(Musique Concrete, Sound Collage, Monochrome Vision) [CD] If, Bwana - Radio Slaves - 2007, FLAC (tracks+.cue), lossless

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cachanoff

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cachanoff · 24-Окт-15 11:37 (9 лет 10 месяцев назад)

If, Bwana / Radio Slaves
Жанр: Musique Concrete, Sound Collage, Monochrome Vision
Носитель: CD
Страна-производитель диска (релиза): Russia
Год издания: 2007
Издатель (лейбл): Monochrome Vision
Номер по каталогу: mv11
Страна исполнителя (группы): US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:03:44
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1. The Evocation
2. Brain Dead
3. Gift Of Life
4. Fish Tales From The Bible
5. Jungle Horn
6. Called On God's Carpet
7. The Great One
8. Allah Does It
9. Dress Me Down
10. It's Your Funeral
11. From My Heart, Directly
12. Scratching Asia
13. Radio Slaves
14. Mixed Opinions
15. Once Upon A Time
16. Living In Harmony
Bonus Tracks
17. A Condensed History Of Religion
18. Screwed It Up Again
19. Accident Free Households
20. Extremely Dangerous
Лог создания рипа

Exact Audio Copy V1.0 beta 4 from 7. December 2014
EAC extraction logfile from 3. July 2015, 20:43
If, Bwana / Radio Slaves
Used drive : ASUS CRW-5232AS Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 1:40.14 | 0 | 7513
2 | 1:40.14 | 1:55.37 | 7514 | 16175
3 | 3:35.51 | 2:00.74 | 16176 | 25249
4 | 5:36.50 | 1:50.30 | 25250 | 33529
5 | 7:27.05 | 2:24.16 | 33530 | 44345
6 | 9:51.21 | 14:11.55 | 44346 | 108225
7 | 24:03.01 | 1:54.26 | 108226 | 116801
8 | 25:57.27 | 2:51.52 | 116802 | 129678
9 | 28:49.04 | 2:31.17 | 129679 | 141020
10 | 31:20.21 | 2:55.25 | 141021 | 154170
11 | 34:15.46 | 2:34.56 | 154171 | 165776
12 | 36:50.27 | 3:08.36 | 165777 | 179912
13 | 39:58.63 | 5:14.24 | 179913 | 203486
14 | 45:13.12 | 3:12.65 | 203487 | 217951
15 | 48:26.02 | 3:15.64 | 217952 | 232640
16 | 51:41.66 | 1:35.04 | 232641 | 239769
17 | 53:16.70 | 2:16.60 | 239770 | 250029
18 | 55:33.55 | 2:16.31 | 250030 | 260260
19 | 57:50.11 | 2:02.26 | 260261 | 269436
20 | 59:52.37 | 3:51.49 | 269437 | 286810
Track 1
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Peak level 51.3 %
Extraction speed 2.1 X
Track quality 100.0 %
Test CRC 86A8F21B
Copy CRC 86A8F21B
Accurately ripped (confidence 1) [851A54FF] (AR v2)
Copy OK
Track 2
Filename D:\zzz\02 - Brain Dead.wav
Peak level 55.0 %
Extraction speed 1.9 X
Track quality 99.9 %
Test CRC 466E6A29
Copy CRC 466E6A29
Accurately ripped (confidence 1) [AA5ADAD9] (AR v2)
Copy OK
Track 3
Filename D:\zzz\03 - Gift Of Life.wav
Peak level 53.1 %
Extraction speed 2.4 X
Track quality 100.0 %
Test CRC 8683793E
Copy CRC 8683793E
Accurately ripped (confidence 1) [68C3C051] (AR v2)
Copy OK
Track 4
Filename D:\zzz\04 - Fish Tales From The Bible.wav
Peak level 47.0 %
Extraction speed 2.5 X
Track quality 100.0 %
Test CRC 662D54EE
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Accurately ripped (confidence 1) [2490A313] (AR v2)
Copy OK
Track 5
Filename D:\zzz\05 - Jungle Horn.wav
Peak level 67.3 %
Extraction speed 2.8 X
Track quality 100.0 %
Test CRC 4E375654
Copy CRC 4E375654
Accurately ripped (confidence 1) [93C69C6A] (AR v2)
Copy OK
Track 6
Filename D:\zzz\06 - Called On God's Carpet.wav
Peak level 63.9 %
Extraction speed 3.9 X
Track quality 100.0 %
Test CRC 05C4E722
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Accurately ripped (confidence 1) [8412C624] (AR v2)
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Track 7
Filename D:\zzz\07 - The Great One.wav
Peak level 57.6 %
Extraction speed 3.4 X
Track quality 100.0 %
Test CRC EC37BDF7
Copy CRC EC37BDF7
Accurately ripped (confidence 1) [1B1F1A77] (AR v2)
Copy OK
Track 8
Filename D:\zzz\08 - Allah Does It.wav
Peak level 49.9 %
Extraction speed 3.9 X
Track quality 100.0 %
Test CRC A90F40B6
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Accurately ripped (confidence 1) [DB462C5E] (AR v2)
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Track 9
Filename D:\zzz\09 - Dress Me Down.wav
Peak level 57.1 %
Extraction speed 3.9 X
Track quality 100.0 %
Test CRC E7A0FEEC
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Accurately ripped (confidence 1) [08B45A58] (AR v2)
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Track 10
Filename D:\zzz\10 - It's Your Funeral.wav
Peak level 39.5 %
Extraction speed 4.1 X
Track quality 100.0 %
Test CRC DAE47E55
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Accurately ripped (confidence 1) [65B15261] (AR v2)
Copy OK
Track 11
Filename D:\zzz\11 - From My Heart, Directly.wav
Peak level 56.9 %
Extraction speed 4.1 X
Track quality 100.0 %
Test CRC 544B0448
Copy CRC 544B0448
Accurately ripped (confidence 1) [7DD662DD] (AR v2)
Copy OK
Track 12
Filename D:\zzz\12 - Scratching Asia.wav
Peak level 69.5 %
Extraction speed 4.4 X
Track quality 100.0 %
Test CRC 638C4E66
Copy CRC 638C4E66
Accurately ripped (confidence 1) [7C3F4BC5] (AR v2)
Copy OK
Track 13
Filename D:\zzz\13 - Radio Slaves.wav
Peak level 53.1 %
Extraction speed 4.8 X
Track quality 100.0 %
Test CRC 56664F19
Copy CRC 56664F19
Accurately ripped (confidence 1) [A9CE95AC] (AR v2)
Copy OK
Track 14
Filename D:\zzz\14 - Mixed Opinions.wav
Peak level 65.4 %
Extraction speed 4.1 X
Track quality 99.9 %
Test CRC D6C68F3B
Copy CRC D6C68F3B
Accurately ripped (confidence 1) [36D40E71] (AR v2)
Copy OK
Track 15
Filename D:\zzz\15 - Once Upon A Time.wav
Peak level 57.9 %
Extraction speed 4.2 X
Track quality 99.9 %
Test CRC 00D016E3
Copy CRC 00D016E3
Accurately ripped (confidence 1) [2151FECD] (AR v2)
Copy OK
Track 16
Filename D:\zzz\16 - Living In Harmony.wav
Peak level 38.3 %
Extraction speed 4.2 X
Track quality 100.0 %
Test CRC 15B40EA1
Copy CRC 15B40EA1
Accurately ripped (confidence 1) [58C3C6DB] (AR v2)
Copy OK
Track 17
Filename D:\zzz\17 - A Condensed History Of Religion.wav
Peak level 74.9 %
Extraction speed 3.9 X
Track quality 99.9 %
Test CRC 6A586C6F
Copy CRC 6A586C6F
Accurately ripped (confidence 1) [023848F0] (AR v2)
Copy OK
Track 18
Filename D:\zzz\18 - Screwed It Up Again.wav
Peak level 74.9 %
Extraction speed 3.9 X
Track quality 99.9 %
Test CRC AACB0386
Copy CRC AACB0386
Accurately ripped (confidence 1) [C20C956B] (AR v2)
Copy OK
Track 19
Filename D:\zzz\19 - Accident Free Households.wav
Peak level 74.9 %
Extraction speed 4.7 X
Track quality 100.0 %
Test CRC D9638E89
Copy CRC D9638E89
Accurately ripped (confidence 1) [90785171] (AR v2)
Copy OK
Track 20
Filename D:\zzz\20 - Extremely Dangerous.wav
Peak level 74.9 %
Extraction speed 5.3 X
Track quality 100.0 %
Test CRC BEA5F080
Copy CRC BEA5F080
Accurately ripped (confidence 1) [37A5D477] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 9B8B7CD111404BF8856DD4B7E993401886CF89DA4DAED7C299E65F5D2E7E8B87 ====
Содержание индексной карты (.CUE)

