[DL] Subarashiki Hibi ~Furenzoku Sonzai~ / ???????~?????~ [KeroQ][jap+rus] (2010, VN) [18+]

The Wonderful Everyday (aka Subahibi) Kickstarter is down to the last 24 hours - we're very close to the English Artbook stretch goal, so check it out and consider backing if you haven't yet!
As promised, here are SCA-DI's answers to a number of the questions from the AMA we held last weekend! Enjoy!
Q: You have been working on eroge for nearly 20 years. Compared to when you started, has the overall process of creating the games changed? And if so, what are some things that are easier or harder these days?
SCA-DI: I feel like the biggest factor in the changing history of eroge has been the "moefication" of otaku culture. 20 years ago, the idea of "moe" was still new and not yet fully-formed, but over the first decade of the 2000s it really began to take shape. Everything about the "moe" style was borne from eroge, but that style was picked up by other media such as light novels and anime, and became much more widespread. In that sense, the eroge genre lost a fair bit of its distinctiveness. That being said, both now and in the past, works like Wonderful Everyday really wouldn't be able to exist as anything but eroge. Also, the eroge market in Japan is inevitably becoming smaller, and producing large, full-scale titles is getting more and more difficult. We really feel blessed, therefore, to be able to make huge games like Sakura no Uta and Sakura no Toki.
Q: Have you considered making English versions of their games, or even of games from their sister brand Makura? Will you cooperate with them on other English translation projects?
SCA-DI: If people want it, we absolutely want to. I'd be especially happy if Sakura no Uta, and its sequel Sakura no Toki, could be localized into English at some point. It really all comes down to hearing the demand from you, the fans.
Q: What are your top 3 favorite eroge?
SCA-DI: That's tough. How about three of my personal favorites, and my objective top 3 eroge ever?
Top 3 eroge:
1. Fate/stay night
2. Dokyuusei
3. CLANNAD
I'll say it myself, I can't quite place what I'm basing these on. If it were a retrospective on the history of eroge, To Heart or One ~Kagayaku Kisetsu e~ might replace CLANNAD.
Personal favorites:
1. Saihate no Ima
2. Sayonara o Oshiete ~comment te dire adieu~
3. Isaku
I love the idea behind "Saihate no Ima". Both the complicated nature of the game, and the fact that the game's writer actually gave up on it partway, really took me in. ...that anecdote isn't well known in Japan, though, so don't tell people I said it. Just say it's a rumor you heard through the grapevine.
There's a well-known story in Japan about how after Kanon became a big hit, the president of Visual Arts told his team to make a similar game, and that game became "Sayonara o Oshiete". One day when I was having drinks with [Sayonara o Oshiete assistant writer] Nagaoka Kenzou, he made the boisterous statement that the game was also inspired by CROSS†CHANNEL, and that made me love "Sayonara o Oshiete" even more. CROSS†CHANNEL was of course released years after "Sayonara o Oshiete", so for the latter to have been influenced by the former, Nagaoka-san would have to be either a prophet or a time traveller. Thinking about it, he's actually probably both.
As far as "Isaku" is concerned, I was simply a big fan of the game in my college years. In fact, my first game "Tsui no Sora" was heavily influenced by "Isaku".
Q: With Subahibi having some of the extreme content it does, was there anything the localization team or KeroQ was nervous in regards to bringing it over to the west?
SCA-DI: Nervousness is all I felt. In fact, I'm still a little worried about whether everything will be alright.
Q: Can you ask Mr. SCA-DI what his life is like these days? Anything interesting happen recently? Any pets?
SCA-DI: Recently? For the most part there's haven't been many huge changes in life recently. That said, I do feel like my brain hasn't been working quite as well lately. My creative ability seems unaffected, though, and I am often thinking up ideas for new titles.
Right now, I have one dog, but I used to have two cats. They were way too cute, though, so when they died I swore never to own a cat again.
Q: What was your process for writing the story of Subahibi? Do you follow the same process for your other stories?
SCA-DI: Because of some programmatic issues with Tsui no Sora, as well as due to the large number of people who wanted to play the game, we decided to do a remake of the game. However, in the middle of writing and production, I came to realize that what I was creating wasn't a remake at all, and the game instead became Subarashiki Hibi (Wonderful Everyday). While Tsui no Sora was influenced mostly by Nietzsche, Wonderful Everyday instead took major inspiration from the philosophical works of Wittgenstein.
Q: If you had to come up with a new name for the game other than Subahibi, what would it be?
SCA-DI: I'm actually not great at coming up with titles in general, and it would take me a number of days just to come up with a potential new name for Subarashiki Hibi.
Q: What is the staff's favorite genre? Can we expect more denpa or similar works from KeroQ, or is there no real preference?
SCA-DI: I would have to ask the other staff about their preferences, haha. I'm not sure that we'll necessarily put out any more denpa-style titles soon, but it really just comes down to having a good idea - if it works, we'll make it.
Q: Do you have any other scenario writers in the eroge industry that you admire or like?
SCA-DI: There are a lot of writers I admire. Too many to list, really. I will say that while I of course respect writers who have already made a big name for themselves, my interest lies more in up-and-coming writers who are challenging themselves to make new masterpieces. For example, "Hikari no Umi no Apeiria"'s writer Hanno Shuusei has caught my interest lately.
Q: How did you overcome difficulties when writing the script for Subahibi?
SCA-DI: Spirit and determination.

http://www116. СПАМ

Вот инструкция.
1. Не забывайте, что японская версия Чудесных Дней устанавливается только из-под японской локали. Откройте Пуск — Панель управления — Часы, язык, регион — Изменение языка интерфейса — вкладка «Дополнительно» — Изменить язык системы, выберите Японский и перезагрузите компьютер. По крайней мере, мне никакие её (японской локали) эмуляторы не помогли.
2. Установите японскую версию игры (в архиве её, конечно же, нет). В пути установки не должно быть никаких японских символов — замените их латиницей (не кириллицей!).
3. Обязательно поставьте частичный англофикатор — без него русский шрифт будет сбит (не влезет в строку). Он прилагается в архиве. Делается это так: содержимое папки Subarashiki Hibi (Subahibi) Patch 素晴らしき日々копируете в корень установленной японской версии и заменяете файлы.
4. Верните русскую локаль, проделав процедуру из пункта 1 с той лишь разницей, что выбрать нужно снова русский язык во вкладке «Дополнительно». Запустите Chudeshie_dni_punktirnaya_zhizn.exe. Укажите путь к игре. Установите.
5. Играйте в русскую версию игры «Чудесные Дни: Пунктирная Жизнь».
Примечание: графика не переведена, поэтому частично игра остаётся на японском, частично — на английском. Большая часть такого текста прочитывается путём просмотра логов (крутануть колёсико мыши вверх во время чтения). Яркий пример: эпитафия в самом начале игры, сообщение на мобильнике (уже дальше по сюжету). В финальных титрах одного из финалов текст на японском. В конце одной из глав текст на английском. В остальном игра полностью переведена на русский язык.