Caterina Sforza · 17-Янв-11 21:15(14 лет 7 месяцев назад, ред. 21-Июн-20 15:22)
Magdalena Kozena: Lettere Amorose Жанр: Classical vocal Страна-производитель диска: Made in the E.U. Год издания диска: 2010 Издатель (лейбл): Label: Deutsche Grammophon GmbH, Hamburg / A UNIVERSAL MUSIC COMPANY Номер по каталогу: 477 8764 Дата записи: 2010 Аудиокодек: FLAC Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 61'33'' Источник: релизер сайт-источник/ник/другое: makdelart, подарок; marcoraren - полный буклет; Caterina Sforza - работа с cue, доп. сканы Наличие сканов в содержимом раздачи: да, два полных авторских буклета jpeg, 37 стр. Треклист: 1 Filippo Vitali – O bei lumi
2 Sigismondo D’India – Cruda Amarilli
3 Claudio Monteverdi – Si dolce è il tormento
4 Giulio Romano Caccini – Odi Euterpe
5 Luis de Briceno – Caravanda Ciacona
6 Tarquinio Merula - Canzonetta Spirituale
7 Gaspar Sanz – Canarios
8 Sigismondo D’India – Ma che? Squallido e oscura
9 Biagio Marini – Con le Stelle in Ciel
10 Johann Kapsberger - Felici gl’animi
11 Giovanni de Macque - Capriccio stravagante
12 Johann Kapsberger - Aurilla mia
13 Sigismondo D’India - Torna il sereno zeffiro
14 Giovanni Paolo Foscarini - Ciacona
15 Barbara Strozzi, Cantate, Ariette e Duetti, Op.2 – L’Eraclito amoroso (Udite amanti)
16 Lucas Ruiz de Ribayaz - Espanoletas
17 Tarquinio Merula – Folle é ben
Исполнители
Композиторы: Filippo Vitali (c.1599-1653) Sigismondo d’India (c1582-1629) Claudio Monteverdi (1567-1643) Luis de Briçeño (fl early 17th century) Tarquinio Merula (1594/5-1665) Gaspar Sanz (mid 17th-early 18th century) Biagio Marini (1594-1663) Girolamo Kapsberger (c1580-1651) Giovanni de Macque (1548/50-1614) Giovanni Paolo Foscarini (fl 1629-1647) Barbara Strozzi (1619-1677) Lucas Ruiz Ribayaz (*before 1650) Lettere Amorose Magdalena Kožená, mezzo-soprano Private Musicke Pierre Pitzl, conductor Recording Date: September, 2009 - October, 2009 Recording Location: Potsdam, Nikolaisaal Audio CD (November 22, 2010)
Лог создания рипа
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 21. April 2020, 15:57 Magdalena Kožená / Lettere Amorose Used drive : ATAPI iHAS124 F Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 2:55.63 | 0 | 13187 2 | 2:55.63 | 2:56.28 | 13188 | 26415 3 | 5:52.16 | 3:29.71 | 26416 | 42161 4 | 9:22.12 | 3:27.63 | 42162 | 57749 5 | 12:50.00 | 1:41.37 | 57750 | 65361 6 | 14:31.37 | 8:42.20 | 65362 | 104531 7 | 23:13.57 | 3:15.48 | 104532 | 119204 8 | 26:29.30 | 2:44.42 | 119205 | 131546 9 | 29:13.72 | 4:22.12 | 131547 | 151208 10 | 33:36.09 | 2:57.21 | 151209 | 164504 11 | 36:33.30 | 1:43.30 | 164505 | 172259 12 | 38:16.60 | 3:17.12 | 172260 | 187046 13 | 41:33.72 | 3:28.15 | 187047 | 202661 14 | 45:02.12 | 1:48.12 | 202662 | 210773 15 | 46:50.24 | 7:55.69 | 210774 | 246467 16 | 54:46.18 | 2:54.09 | 246468 | 259526 17 | 57:40.27 | 3:53.72 | 259527 | 277073 Range status and errors Selected range Filename C:\EACRip\KOZENA\Lettere Amorose (Magdalena Kozena, Private Musicke, Pierre Pitzl) (2010)\Lettere Amorose - Magdalena Kozena, Private Musicke, Pierre Pitzl.wav Peak level 99.5 % Extraction speed 8.8 X Range quality 100.0 % Test CRC 4791FD57 Copy CRC 4791FD57 Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 43) [53E4EE44] (AR v2) Track 2 accurately ripped (confidence 44) [2A0F3607] (AR v2) Track 3 accurately ripped (confidence 44) [523D0A43] (AR v2) Track 4 accurately ripped (confidence 44) [11D1F9A0] (AR v2) Track 5 accurately ripped (confidence 43) [1245BD2F] (AR v2) Track 6 accurately ripped (confidence 43) [D0A21668] (AR v2) Track 7 accurately ripped (confidence 44) [AACA6083] (AR v2) Track 8 accurately ripped (confidence 44) [B20F349D] (AR v2) Track 9 accurately ripped (confidence 44) [F48A6CED] (AR v2) Track 10 accurately ripped (confidence 44) [3C4D38E0] (AR v2) Track 11 accurately ripped (confidence 44) [0A9EEDA8] (AR