REM GENRE "Musique Concrete, Sound Collage, Sound Art"
REM DATE 2007
REM DISCID 0D0EF014
REM COMMENT "ExactAudioCopy v1.0b4"
PERFORMER "If, Bwana"
TITLE "Radio Slaves"
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FILE "02 - Brain Dead.wav" WAVE
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FILE "03 - Gift Of Life.wav" WAVE
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FILE "04 - Fish Tales From The Bible.wav" WAVE
TRACK 04 AUDIO
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PERFORMER "If, Bwana"
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FILE "05 - Jungle Horn.wav" WAVE
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PERFORMER "If, Bwana"
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FILE "06 - Called On God's Carpet.wav" WAVE
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FILE "07 - The Great One.wav" WAVE
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FILE "08 - Allah Does It.wav" WAVE
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FILE "10 - It's Your Funeral.wav" WAVE
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FILE "11 - From My Heart, Directly.wav" WAVE
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FILE "12 - Scratching Asia.wav" WAVE
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FILE "13 - Radio Slaves.wav" WAVE
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FILE "14 - Mixed Opinions.wav" WAVE
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FILE "15 - Once Upon A Time.wav" WAVE
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FILE "16 - Living In Harmony.wav" WAVE
TRACK 16 AUDIO
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FILE "17 - A Condensed History Of Religion.wav" WAVE
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FILE "19 - Accident Free Households.wav" WAVE
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FILE "20 - Extremely Dangerous.wav" WAVE
TRACK 20 AUDIO
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Лог проверки качества

