(Modern Creative) Anthony Ortega - New Dance - 2003, FLAC (tracks+.cue), lossless, EAC

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 11. December 2009, 23:09
Anthony Ortega / New Dance
Used drive : Optiarc DVD RW AD-7200S Adapter: 2 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : D:\Program Files\FLAC\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 9:44.02 | 0 | 43801
2 | 9:44.02 | 10:20.64 | 43802 | 90365
3 | 20:04.66 | 11:34.20 | 90366 | 142435
4 | 31:39.11 | 12:02.65 | 142436 | 196650
5 | 43:42.01 | 6:43.12 | 196651 | 226887
6 | 50:25.13 | 6:46.71 | 226888 | 257408
7 | 57:12.09 | 8:23.01 | 257409 | 295134
8 | 65:35.10 | 4:48.30 | 295135 | 316764
Track 1
Filename I:\Music\WCD\01. New Dance I and II (Anthony Ortega - New Dance - 1990).wav
Pre-gap length 0:00:02.00
Peak level 99.9 %
Track quality 100.0 %
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Track 2
Filename I:\Music\WCD\02. The Shadow Of Your Smile (Anthony Ortega - New Dance - 1990).wav
Pre-gap length 0:00:01.08
Peak level 93.7 %
Track quality 100.0 %
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Track 3
Filename I:\Music\WCD\03. Sentimentalize (Anthony Ortega - New Dance - 1990).wav
Peak level 91.7 %
Track quality 100.0 %
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Track 4
Filename I:\Music\WCD\04. Conversation Piece (Anthony Ortega - New Dance - 1990).wav
Peak level 99.5 %
Track quality 100.0 %
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Track 5
Filename I:\Music\WCD\05. My Buddy (Anthony Ortega - New Dance - 1990).wav
Pre-gap length 0:00:03.77
Peak level 99.4 %
Track quality 100.0 %
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Track 6
Filename I:\Music\WCD\06. #This Autumn (Anthony Ortega - New Dance - 1990).wav
Peak level 99.6 %
Track quality 100.0 %
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Track 7
Filename I:\Music\WCD\07. I Love You (Anthony Ortega - New Dance - 1990).wav
Peak level 99.5 %
Track quality 100.0 %
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Track 8
Filename I:\Music\WCD\08. G, The Key (Anthony Ortega - New Dance - 1990).wav
Peak level 99.0 %
Track quality 99.9 %
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report

http://www.allaboutjazz.com/php/article.php?id=27285
Originally recorded for Revelation, the music on this CD reissue features the underrated but talented altoist Anthony Ortega stretching out on four duets with bassist Chuck Domanico and four trios with bassist Bobby West and drummer Bill Goodwin. Ortega plays adventurous but perfectly coherent solos on four originals and a quartet of standards (including "The Shadow Of Your Smile" and a haunting rendition of "My Buddy"). Although one can hear abstract ties to the music of Lennie Tristano, in general Ortega is surprisingly original, making this set an overlooked gem. ~ Scott Yanow
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In 1966-67 two albums issued on Revelation, "New Dance" and "Permutations", established Anthony Ortega as a master of advanced Jazz improvization. For years afterwards, dedicated fans treasured these sessions and finally persuaded Werner X. Uehlinger of the Swiss label, Hat Hut, to reissue most of the Revelation tracks on this CD. It was awarded a 1990 prize for reissue of the year in France and led to a number of European concerts and albums. Ortega considers it his "signature work." As critic Art Lange wrote: "In retrospect, it was this lyricism, plus his restraint and and sense of contemplation--a sparce controlled manner of expression that sculptured new lines out of spontaneous alterations of tempos and dynamics--that set Ortega's playing apart. Unlike most improvisers, who embellish or orniment their material, Ortega was here stripping away the musicical excess, replacing it with elastic, elliptical statements that reshaped and redefined the music from its emotional core."
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n retrospect, it was this lyricism, plus his restraint and sense of contemplation—a sparse, controlled manner of expression that sculpted new lines out of spontaneous alterations of tempo and dynamics—that set Ortega’s playing apart. Unlike most improvisers, who embellish or ornament their material, Ortega was here stripping away the musical excess, replacing it with elastic, elliptical statements that reshaped and redefined the music from its emotional core. Since the 1960s Ortega has recorded another handful of sessions, including in 2000 the acclaimed Scattered Clouds (hatOLOGY 555). But it’s no slight on Ortega today to say that with New Dance he created something special, unique, and timeless. — Art Lange