Various Artists - Jazz pela Manhã para Acordar
Жанр: Crossover, Quiet Storm, Saxophone, Space-Age, Hard Bop, Smooth Jazz
Страна исполнителя (группы): International
Год издания: 2018
Издатель (лейбл): Warner Music Group - X5 Music Group
Аудиокодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 01:40:44
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Alice Coltrane - Morning Worship (03:36)
02. Cyrus Chestnut - The Dark Before The Dawn (06:23)
03. Darek Oleszkiewicz, Kuba Stankiewicz & Peter Erskine - All God's Chillun Got Rhythm (03:58)
04. Mongo Santamaria - Sunshine Of Your Love (03:24)
05. Les Baxter - Coffee Bean / Calabash Annie (02:16)
06. Joe Sample - Shreveport Stomps (04:01)
07. Joshua Redman - I Got You (I Feel Good) (04:40)
08. Harry Arnold And His Swedish Radio Studio Orchestra - It Might As Well Be Spring (02:43)
09. Ananda Shankar - Sagar (The Ocean) 13(0:17)
10. Jeannine Otis & Strings Of The Helsinki Philharmonic Orchestra - Sunday Morning (04:32)
11. Mose Allison - Feels So Good (02:53)
12. Chico Hamilton - Beyond The Blue Horizon (03:06)
13. Milt Jackson - Oh, Lady Be Good (04:32)
14. Bernt Rosengren & Nannie Porres - Good Morning Heartache (05:22)
15. Nat Adderley - Good Old Summertime (Live Version) (09:50)
16. Herbie Mann - Feeling Good (03:28)
17. Grover Washington Jr. - Come Morning (04:52)
18. Freddie Redd - Dawn Mist (02:52)
19. Jay Jay Johnson & Kai Winding - Don't Argue (02:59)
20. Chris Barber - Diga Diga Doo (03:20)
21. Lalle Svensson - Early Morning Blues (03:25)
22. Mongo Santamaria - Hold On! I'm Comin' (02:22)
23. Sarah Vaughan - The Good Life (03:07)
Об альбоме (сборнике)
Another excursion into Latin and Brazilian funk and jazz from the Raro Raro label, this time setting Bobby Valentin's classic "Use It Before You Lose It" dancefloor bomb against Mongo Santamarias funky take on Sunshine Of Your Love. Background singers, symthesizers. This is more programmed mood music than jazz. Smooth and nice. Gold album. One would expect the instrumentation to feature mostly ballads, but the opposite is true as O.P. and Bags romp through quite a few uptempo pieces.
A really entertaining observation on an unusual subject, that being paranoid about feeling good. Mose Allison appears to be enjoying life's spoils here while suspiciously waiting for some kind of karmic retribution. All of this is framed by a jump/bop rhythm and broken up by a typically elegant Allison piano solo.
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