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. The Evocation.wav]
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This track looks like CDDA with probability 100%
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Processing file: [03. Gift Of Life.wav]
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Processing file: [04. Fish Tales From The Bible.wav]
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Processing file: [06. Called On God's Carpet.wav]
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Final Conclusion:
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Доп. информация:
Album Info, Reviews, Interview
All tracks recorded and performed by Al Margolis 1984-1986
Mastering of this release was done by Tom Hamilton in April 2007
Cover designed by Dmitry Vasilyev for Monochrome Vision
Graffiti painting and photography by Dmitry Sheludenko, May 2007
Radio Slaves was originally issued as a limited edition cassette (150 copies) on the Medicinal Tapes label out of Pantin, France. In 2000, it was re-issued on CDr by the Generator Sound Art label. Of the bonus tracks included here: 17. and 19. were originally released on "Loopy But Chic - Harsh Blend" on Alain Neffe's Insane Music label as part of the "Home-made Music For Home Made People" series, Vol. 4. I think 18. was also recorded for one of Insane Music's compilations but I cannot be sure. And at this time I have no idea where 20. was originally released. All these compilation tracks were released at one time on Luis Mesa's label - EP (EP116). Someone wanted me to call this tape "I Stole The Title Of This Tape From If, Bwana", so that is what is called. The bonus tracks were probably recorded between 1984 and 1986. As the brain goes (or as I cannot find the documentation) it is hard to be more specific on the dating of the works. - Al Margolis, April 2007
Алан Марголис - музыкант, композитор, продюсер и владелец лэйбла Pogus Productions, влиятельный и очень известный человек в американском андеграунде. В настоящее время он также курирует лэйблы Deep Listening, Experimental Intermedia (XI Records) и Mutable Music - занимается их репертуаром и непосредственным общением с музыкантами. Марголис работал с такими артистами как Полина Оливерос, Ульрих Кригер, Дэвид Прескотт, Катерина Либеровская, Эллен Кристи, Джоан Осборн и Фредерик Лонберг-Хольм. Его первый кассетный лэйбл назывался Sounds Of Pig Music, он был основан в 1984 году - тогда же появился и его музыкальный проект If, Bwana, существующий до сих пор. Марголис по образованию гитарист, но интерес к необычному звучанию привёл его к экспериментам с прочими инструментами и электроникой - как в форме студийной импровизации, так и сложной структурной композиции. If, Bwana - сольный проект, но обычно в записи альбомов принимают участие другие музыканты. Альбом ”Radio Slaves” был записан в 1986 году при помощи простого и недорогого сэмплера Casio SK-1. Он был способен воспроизводить только очень короткие петли длиной не более 4 секунд, соответственно все треки были изготовлены из записей, взятых с винила и из радиопередач. Поэтому шум радиоэфира и треск пластинок здесь звучат умышленно - это неотъемлемая часть работы. - Monochrome Vision
As if his stint as the legendary curator of eighties tape label / mega-conglomerate Sound of Pig wasn't enough, Al Margolis' daring experimental works happen to be a rare breath of fresh ether on the avant-garde music scene; from the small section of work I have sampled, I have found his exploits to be consistently more fascinating and stylistically novel than the output of many other underground sound adventurers.
This self-justifying reissue comes by way of the fantastic Monochrome Vision label, and unearths what was originally a 150-copy tape put out by the hopelessly obscure Medicinal Tapes imprint based out of Pantin, France. Four additional artifacts are also thrown in – a spattering of comp appearances as well as “Extremely Dangerous,” whose history is forgotten even to Margolis himself.
Radio Slaves is almost entirely the result of a precious piece of equipment known as the Casio SK-1, a 1985 sampler with enough memory only for very short loops. Obviously the object of much fascination by Margolis at the time, it is responsible for a whole world of sound on this substantial record, contriving surprising sonic permutations and repeating them bountifully. Menacing “Fish Tales from the Bible,” for example, combines the repeated utterance of “his holiness,” a creepy chanted tidbit, and a sinister synth line to utterly demonic effect. As is the case with the rest of the record, the joy of the entire affair derives from the skill with which Margolis selects and implements disparate sounds and puts them together to create a cohesive piece. Other tracks take different approaches entirely, particular songs dabbling in eerie prettiness (“It's Your Funeral,” “Radio Slaves”) and loose romping-around (“Jungle Horn,” “Brain Dead”). The enterprise rarely wades into mediocrity (“Once Upon a Time”).
One composition is worthy of special note, as it is significantly different from its discmates. “Called on God's Carpet” is notable not just because it's about five times as long as the album's average track length, but also because it eschews the loopy sampler approach for a more expansive experimental adventure. Garbled, incomprehensible speech is laid over a bed of haunting organ drones amid a dark ambience that seems to rise up and incinerate the track, rendering human voices grimly distorted, and suffocating the track in swelling noise. Like the rest of Radio Slaves, it's potent, evocative stuff, and well worth a listen.
