intensely melodic set of original compositions, which makes an imaginative journey from Hem, the tiny Norwegian village where the trumpeter grew up, to the vast plains of Dakota in the American Midwest. It was to the Midwest that hundreds of thousands of Norwegians travelled by sea in the 19th and early 20th centuries - and naturally they took their music with them. In similar spirit Eick, a Norwegian improviser-composer strongly influenced by North American jazz, here reintegrates some of the colours and textures of his native folk music in these newly-created pieces. In the frontline of the line-up featured here he is partnered by the brilliant violinist Gjermund Larsen, whose roots are in the Norwegian folk tradition. Trumpet and violin exchange lines and soar together above a brilliant rhythm section with Jon Balke at his most lyrical, Helge Norbakken periodically finding pulses that can suggest tribal drumming or buffalo hooves, and the resourceful Mats Eilertsen helping to drive the music forward. The original inspiration for the album was sparked by a gruelling North American tour: “I’d been out on the road for a long time and was feeling homesick. Then we reached the area called the Rural Midwest and I suddenly felt as if I was home. I had a sense of why the early settlers would want to build their farms there. It reminded me very much of parts of Norway. ” https://www.highresaudio.com/en/album/view/ress3u/mathias-eick-midwest
2018 - Ravensburg (40:09)
01. Family 04:15 02. Children 05:42 03. Friends 06:16 04. August 05:01 05. Parents 05:16 06. Girlfriend 05:13 07. Ravensburg 05:38 08. For My Grandmothers 02:49 Состав:
Mathias Eick (trumpet, voice)
Håkon Aase (violin)
Andreas Ulvo (piano)
Audun Erlien (electric bass)
Torstein Lofthus (drums)
Helge Andreas Norbakken (drums, percussion)
Об исполнителе (группе)
One of the pleasures of Mathias Eick's 'Midwest' album was hearing his vaulting trumpet supported by violin, an instrumental combination further developed on 'Ravensburg'.
The new violinist in Eick's ensemble is Håkon Aase, one of the up-and-coming players of the new Norwegian scene, whom attentive ECM listeners will already know from his work with Thomas Strønen's group. The core Eick road band is further shored up by the addition of Helge Andreas Norbakken, who interacts excitingly with fellow drummer Torstein Lofthus.
Eick is in great form as a writer on this showing, deploying driving rhythm at the bottom end of his music and soaring melody at the top in this series of pieces which add up to a kind of collective family portrait, touching upon "all the emotional situations we experience on the stage where we mostly hang around. That is: home." Embodied in the music, with its strongly melodic themes and improvisational exchanges, are ideas of relationships, dialogues, longings, games - and journeys.
'Ravensburg' was recorded at Oslo's Rainbow Studio in June 2017 and produced by Manfred Eicher and it is issued on both CD and 180g vinyl (with a free download code). https://en.wikipedia.org/wiki/Mathias_Eick
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2021 - When We Leave (37:45)
01. Loving (5:21) 02. Caring (6:10) 03. Turning (5:31) 04. Flying (5:07) 05. Arvo (5:30) 06. Playing (5:20) 07. Begging (4:47)Mathias Eick, trumpet, keyboard, vocals Hakon Aase, violin, percussion Andreas Ulvo, piano Audun Erlien, bass Torstein Lofthus, drums Helge Andreas Norbakken, drums, percussion Stian Carstensen, pedal steel guitar
Об альбоме (сборнике)
Norwegian trumpeter Mathias Eick's expressive playing, which according to the New York Times radiates a "pristine yet penetrating tone", is remarkably well complemented in the company of his gifted supporting players and fellow travelers. Violinist Hakon Aase, one of the outstanding improvisers of his generation, shadows the leader with lines that reflect a profound background in folk as well as jazz. Drummers Helge Andeas Norbakken and Torstein Lofthus mirror their exchanges, as they interact with purring precision. Near the centre of the action, pianist Andras Ulvo and bass guitarist Audun Erlien ferry ideas between frontline and rhythm section and make statements of their own. On several tracks, the delicate swell of Stian Carstensen's pedal steel guitar adds a dimension of mystery. 'When we leave' was recorded at Oslo's Rainbow Studio in August 2020.