v2) Track 12 accurately ripped (confidence 44) [C8767962] (AR v2) Track 13 accurately ripped (confidence 44) [D85190CC] (AR v2) Track 14 accurately ripped (confidence 44) [B11007E0] (AR v2) Track 15 accurately ripped (confidence 43) [90EF6EF1] (AR v2) Track 16 accurately ripped (confidence 44) [CE7A9E10] (AR v2) Track 17 accurately ripped (confidence 43) [11E02C1A] (AR v2) All tracks accurately ripped End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: Zcrz6IgtKPlZBwhm36AISVeI758-] found Submit result: Zcrz6IgtKPlZBwhm36AISVeI758- has been confirmed Track | CTDB Status 1 | (73/74) Accurately ripped 2 | (73/74) Accurately ripped 3 | (73/74) Accurately ripped 4 | (73/74) Accurately ripped 5 | (73/74) Accurately ripped 6 | (71/74) Accurately ripped 7 | (73/74) Accurately ripped 8 | (73/74) Accurately ripped 9 | (73/74) Accurately ripped 10 | (73/74) Accurately ripped 11 | (73/74) Accurately ripped 12 | (73/74) Accurately ripped 13 | (72/74) Accurately ripped 14 | (73/74) Accurately ripped 15 | (71/74) Accurately ripped 16 | (72/74) Accurately ripped 17 | (71/74) Accurately ripped ==== Log checksum 14974691327EC88EA4ABE730B544100C6B387F315F7A9F4EA4D64C4B8F7D61CB ====
Содержание индексной карты (.CUE)
REM GENRE Vocal REM DATE 2009 REM DISCID 060E6E11 REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Magdalena Kožená (mezzo-soprano), Private Musicke, Pierre Pitzl (dir.)" TITLE "Lettere Amorose" REM COMPOSER "Filippo Vitali (c.1599-1653], Sigismondo d’India (c1582-1629), Claudio Monteverdi (1567-1643), Luis de Briçeño (fl early 17th century), Tarquinio Merula (1594/5-1665), Gaspar Sanz (mid 17th-early 18th century), Biagio Marini (1594-1663), Girolamo Kapsberger (c1580-1651), Giovanni de Macque (1548/50-1614), Giovanni Paolo Foscarini (fl 1629-1647), Barbara Strozzi (1619-1677), Lucas Ruiz Ribayaz (*before 1650)" FILE "Lettere Amorose - Magdalena Kožená, Private Musicke, Pierre Pitzl.flac" WAVE TRACK 01 AUDIO TITLE "Filippo Vitali [c.1599-1653] - “O bei lumi” (‘Musiche a una e due voci’, Libro secondo, 1618)" PERFORMER "Magdalena Kožená & Private Musicke, Pierre Pitzl" REM COMPOSER "Filippo Vitali" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Sigismondo d’India [c.1582-1629] - “Cruda Amarilli” (‘Primo libro di musiche da cantar solo’, 1609)" PERFORMER "Magdalena Kožená & Private Musicke, Pierre Pitzl" REM COMPOSER "Sigismondo d’India" INDEX 01 02:55:63 TRACK 03 AUDIO TITLE "Claudio Monteverdi [1567-1643] - “Si dolce è’l tormento” (‘Quarto scherzo delle ariose vaghezze’, 1624)" PERFORMER "Magdalena Kožená & Private Musicke, Pierre Pitzl" REM COMPOSER "Claudio Monteverdi" INDEX 01 05:52:16 TRACK 04 AUDIO TITLE "Giulio Caccini [1551-1618] - “Odi, Euterpe, il dolce canto” (‘Le nuove musiche’, 1601/02)" PERFORMER "Magdalena Kožená & Private Musicke, Pierre Pitzl" REM COMPOSER "Giulio Caccini" INDEX 01 09:22:12 TRACK 05 AUDIO TITLE "Luis de Briçeño [fl early 17th century] - Caravanda ciacona (instrumental)" PERFORMER "Magdalena Kožená & Private Musicke, Pierre Pitzl" REM COMPOSER "Luis de Briçeno" INDEX 01 12:50:00 TRACK 06 AUDIO TITLE "Tarquinio Merula [1594/5-1665] - “Hor ch’è tempo di dormire” (Canzonetta spirituale sopra alla nanna from ‘Curtio precipitato et altri capricii’, Libro secondo, 1638)" PERFORMER "Magdalena Kožená & Private Musicke, Pierre Pitzl" REM COMPOSER "Tarquinio Merula" INDEX 01 14:31:37 TRACK 07 AUDIO TITLE "Gaspar Sanz [mid 17th-early 18th century] - Canarios (instrumental from ‘Instrucción de música sobre la guitarra española’, 1674)" PERFORMER "Magdalena Kožená & Private Musicke, Pierre Pitzl" REM COMPOSER "Gaspar Sanz" INDEX 01 23:13:57 TRACK 08 AUDIO TITLE "Sigismondo d’India - “Ma che? Squallido e oscuro” (‘Primo libro di musiche da cantar solo’, 1609)" PERFORMER "Magdalena Kožená & Private Musicke, Pierre Pitzl" REM COMPOSER "Sigismondo d’India" INDEX 