How did the original Radio Slaves come to be? How did you get hooked up to France's Medicinal Tapes?
Well I recorded the material - I had gotten a little Casio SK-1 sampler and used that as the basis for all but one piece on the original recording. For some reason whenever I got a new piece of technology – if you want to call it that – I would use that as the source or method of working. Seems to have been a pattern over the years. And to be honest I cannot remember how I hooked up with Medicinal Tapes. We were undoubtedly in contact through tape trading and I am guessing they asked for something to release. I tended to not overly "shop" my work around (and I still do not). I mean, I do a bit, but not overly aggressively – kind of like, "Are you interested in a recording?"
Whatever happened to Medicinal Tapes, for that matter?
I have no idea. My memory is that after the release we did not have much (any?) contact – but that could also be faulty memory.
Why the title Radio Slaves?
Well, I have usually listened to rock, pop, etc. – radio – from youth, but also being involved in non-commercial music and non-music, I mean shit – commercial radio is what it is and in all reality it enslaves you to the same songs and the beat and to serious consumerism. So, to a certain extent when you listen to the radio – and its no longer just music – you do become a "slave." (Probably better sounding than Radio Ensnared as a title.)
Radio Slaves has seen a fair amount of interest since its miniscule release in 1986. Generator Sound Art re-released it as a cdr years ago, and now there's this Monochrome Vision reissue. Why all the attention?
Well, as I mentioned, I made the tape and then Medicinal released it. Gen Ken Montgomery of Generator (and by the way Pogus will be releasing a CD of his soon) wanted to release something of mine as part of his archival section of Generator, and apparently this is his favourite recording of mine. If you listen to the short tracks and loops involved I think it makes sense that Ken digs this one. And when Dimitry Vasilyev of Monochrome Vision asked for something – again keeping with his partial aesthetic of re-issuing a lot of 80's cassette and electronic material – I actually sent him 3 or 4 tapes of materials and he wanted this one... Plus, he asked about filling it out with some other material. Beyond that I really am not sure why it has been so "popular."
In addition to the original Medicinal Tapes release, this reissue also includes a few compilation appearances, the details of which are vague even to you. Am I correct in assuming you have massive stacks of archival material lining the walls of your home? Just how much of your work do you own, and how often do you listen to your older recordings? Is there a storehouse of unreleased material waiting to be put out?
I could not find offhand the compilations the additional material was on – mostly from Alain Neffe's Insane Music label compilations. I think I eventually ran across the tapes... I have stacks of cassettes from the days of tape label running and trading. I was and have actually over the years been fairly efficient at recording, meaning that I usually manage to release my backlog, whether by self-releasing or finding some home for it. And I think that that backlog has, on occasion, worked out qualitatively as well, as it seems to weed out the material that, in the end, is better not out there... So while on one hand I really do not go back and listen to lots of older material (though it is nice to hear when, say, making a copy for someone), I do tend to listen a lot to unreleased material (most of it newer) – just to see if it is standing the test of time while waiting for a home for it. I usually have 3 or 4 CDs worth of unreleased material sitting around – I would like to have it out there but releasing too many If, Bwana CDs on Pogus at one time is not what I want to do, both for artistic and financial reasons. So there is not much "older" archival unreleased material out there. I would like to get some of the older cassettes reissued, but there is newer material awaiting release or being finished or worked on.
In what context do you see Radio Slaves being listened to? What sorts of images/feelings does it evoke?
I don't really know. On one hand I think it was partially a comment on 'world' music and its use of samplings of music from all over the world to make new and commercial music while "borrowing" other culture... While I have used samples and loops for a long time, I early on tried to not use others' work but sample myself or those I was working with (usually). It's a weird pop record, also – probably the most readily "beat" oriented work I have ever done (“Radio Slaves,” anyone?) – and it's got some weird feel to it but not sure what it evokes. Kind of quasi religious at times almost... but maybe not.
Michael Tau, Indieville
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If, Bwana is Al Margolis
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56857809234563387