Об исполнителе (рус.) | About Artist (ru)
Матиас ЭйкМатиас Эйк - норвежский джазовый музыкант. Его главный инструмент - труба, но кроме этого он играет на синтезаторе, контрабасе, вибрафоне, гитаре (а также, как говорит он сам, на всём, что потребуется). Эйк принадлежит к молодому поколению норвежских импровизаторов: когда первые звёзды «нордического» джаза (Ян Гарбарек, Терье Рипдаль и др.) уже были на пике славы в Европе, Матиаса ещё не было на свете - он родился 26 июня 1979 года в небольшом местечке Эйдсфосс. И с детства был погружён в музыкальную атмосферу: его мать пела в хоре, старший брат Йоханнес - известный в Норвегии контрабасист (выступал с Валлумродом и Элин Росселанд), а сестра Труде профессиональная валторнистка. Сам Матиас с 1984 по 1993 брал уроки фортепиано у различных педагогов в ближайшем крупном городе Драммене, занимался и на трубе (с шести лет). По окончании школы Эйк посещал Toneheim Folkehoyskole в Хамаре (музыкальные курсы, которые может свободно посещать любой желающий), а затем получал образование в тронхеймской консерватории Jazzlinja. В начале профессиональной карьеры Эйк записывался с блэк-метал группами «Arcturus», «Ulver» и другими норвежскими коллективами («Turboneger», «DumDum Boys», «Motorpsycho», «D'Sound»), одна из команд, членом которой он был, «Motif», получила в 2001 году приз Young Nordic Jazz Comets. С 1998 года (и по сей день) Матиас работает в составе одного из самых известных норвежских «молодёжных» джазовых бэндов, играющих так называемый nu jazz - группе «Jaga Jazzist». Также Эйк сотрудничал с Trondheim Jazz Orchestra, Chick Corea, Pat Metheny; в 2006-ом он провел европейские гастрольные туры с Jan Gunnar Hoff Group+Mike Stern и с певцом/гитаристом Thomas Dybdahl. Первый опыт сотрудничества Эйка с лейблом ЕСМ приходится на 2003 год, когда он поучаствовал в записи альбома своего соотечественника Jacob Young “Evening Falls”, позднее содействовал финской пианистке/арфистке Iro Haarla (в т. ч. на недавнем "Vespers") и французскому ударнику Manu Katché. А в 2008 вышел первый "лидерский" диск "Door", ставший редким примером объединения коммерческого успеха с признанием у серьёзной джазовой публики. Критики писали о нём так: "…основу составляют чистые, прозрачные мелодии, опирающиеся на европейскую мажорно-минорную ладовую систему и не носящие ни в изложении темы, ни в импровизации ни малейшего оттенка «афроамериканщины» с её характерными блюзовыми нотами" (К. Мошков), "…труба звучит прозрачно, почти без вибрато, а фразы льются неторопливо и размеренно, композиции полны воздушности, мелодизма, лирические соло изредка "взрываются" виртуозными пассажами. Эта музыка является квинтэссенцией всего лучшего, что было создано в норвежском джазе". Годом спустя Эйк выпустил любопытный альбом "Three Wise Men": в компании с иранским и турецким музыкантами он интерпретировал рождественские песни разных стран: Палестины, Франции, Норвегии, Германии, острова Сицилия и других. Матиас Эйк - стипендиат нескольких фондов. В 2007 году он стал победителем международного конкурса молодых талантов “The International Jazz Award for New Talent” и в придачу к 20 тысячам долларов получил приглашения выступить на ведущих джазовых фестивалях мира (Монтрё, Монреаль, Монтерей) со своим квинтетом.
Об исполнителе (англ.) | About Artist (en)
Mathias EickTrumpeter, composer and bandleader Mathias Eick (b. 1979) has for a long time been named one of the world’s major jazz talents. With his fourth release on renowned ECM Records he is well on his way to make a home run. While his earlier editions and musicianship have been characterized by a life spent travelling, constantly heading towards new goals and destinations, the album Ravensburg witnesses a mature artist finding his unique and distinguished musical expression. The album is a voyage back home, a reflection on his life situation, with music as an important impetus and his family as a foundation. About Ravensburg he muses: “My inspiration has been my family, my beloved, my little children who never stop to amaze me, and all the emotional situations we experience on the stage where we mostly hang around, that is home”. To Eick his life consists of jigsaw puzzle pieces. Thousands of them. Like those he and his siblings were given each Christmas by their German grandmother from the jigsaw puzzle town, Ravensburg. Motifs of Alpine scenery and Tyrolean houses in a constant battle against the vacuum cleaner. Tracks titled “Family”, “Children”, “Friends” and “Parents” clearly demonstrate more profound metaphors and furthermore, that all these pieces play a decisive role in his life, artistically as well as privately. Eick has been awarded prestigious prizes, like the International Jazz Festival Organization’s “International Jazz Talent” prize, the Statoil scholarship and the DNB-prize. Having finished his education at NTNU Trondheim’s jazz studies, he soon gained success working with artists like Trondheim Jazz Orchestra and Chick Corea, Jaga Jazzist, Iro Haarla, Many Katché, Elvira Nikolaisen and Jacob Young. In 2008 Eick released his first solo album on ECM, The Door, followed by tours around the world with various constellations and projects. As trumpeter, vibraphonist, double bass player, guitarist or piano player he has performed on far more than 100 recordings. The eminent Ravensburg sextet include two drummers, Torstein Lofthus and Helge Andreas Norbakken, bass player Audun Erlien, piano player Andreas Ulvo and violinist Håkon Aase together with Eick himself. As usual, and in good ECM tradition, the music is produced by Manfred Eicher and recorded by Jan-Erik Kongshaug in Rainbow Studio, Oslo. “On this occasion I wanted to pursue a more melodic and rhythmic tradition and merge with the lyrical, Nordic ECM-aesthetics that I grew up with. My intention has been to bring the music back to Nordic regions and to make it more personal. To portray the strong emotions of life without words.”
His fourth album has also been the most challenging in his career so far. As composer and musician, it has been a struggle to conquer musical stagnation and periods of challenges. The result is an album where emotions stick to every breath. Ravensburg concerns the interplay of human beings, an interplay where all the pieces enact their part of the big jigsaw puzzle named life and where Mathias Eick in earnest proves on which shelf he has carved out for himself. https://www.mathiaseick.no/
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Это предупреждение относится только к одному альбому Остальные четыре альбома все же будете продолжать раздавать? 40years
А почему у Вас Составы то под спойлером, то нет. Вы уж как то определитесь. И вообще, столь малочисленные составы ни к чему прятать под спойлер.
Остальные четыре альбома все же будете продолжать раздавать?