01 26:29:30 TRACK 09 AUDIO TITLE "Biagio Marini [1594-1663] - “Con le stelle in ciel” (‘Scherzi e canzonette’ Op. 5, 1622)" PERFORMER "Magdalena Kožená & Private Musicke, Pierre Pitzl" REM COMPOSER "Biagio Marini" INDEX 01 29:13:72 TRACK 10 AUDIO TITLE "Girolamo Kapsberger [c1580-1651] - “Felici gl’animi” (‘Libro quarto di villanelle’, 1623)" PERFORMER "Magdalena Kožená & Private Musicke, Pierre Pitzl" REM COMPOSER "Johannes Hieronymus Kapsberger" INDEX 01 33:36:09 TRACK 11 AUDIO TITLE "Giovanni de Macque [1548/50-1614] - Capriccio stravagante (instrumental)" PERFORMER "Magdalena Kožená & Private Musicke, Pierre Pitzl" REM COMPOSER "Giovanni de Macque" INDEX 01 36:33:30 TRACK 12 AUDIO TITLE "Girolamo Kapsberger - “Aurilla mia, quando m’accese” (‘Libro secondo di villanelle’, 1619)" PERFORMER "Magdalena Kožená & Private Musicke, Pierre Pitzl" REM COMPOSER "Johannes Hieronymus Kapsberger" INDEX 01 38:16:60 TRACK 13 AUDIO TITLE "Sigismondo d’India - “Torna il sereno Zefiro” (‘Quinto libro di musiche da cantar solo’, 1623)" PERFORMER "Magdalena Kožená & Private Musicke, Pierre Pitzl" REM COMPOSER "Sigismondo d’India" INDEX 01 41:33:72 TRACK 14 AUDIO TITLE "Giovanni Paolo Foscarini [fl 1629-1647] - Ciacona (instrumental from ‘Primo libro di musiche da cantar solo’, 1609)" PERFORMER "Magdalena Kožená & Private Musicke, Pierre Pitzl" REM COMPOSER "Giovanni Paolo Foscarini" INDEX 01 45:02:12 TRACK 15 AUDIO TITLE "Barbara Strozzi [1619-1677] - L’Eraclito amoroso: “Udite, amanti” (‘Cantate, ariette e duetti’, Op. 2, 1651)" PERFORMER "Magdalena Kožená & Private Musicke, Pierre Pitzl" REM COMPOSER "Barbara Strozzi" INDEX 01 46:50:24 TRACK 16 AUDIO TITLE "Lucas Ruiz Ribayaz [*before 1650] - Espagnoletta (instrumental from ‘Luz y norte musical para caminar’, 1677)" PERFORMER "Magdalena Kožená & Private Musicke, Pierre Pitzl" REM COMPOSER "Lucas Ruiz de Ribayaz" INDEX 01 54:46:18 TRACK 17 AUDIO TITLE "Tarquinio Merula - “Folle è ben chi si crede” (‘Curtio precipitato et altri capricii’, Libro secondo, 1638)" PERFORMER "Magdalena Kožená & Private Musicke, Pierre Pitzl" REM COMPOSER "Tarquinio Merula" INDEX 01 57:40:27
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Review
AllMusic Review by Stephen Eddins [-] Mezzo-soprano Magdalena Kozená's collection of vocal solos (plus a few instrumental tracks) from the early Baroque, Lettere Amorose, "Love Letters," is a delight. The recital includes some familiar pieces like d'India's Cruda Amarilli, Monteverdi's Sì dolce è il tormento, and Sanz's giddy dance, Canarios, but consists largely of repertoire that's more obscure but no less engaging. Merula's lullaby chaconne Hor ch'è tempo di dormire is a jewel, gorgeously idiosyncratic and deeply emotional. Caccini's erotic Odi, Euterpe, 'I dolce canto could be mistaken for mature Monteverdi at his most mischievous, but it dates from 1601 or 1602, when Monteverdi was at an early stage in his career. A real standout of the album is Strozzi's L'Eraclito amoroso: Udite amanti, which alternates sections of extravagantly expressive recitative with a ravishingly lyrical chaconne. Kozená easily has the technique to make the music glow and the dramatic gifts to bring it movingly to life. Her sharply characterized interpretations of the songs make each of them seem as fully realized and potent as a short operatic scene. Her voice has the burnished warmth of a mezzo, but can gleam when she soars into her upper register, and throughout she maintains an exquisite purity. Private Musicke, an ensemble of plucked and bowed strings led by Pierre Pitzl, beautifully matches Kozená's performances with inventive, understated, and expressive accompaniments. Deutsche Grammophon's sound is clean and wonderfully realistic. This is an album that should have strong appeal for lovers of Baroque music, or anyone who loves exceptional singing.