Стаж: 16 лет 3 месяца

Сообщений: 266

56857809234563387 · 30-Окт-15 11:37 (спустя 6 дней)

cachanoff благодарю! Солидаризируюсь и соглашаюсь с тем что ВЫ перехватили инициативу в эстафете по выкладке правильного материала в количественном отношении. Если представится возможность, то было бы нестерпимой эрекцией увидеть тут фриджазнойзовый Blowhole.
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cachanoff

Top Seed 06* 1280r

Стаж: 15 лет 11 месяцев

Сообщений: 3090

cachanoff · 30-Окт-15 18:16 (спустя 6 часов)

56857809234563387
Спасибо за добрые слова.) Стараемся. Жаль только, что скоро РТ заблокируют (для меня во всяком случае) и предчувствую, что после этого выкладывание превратится в сплошную мУку. Но не будем терять надежды.
С Blowhole везде всё очень плохо (особую пикантность ситуации придаёт то, что у них сплошной винил и кассеты), впрочем, на бэндкампе можете бесплатно скачать Explicit Catharsis.
Интересно, кстати, с кем вы солидаризируетесь? Наверное, с моими вкусами.
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56857809234563387

Стаж: 16 лет 3 месяца

Сообщений: 266

56857809234563387 · 04-Ноя-15 07:44 (спустя 4 дня)

Неоднократно встречал спичи признания ваших заслуг, с ними и только с ними моя солидарность. Да, блокировка в среднем понизит скорость раз в 10. Даже платные сервисы туннелирования основательно режут привычные мегабиты с кабеля - в частности возникают жёсткие ограничения на количество одновременных соединений. Но следует учитывать специфику данного ресурса. Полагаю что блокировка (если она состоится) будет затрагивать именно сайт. Конечно скорость при обходе будет не та, но не так критично скажется на серфинге. Другое дело это торрент-клиент. Его пинг блокировать не смогут и не будут - это очевидно. Таким образом рациональной выглядит стратегия при которой ты для манипуляций с вебсайтом используешь вазелин и какой-нибудь гонконгский IP, а для дачи/раздачи переключаешься на широкий канал провайдера. Единственное чтобы статистика учитывалась, ну здесь все вопросы к админам. Странно почему материал Blowhole не переиздают. Столько ... выпускают, а тортик в упор не видят. Между тем на трэкере так же отсутствует Graveyards. Непорядок.
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cachanoff

Top Seed 06* 1280r

Стаж: 15 лет 11 месяцев

Сообщений: 3090

cachanoff · 04-Ноя-15 10:16 (спустя 2 часа 32 мин.)

56857809234563387
Да, блокироваться будет - разумеется - только сайт, а чтобы на него зайти, есть всякие возможности. PirateBrowser, например. Так что кремлёвские заправилы обломаются в любом случае. На статистику, в принципе, наплевать и забыть, а вот то, что поддерживать раздачи, которые и сейчас еле держатся, станет некому - это печальный факт. Но опять же - до поры. Со временем все приспособятся. Так что есть основания для умеренного оптимизма.
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